Mostrando títulos en Historia y Crítica

Movie fans and spiritual seekers, unite! In Cinema Nirvana, veteran meditation teacher and film critic Dean Sluyter illuminates the hidden enlightenment teachings of Casablanca, Jaws, The Graduate, The Godfather, Memento, Easy Rider, Invasion of the Body Snatchers, The Big Sleep, Fistful of Dollars, and half a dozen more classic films, revealing spiritual wisdom in everything from 007's secret weapons to the colors of the Seven Dwarfs' eyes. So grab your popcorn, sit back, and prepare to have your mind opened. Cinema Nirvana is a funny but wise, practical but wildly entertaining guide to finding enlightenment...one movie at a time.

Raconter une histoire ne s'improvise pas. La narration est un artisanat qui, avant de pouvoir prétendre à l'art, exige le respect de règles que John Truby a rassemblées dans cette Anatomie du scénario. Sa méthode unique nous fait entrer dans les secrets de fabrication de ce qui constitue la condition première de la réussite d'un film - une bonne histoire - et nous guide pas à pas dans la construction des personnages, de l'intrigue, de l'univers du récit, des dialogues, en détaillant les vingt-deux étapes incontournables dans l'écriture d'un scénario réussi.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

From exclusive interviews with director Ken Russell and new interviews with cast, crew, and historians, comes this examination of the beautifully blasphemous film The Devils. Based on historical fact, this controversial 1971 film is about an oversexed priest and a group of sexually repressed nuns in 17th-century France and the ensuing trials and exorcisms that followed. Detailing the production and the personalities of two of cinema’s great eccentrics, director Ken Russell and star Oliver Reed, Crouse delves deeper to explore the aftermath of the film.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.

Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century. What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it—from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes.

Arrested Development earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following. Fortunately, this book explores the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favorite scenes and episodes of the show in a whole new way.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

In this adventure, which would have played well in one of his own films, Schmuel Goldfisz left the Warsaw ghetto in 1895. He walked 300 miles to the Oder River, where he paid someone to row him across, smuggling him out of the Russian empire into Germany, past border patrols to another long walk to Hamburg. The gleam in his eye was America, "a far-away country, a vision of paradise." Schmuel Goldfisz became Samuel Goldwyn, one of the producers who created the Hollywood film industry.

Every day you're presented with opportunities and challenges, and must decide which roads to follow, which risks to confront, when to deny an opportunity and when to pursue the call to adventure. And you won't know whether you'll profit or fail while you're in the thick of it. In Win or Die: Leadership Secrets from Game of Thrones, Bruce Craven brilliantly analyzes the journeys of the best and worst leaders in Westeros, so that leaders can create their own narratives of success.

Game of Thrones, book and show alike, is spun from classic myth, from the tales of Robin Hood and King Arthur to the Norse Ring Cycle and saga of Ragnarok. Above all these human adventures soar Daenerys' dragons adapted from the dragons, wyverns, and wyrms of Western bestiaries. But what about the merlings, seal folk, wargs, greenseers, grumpkins, and snarks: Which mythologies created them?

Iconic actors, jealousy, tantrums, and a legendary producer’s struggle to transform the tempestuous, ill-fated union of Anne Boleyn and Henry VIII to the big screen all factor into this dramatic, behind-the-scenes story of how the popular Broadway play Anne of the Thousand Days became the quintessential Anne Boleyn movie. Richard Burton and Geneviève Bujold lit up the screen in this tragic romance, but some of the most exciting scenes were those not caught on film and which centered on a real or imagined love triangle.

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for more than a quarter century! A film so dangerous half its cast and crew met their demise bringing it, eccentric billionaire Howard Hughes’ final cinematic vision, to life! Starring all-American legend John Wayne in full Fu Manchu makeup as Mongol madman Genghis Khan and sultry seductress Susan Hayward as his lover, The Conqueror is possibly the worst movie ever made.

The brutalized body of 14-year-old Emmett Till was published in Jet magazine at the insistence of his mother, Mamie Till-Mobley. Mamie wanted the horrific photograph of her son’s lynched body to be displayed for the world to see, to expose America to its own barbaric acts of racial terror. As such, Emmett’s death and Mamie’s actions afterwards would ignite a crucial moment in the civil rights movement, changing the course of history forever.

From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. This delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.

Scarface is a powerful, stylized commentary on violence, materialism, excess, corruption and crime in America. Set during the drug-driven decadence of Miami in the 1980s, it is a rags to riches story about the rise and fall of an illegal immigrant from dishwasher to narcotics kingpin who is undone by greed and delusions of grandeur triggered by cocaine psychosis. It is both thrilling entertainment and a wicked, nightmarish parody of the American dream.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

Lost is more than just a popular television show; it's a complex examination of meaningful philosophical questions. What does good versus evil mean on the island? Is it a coincidence that characters John Locke and Desmond David Hume are named after actual philosophers? What is the ethics of responsibility for Jack?