Showing results by publisher "Tantor Audio" in Music

Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations - some spanning the course of years - with 10 fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. 

Many of our assumptions about empathy, sensual pleasure, and the essence of work, community, country, race, and the divine have germinated in Bob Dylan's need to know what's blowing in the wind and how it feels. Tracing his work and vision through themes that have shaped religious and cultural history for millennia, Stephen Daniel Arnoff uncovers how Bob Dylan has re-enchanted ancient questions of meaning and purpose throughout popular culture, inspiring a pantheon of prophetic musicians along the way.

By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience.

Whether you called it electro, indie dance, or were too busy scouring the internet for MP3s to care about a genre name, Never Be Alone Again: How Bloghouse United the Internet and the Dancefloor connects the disparate parts of an under-documented era in the first book focused on the musical and cultural phenomenon called bloghouse.

The Red Hot Chili Peppers were going to be a one-time act for a friend's album release party. Forty years later the funk rock band is arguably one of the best known and the longest running in the United States. Everything that happened in 1983 set the course for the rest of the band's career. The scrappy band quickly rose to scene-wide fame, playing all over Los Angeles, and gaining fans and media attention wherever they performed.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family's native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music.

As the first anthology to assess the nature of fan response and the band's enduring appeal, Fandom and The Beatles: The Act You've Known for All These Years defines and explores the key ways in which this particular pop fusion has inspired such loyalty and multigenerational popularity.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

In A New America, Tommy Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades - from his initial fascination with Latin music which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. >But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America.

Nick Currie, otherwise known as Momus - named for the ancient Greek god of mockery - has recorded more than 30 albums, published half a dozen works of speculative fiction, and written articles for The New York Times, Wired, Artforum, Frieze, and The Wire. Niche isn't any old showbiz memoir. Rather than writing a single sincere, avuncular tell-all in his own voice, Momus has structured the narrative of his life as a typically atypical mockery of the rock-biography oral history.

The Entrepreneurial Muse explores principles of entrepreneurship in a classical music setting, inspiring students, emerging professionals, and educators alike to gain the broader perspective and strategic understanding required to negotiate the complex and ever-changing landscape of a professional music career. Listeners will acquire strategic and observational tools designed to expand their view of possible career paths in classical music, stimulate creative thinking about how their unique skills can find value in the 21st-century marketplace, and realize their professional goals.

Author and singer John Potter tells the European story of song. The form has captivated audiences and excited performers for centuries, from the music of the troubadours and the Christian liturgy through classical composers such as Bach and Schumann up to Britten, Berio, and the rise of popular music. Choosing twelve key works, Potter offers a personal tour through this vital tradition, from John Dowland's "Flow My Tears" to George Gershwin's "Summertime." Throughout, he reveals who wrote and sang these joyful masterpieces—and what they mean to singers and audiences today.

Benjamin Franklin is renowned for his landmark inventions, including bifocals, the Franklin stove, and the lightning rod. Yet his own favorite invention is unknown to the general public. The glass armonica, the first musical instrument invented by an American, was constructed of stacked glass bowls and played by rubbing one's fingers on the rims. It was so popular in the late 18th and early 19th centuries that Mozart, Beethoven, Handel, and Strauss composed for it. In Angelic Music, Corey Mead describes how Franklin's instrument fell out of popular favor.

In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Record producers and songwriters broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.

Anyone who has lived near New Haven, Connecticut, in the past forty-plus years has surely heard of Toad's Place. With a capacity of 750, Toad's has served as the perfect spot for musicians who prefer smaller venues.

In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.

In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

From the award-winning author of Bring It On Home: Peter Grant, Led Zeppelin, and Beyond and Comfortably Numb: The Inside Story of Pink Floyd comes this deeply researched alphabetical biography of Queen and each of its dynamic members. Addressing the phenomenal success of the movie Bohemian Rhapsody, acclaimed music journalist Mark Blake builds on the legend of Queen and their enduring audience appeal.