Mostrando resultados por Editor "HighBridge, a Division of Recorded Books" en Mujeres

If there had been no cover-up of Robert Kennedy's complicity in the murder of Marilyn Monroe in 1962 and he had been prosecuted based on compelling evidence at the time, the assassination of JFK by Bobby's enemies would not have happened - changing the course of history and preventing the murder of media icon Dorothy Kilgallen.

At the start of this remarkable story of recovery, healing, and redemption, Ginger Gaffney answers a call to help retrain the troubled horses at an alternative prison ranch in New Mexico, a facility run entirely by the prisoners. The horses are scavenging through the dumpsters, kicking and running down the residents when they bring the trash out after meals. One horse is severely injured. The horses and residents arrive at the ranch broken in one way or many: the horses are defensive and terrified, while the residents, some battling addictions, are emotionally and physically shattered.

It's five o'clock in the morning and still dark. Swimming outside the wave break off the Catalina coast, training for her next long-distance swim (she has already crossed the English Channel twice), 17-year-old Lynne Cox senses that something is following her. She worries that it might be a great white shark.

Eager to retell the narrative of her own family and her coming-of-age, Patti Davis casts aside misperceptions that defined her in the past. Far from being the enfant terrible, Dear Mom and Dad reveals young Patti as a sensitive child, who was not able to be the public person her family demanded. Davis casts an empathetic yet honest eye on her parents—on her father, the eternal lifeguard, who saved seventy-seven people, yet failed to create a coherent AIDS policy, and her mother, who never escaped her own tortured youth.

Nicole Chung was born premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of giving her a better life, that forever feeling slightly out of place was her fate as a transracial adoptee. But as Nicole grew up, she wondered if the story she'd been told was the whole truth.

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905-1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—"Orientally yours." Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy.

The same week her husband of 15 years ditches her for a guy he met on Gay.com, a partially inebriated teenage driver smacks her VW Beetle head-on. Marriage over, body bruised, life upside-down, Rhoda does what any sensible 43-year-old would do: She goes home. But hers is not just any home. It's a Mennonite home, the scene of her painfully uncool childhood and the bosom of her family.

Annabel Abbs's Windswept: Walking the Paths of Trailblazing Women is a beautifully written meditation on connecting with the outdoors through the simple act of walking. In captivating and elegant prose, Abbs follows in the footsteps of women who boldly reclaimed wild landscapes for themselves, including Georgia O'Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the French River Garonne, Daphne du Maurier along the River Rhône, and Simone de Beauvoir - who walked as much as 25 miles a day in a dress.

Mecklenburgh Square has always been a radical address. Nestled in the heart of Bloomsbury, these townhouses have borne witness to the lives of some of the century's most revolutionary cultural figures - many of whom were extraordinary women. United by their desire to experiment with new ways of living - and, therefore, of being - these authors and thinkers were trailblazers in their commitment to creative independence.

When Belle Boggs' "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine and an interview on NPR's The Diane Rehm Show. In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her - the emergence of 13-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo - for signs that she is not alone.

"It's a meditative act," they said. But it's far from meditative for Alexandra Heminsley when yet another wave slams into her face. It's survival. When she laced up her shoes in Running Like a Girl, all she had to do to become a runner was to get out there and run. But swimming is something else entirely. The water is all-consuming, confusing her every move, sabotaging every breath. Determined, Alexandra will learn to adapt, find new strengths, and learn to work with the water.

Ah, 55. Gateway to the golden years! Professional submitting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement...Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old's life in an 85-year-old's malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat - all those burdens of running a household that still, all-too-often, fall to women.

In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope - the haunted house, erotica, the bildungsroman....

Mercy Fontenot was a Zelig who grew up in the San Francisco Haight-Ashbury scene, where she crossed paths with Charles Manson, went to the first Acid Test, and was friends with Jimi Hendrix. She predicted the Altamont disaster when reading the Rolling Stones' tarot cards at a party and left San Francisco for the climes of Los Angeles in 1967 when the Haight "lost its magic". Written just prior to her death in 2020, Permanent Damage shows us the world of the 1960s and 1970s music scene through Mercy's eyes, as well as the fallout of that era.

Lynne Tillman became one of nearly 53 million Americans who care for a sick family member when her mother developed an unusual and little understood condition called Normal Pressure Hydrocephalus. Instantly, Tillman's independent and spirited mother went from someone she knew to someone else, a woman entirely dependent on her children. Mothercare is both a cautionary tale and sympathetic guidance for anyone who suddenly becomes a caregiver, responsible for the life of another—a parent, loved or not, or a friend.

At 23, Isa Mazzei was just like any other college graduate: broke, lacking purpose, and searching for an identity. She was also a compulsive seductress with a reputation as a slut and heartbreaker. One day, while working a low-paying retail job, she had a revelation: why not embrace her salacious image and make some money off of it?

One night in April 2014, members of the terrorist organization Boko Haram raided the small town of Chibok in northeast Nigeria and abducted 276 young girls from the local boarding school. The event caused massive, international outrage. Using the hashtag "Bring Back Our Girls", politicians, activists, and celebrities from all around the world - among them First Lady Michelle Obama and Nobel Peace Prize winner Malala Yousafzai - protested.

I'm the One That I Want, based on her show of the same name, is filled with dead-on insights about the experience of being a woman with attitude, of flowing with the highs and lows of life, and of creating one's own identity and acceptance. It is every bit as hilarious, shocking, and irreverent as she is.

On a summer night in 1984, 19-year-old UC Berkeley sophomore Karen Thomas leaves her uniformed patrol job at the University of California Police Department and walks home alone in darkness. At the threshold of her apartment a man assaults her at knife point. After a soul chilling struggle she manages to escape and call 911. Police catch her assailant, she identifies him, and he is arrested. Fast forward 2014, 30 years after her assault. Why does the body remember what the mind tries so desperately to forget?

For fans of Anne Lamott, Abigail Thomas, and Ayelet Waldman, a postdivorce memoir, one woman's story of starting over at 60-in youth-obsessed, beauty-obsessed Hollywood. After the death of her best friend, the loss of her life's savings, and the collapse of her once-happy marriage, Meredith Maran - whom Anne Lamott calls "insightful, funny, and human" - leaves her San Francisco freelance writer's life for a 9-to-5 job in Los Angeles.