Showing titles in Renaissance

Modern beer has little in common with the drink that carried that name through the Middle Ages and Renaissance. Looking at a time when beer was often a nutritional necessity, was sometimes used as medicine, could be flavored with everything from the bark of fir trees to thyme and fresh eggs, and was consumed by men, women, and children alike, Beer in the Middle Ages and Renaissance presents an extraordinarily detailed history of the business, art, and governance of brewing.

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.

Who are the Medici brothers? And who is trying to assassinate them? Why was the Pitti Palace never completed? And what part did Leonardo play in all of this? Leonardo da Vinci is remembered as an artist and inventor. But who was he before anyone knew his name? This family-friendly novel explores the history and the legends of his early years in Florence. It also weaves a mystery of politics and power.

Léonard de Vinci était enfant illégitime, homosexuel, gaucher, végétarien, distrait et parfois hérétique. Cette inadéquation aux moeurs de l'époque a décuplé sa créativité. À travers les milliers de pages de ses carnets et les plus récentes découvertes des historiens, Walter Isaacson dépeint l'émergence de son génie, alimenté par une curiosité passionnée, une capacité d'observation de tous les instants et une imagination sans limites.

Anne Boleyn is a subject of enduring fascination and by far the most famous of Henry VIII's six wives. For the most part, she is considered in the context of her relationship with Tudor England's monarch. Dramatic though this story is, of even greater interest - and significance - is the relationship between Anne and her daughter, the future Elizabeth I, who was less than three years old when her mother was executed. Given that she could have held precious few memories of Anne, it is assumed that her mother exerted little influence over her. Nothing could be further from the truth.

Venice, 1522. Intelligence arrives from the east confirming Europe's greatest fear: the vastly rich Ottoman Sultan has all he needs to wage total war - and his sights are set on Rome. With Christendom divided, Suleyman the Magnificent has his hand on its entrails. From the palaces of Istanbul to the blood-soaked fields of Central Europe and the scorched coasts of North Africa, The Lion House pioneers a bold new style of eye-witness history to tell a true story of power at its most glittering, personal and perilous.

When we think of Venice, we think of masks, canals, murals and frescoes, and little “gondoliers” with picturesque boats. Venice, indeed, has an impressive artistic history. But did you know that Venice was also, for a while, a considerably sized empire? Although no enduring historic records associate with the creation of Venice, the Republic of Venice's history is typically said to start at 12 a.m. on Friday, March 25th, AD 421, when authorities from Padua established the city to develop a trading center in that area of northern Italy.

It was one of the most concentrated surges of creativity in the history of civilization. Between 1390 and 1537, Florence poured forth an astonishing stream of magnificent artworks. But Florentines did more during this brief period than create masterpieces. As citizens of a fractious republic threatened from below, without, and within, they also were driven to reimagine the political and ethical basis of their world, exploring the meaning and possibilities of liberty, virtue, and beauty.

The first of Henry VIII's wives was Catherine of Aragon, the pious Catholic princess who suffered years of miscarriages and still births and yet failed to produce a male heir.

Now celebrated as one of the great painters of the Renaissance, Michelangelo Merisi da Caravaggio fled Rome in 1606 to escape retribution for killing a man in a brawl. Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.

The fifth in the new Naxos Audiobooks series "In a Nutshell", The Renaissance is a short and accessible introduction to the era that gave us Leonardo da Vinci, Michelangelo and Palestrina. The Renaissance swept across Europe between the 14th and 17th centuries, heralding intellectual revolutions in science, art, philosophy and politics, and marking a decisive shift towards modern thinking.

If ever a catharsis in Western European Civilization occurred, it had to have been the period we refer to as the Renaissance. After a thousand years of theocracy, manorialism, feudalism and narrow economic development, Europe was ripe for change. She got it with a vengeance.

In 1503, Pope Julius II had succeeded the notorious Alexander VI, and Julius II brought an appreciation for the arts to the papacy. After Michelangelo finished the flurry of works that he had worked on during the previous four years, he was commissioned by Pope Julius II to complete a tomb in the Pope's honor. The project was to be massive in scope, and the tomb was to be placed inside of St. Peter's Basilica, the construction of which was intended to take place while Michelangelo designed the tomb.

The best-selling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of "the king of the world's booksellers" and the technological disruption that forever changed the ways knowledge spread.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

At the heart of the extraordinary ferment of the High Renaissance stood a distinctive, strange and beguiling figure: the magus. An unstable mix of scientist, bibliophile, engineer, fabulist and fraud, the magus ushered in modern physics and chemistry while also working on everything from secret codes to siege engines to magic tricks. Anthony Grafton's wonderfully original book discusses the careers of men who somehow managed to be both figures of startling genius and - by some measures - credulous or worse.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

The year is 1501. Michelangelo has created his Roman pieta, and yet patrons are not lining up at his door to hire him for more commissions. Reluctantly, he agrees to take on a project for Cardinal Piccolomini - a commission which will try the patience of both patron and artist. Before the year is out, Michelangelo hears the rumors that the Florentine City Fathers are looking for a sculptor to finish the colossal David that had been been begun four decades before. Will they give the task to Michelangelo, or his arch rival, Leonardo the Florentine?

One morning in May 1671, a man disguised as a parson daringly attempted to seize the crown jewels from the Tower of London. Astonishingly, he managed to escape with the regalia and crown before being apprehended. And yet he was not executed for treason. Instead, the king granted him a generous income, and he became a familiar strutting figure in the royal court's glittering state apartments. This man was Colonel Thomas Blood, a notorious turncoat and fugitive from justice.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.