Mostrando títulos en Mayoría de Edad

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

A sus quince años, Mungo, un adolescente con una sensibilidad diferente al resto de los chicos del vecindario, vive en un barrio obrero del Glasgow de la era post-Thatcher, en el seno de una familia protestante: sin padre, con una madre alcohólica y un hermano que representa todo lo que él odia. En un ambiente masculinizado, rodeado de paro y peleas callejeras, solo cuenta con el apoyo y el cuidado de su hermana, Jodie. Tras un altercado familiar, su madre decide enviar a Mungo de pesca con dos desconocidos de Alcohólicos Anónimos para que hagan de él un hombre de provecho.

When 79-year-old Arthur Edwards gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's finally ready to come out. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel ready to come out yet – especially when Arthur’s announcement causes shockwaves in the family.

Mallory is a freshman in college when she meets the woman. She sees her for the first time at the university’s gym, immediately entranced by this elegant, older person, whom she later learns is married and works at the school. Before long, they begin a clandestine affair. Self-possessed, successful, brilliant, and aloof, the woman absolutely consumes Mallory, who is still reeling from her mother’s death a few months earlier.

Reminiscent of Hello Beautiful and The Lying Life of Adults, this powerful narrative delves into social changes from 1970 to 2000 and captures a woman’s journey in a pre-#MeToo era via the tale of a mother who returns to her hometown to face the perpetrator of her childhood abuse. When a young girl feels complicit in her own abuse, how does that thwart her attempts to build a happy life as an adult woman? When disturbing memories begin to surface, Marti returns to the small Vermont town she ran away from thirty years ago to face her demons.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Recently jilted and increasingly unhinged, Dr. Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary 18th-century thief. No one knows Jack's true story - his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled "Confessions of the Fox". Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at 12, P struggles for years with her desire to live as "Jack".

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising - and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink - The Beautiful Room is Empty conflates the acts of coming out and coming of age.

Most days, Magda is fine. She has her routines. She has her anxious therapy patients, who depend on her to cure their bad habits. She has her longtime colleagues, whose playful bickering she mediates. She’s mourning the recent loss of her best friend, Sara, but has brokered a tentative truce with Sara’s prickly widower as she helps him sort through the last of Sara’s possessions. She’s fine. But in going through Sara’s old journal, Magda discovers her friend’s last directive: plans for a road trip they would take together in celebration of Magda’s upcoming seventieth birthday.

It’s 1953 when Memory Feather and her mother, Virginia, are welcomed back home to the Mississippi Gulf Coast community of Belle Cote by Virginia’s childhood friend Mac McFadden, whose verve and energy buoy the recently divorced Virginia to embrace this new chapter. Memory (“Mem”) is unlike other girls: she is attuned to the voices of plants and animals and is missing two fingers on her twisted left hand. The three of them knit their lives together and become a close, though unconventional, family.

Max Walker is a golden boy. Attractive, intelligent, and athletic, he's the perfect son. Max's mother, a highly successful criminal lawyer, is determined to maintain the facade of effortless excellence she has constructed through the years. Now that the boys are getting older, now that she won't have as much control, she worries that the facade might soon begin to crumble. Adding to the tension, her husband, Steve, has chosen this moment to stand for election to Parliament. The Walkers are hiding something, you see. Max is special. Max is different. Max is intersex.

Set against the backdrop of Dublin in the 1980s, a place of political, social and religious change, the two friends yearn for an unbound life and, together, begin to fight to take up the space of who they truly are. As their defiance reverberates through their lives, they are further alienated from society through acts of bravery and cowardice. Finding themselves as outsiders, they are feared and watched but rarely truly seen.

Welcome back to Pride High, where the delicious drama continues! Ricky tries to sort through his feelings for Diego—the hot guy who has been bullying him—and ends up in the middle of a feud. Anthony and Cameron, now a couple, must navigate first times and coming out. Silvia finds herself questioning her feelings for Omar when someone else catches her eye…and it’s a girl.

Fueled by tomato sandwiches and green milkshakes, and obsessed with cars, Philbet struggles with life and love as a gay boy in rural Georgia. He’s happiest when helping Grandaddy dig potatoes from the vegetable garden that connects their houses. But Philbet’s world is shattered and his resilience shaken by events that crush his innocence and sense of security; expose his misshapen chest skillfully hidden behind shirts Mama makes at home; and convince him that he’s not fit to be loved by Knox, the older boy he idolizes to distraction.

A Better Place is the story of two boys from two completely different worlds struggling to find themselves amongst a whirlwind of confusion. Will the strength they find in each other be enough to overcome the hatred and abuse of others? The unlikely pair struggle through friendship and heartbreaks, betrayal and hardships, to find the deepest desire of their hearts.

New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse.

Anthony has decided to come out to his school in a big way and faces backlash, not just from his fellow students, but the principal as well. Cameron’s mom is still drinking and his dad remains absent. Can he turn to his boyfriend for support? Mindy has the hots for a guy who is most certainly taken, a predicament that intensifies when they're paired for a project. Silvia’s secrets are catching up with her, Keisha struggles to set aside her feelings for a girl she can’t have, and Omar’s dreams are about to crash and burn.

Twelve-year-old Fee is a shy Korean American boy and a newly named section leader of the first sopranos in his local boys' choir. But when Fee learns how the director treats his section leaders, he is so ashamed he says nothing of the abuse, not even when Peter, his best friend, is in line to be next. When the director is arrested, Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself.

In 2006, 14-year-old Kieran Northrup has just moved from Pacific Palisades, California, to the wealthy suburbs of Berks County, Pennsylvania. Immediately upon moving into their new home, Kieran's older brother and best friend, Justin, quickly begins growing distant from him as he is initiated into a group of popular jocks who terrorize Kieran. To make matters worse, a sudden and tragic accident changes Kieran's life forever, pushing him into an even deeper and lonely sadness.