Mostrando resultados por Editor "Assembled Stories" en Clásicos

"To Paragot I owe everything. He is at once my benefactor, my venerated master, my beloved friend, my creator." Thus begins the story of one of the greatest characters of English Literature - Paragot the lovable Bohemian and celebrated Bon Vivant. A young urchin from the London slums is adopted by the hero and given an adventurous education traveling through Europe, tambourine player in a group of ragamuffin musicians.

"Stacy Aumonier was profoundly in love with life, and impregnated through and through by curiosity about life and its manifestations. All types were fish to his net; and he has given us the fruits of his passion for existence with a deft and always interesting fidelity. He is never heavy, never boring, and never really trivial and can't he write?" John Galsworthy. The stories are: Miss Bracegirdle Does Her Duty, "Face",

Hamlet was written between 1597 and 1600, just after the death of Shakespeare’s only son, Hamnet, one of twins, who died aged 11 in 1596. Despite scholarly argument that this was mere coincidence, it is impossible to believe that a writer as sensitive as Shakespeare would not be questioning the reason for the life and death of his son during those years.This production contends that Hamlet was to a large degree shaped by the answers to those questions.

Written in 1926... and published posthumously [without the authors customary revision] in 1930, The Virgin and the Gypsy is a minor masterpiece in short story writing. It provides an excellent introduction to Lawrence’s work, being a succinct distillation of his ideas about sexuality and its ability to transcend class barriers.

A wonderfully evocative tale of the courtship of Fancy Day, newly arrived schoolmistress, by Dick Dewy, carrier of goods, during the four seasons of one year in Wessex. Most of Hardy’s work had tragedy woven into the narrative but ‘Under the Greenwood Tree’ is full of whimsy and good humour. The story is not without its serious comment, however, as Hardy reflects on class division and the disappearance of heritage in the rural community.

A collection of short... stories by W W Jacobs. Serpents, skinflints, skivers, suitors and sundry sailors take the foreground in these stories about the East End of London and the mythical village of Claybury at the turn of the century.

'The manuscript was submitted to me by a young officer of the R.F.A., home from the front on leave. He explained that he had brought with him from France a bundle of papers which he had found in one of the dug-outs of an abandoned gun position. He discovered the papers secreted in a dark corner wedged in between a post and the wall of one of the bunks.' (Extract from the preface by John Lane, publisher)

London Lavender is not a story; it is a party. It is a party at which Mr Lucas invites his readers to meet all sorts of interesting and unusual seeming guests, and lets them tell their queer and quaint and funny ideas about life, and gives little sketches of their history.

This wonderful comedy about orphan and innocent Arthur Kipps was the means by which Wells satirized what he saw as a gross stupidity and blight upon English society: the pretensions of and obsession with class. Humble drapers' assistant Arthur unexpectedly inherits his grandfather’s fortune and is instantly propelled into a higher social strata with the subsequent problems of attaining the required behaviour of a ‘gentleman’.

A romantic adventure yarn of plotting and corruption largely set against the panorama of Imperialist Russia but with some of the skulduggery taking place in the major capitals of Europe. An old Etonian and half Russian, Prince Paul Alexis, inherits the Osterno estate in the Steppes. Naive and honest, but helped by experienced campaigner Steinmetz, he forms a progressive but illegal Charity League to succour the needs of the starving uneducated peasantry who are ravaged by cholera.

Newly born Judith is found in by eccentric Squire Gauntry in the chilled sombre ruin of a house on a bitter winter's night, her parents having died at her birth. With such a tenuous start, the child grows up to have an intense lust for life and curiosity for every new experience. She is the natural heir to both her parents' temperaments. With the wilfulness of her mother and the stubbornness of her father, she is redeemed by a compulsion to tell the truth and a willingness to help anyone she loves in time of trouble or distress.

Mary and George love each other in early childhood, but George's father tears them apart, not believing that Mary, a bailiff's daughter, will be a fit match for his son. The family travel to America to pursue the father's dream of wealth. During George's absence, Mary moves to Scotland and, in order to survive, is forced into a marriage of convenience. George returns after 10 years to search for his promised bride and becomes obsessed and infatuated with a Mrs Van Brandt. Is the pursuit beginning to affect his sanity?

This is Volume one of the greatest romantic narrative novel of the early 19th Century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life.

This is Volume Two of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God, John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

This is Volume Three of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life.

This is Volume Four of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

This is Volume Five of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

David Herbert... Lawrence was born into a mining family in Nottinghamshire in 1885. He created his finest work shortly after the finish of the First World War. Two of the themes in his writing are the gradual disintegration of the class system and the customs and sexual mores of people across class divisions. What made Lawrence unusual was the combination of this subject matter with the style of his direct, modern prose.

Includes 'Titbottoms Spectacles' by George William Curtis, 'The First Piano in Camp' by Samuel Davis, 'Mr Tolman' by Frank R. Stockton, 'Mrs Bullfrog' by Nathaniel Hawthorne, 'Against His Judgement' by Robert Grant, 'A Desperate Adventure' by Max Adeler, 'Occurence at Owl Creek' by Ambrose Bierce, 'The Stout Gentleman' by Washington Irving, 'Clothes 'by Gustav Kobbé and 'Negative Gravity' by Frank R. Stockton.

The columnist of... the New York Post-Dispatch, Miss Lonelyhearts, is initially cynical about the letters he receives for help. They are a joke. Gradually however, the letters start to move him but he is powerless to do anything. Retreating from the pain into a fantasy world he starts to believe that he is a Christ figure, a universal saviour. But Christ died for the sins of others! The pen may be mightier than the sword but the author wields his like a cleaver, splicing images together to present a savagely grotesque world.