Showing titles in Essays

Audiolibro producido con sonido 3D. El mismo esta diseñado para ser escuchado con auriculares. Las puertas de la percepción es un ensayo escrito por Aldous Huxley, publicado en 1954. En este trabajo, Huxley detalla sus experiencias al consumir la sustancia psicodélica mescalina. A lo largo del ensayo, reflexiona sobre la naturaleza de la realidad, la conciencia y la percepción. Profundiza en cómo ciertas sustancias pueden alterar nuestra percepción del mundo, lo que le lleva a ponderar los límites entre el ser interno y la realidad externa.

During the Depression, economic anxieties found an outlet in a series of child murders that triggered an irrational nationwide hysteria: pedophiliac psychopaths were overrunning the country. As America was brought to rage and fury by the press and the FBI, lynch mobs took to the streets, reason gave way to doomsday scenarios, and one father was even driven to murder his three daughters to “save them” from a degenerate crime wave. A terrifying cautionary essay, Panic explores the combustible mix of unfounded fears, moral crusades, and the dangers of collective thinking.

Including pieces from The Atlantic, Vanity Fair, The New Yorker, and The Philadelphia Inquirer, this collection is Bowden at his best. The titular article, "The Three Battles of Wanat", tells the story of one of the bloodiest days in the war in Afghanistan and the extraordinary years-long fallout it generated within the United States military. In "The Killing Machines", Bowden examines the strategic, legal, and moral issues surrounding armed drones.

Editor Eleanor Brown presents a collection of personal essays from 18 different authors about their experiences in the City of Light.

Marilynne Robinson has built a sterling reputation as a writer of sharp, subtly moving prose, not only as a major American novelist, but also as a rigorous thinker and incisive essayist. In When I Was a Child I Read Books she returns to and expands upon the themes which have preoccupied her work with renewed vigor.

The Amputee’s Guide to Jules Verne is a listener's guide to every novel Jules Verne wrote; in that respect alone, there is no other book like it on the market. But it’s more than that. Nick DiMartino has included several essays evaluating Verne’s overall approach as a writer and the values embodied in his work. He has included as well a number of deeply personal essays about his struggles with the loneliness, pain, and lack of mobility that came with being an amputee.

Stephen King once said that books are “a uniquely portable magic.” Here, Emma Smith takes listeners on a literary adventure that spans centuries and circles the globe to uncover the reasons behind our obsession with this captivating object. From disrupting the Western myth that the Gutenberg Press was the original printing project, to the decorative gift books that radicalized women to join the anti-slavery movement, to paperbacks being weaponized during World War II, to a book made entirely of cheese, Portable Magic explores how, when, and why books became so iconic.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

Nick Lansing and Susy Branch are young, attractive but impoverished New Yorkers. They are in love and decide to marry, but realise their chances of happiness are slim without the wealth and society that their more privileged friends take for granted. Nick and Susy agree to separate when either encounters a more eligible proposition.

The Foxfire Magazine, a literary journal first published in 1967 in Rabun Gap, Georgia, was founded on the belief that stories and meaning could be found in Appalachian spaces, not only in classics such as Shakespeare. Filled with poetry and prose from local students and authors, the magazine also featured interviews with relatives and neighbors. These oral histories conducted by students from the Rabun Gap-Nacoochee School quickly became the star of the magazine. Now, pulled from the vast Foxfire archive, come twenty-one oral histories from southern Appalachian women.

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning.

As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

New York Times best-selling author and cultural critic Chuck Klosterman presents a unique Audio Companion for Chuck Klosterman X, in which he contextualizes and reads from the collection of his best articles and essays, providing both a fascinating tour of the past decade and an ideal introduction to the mind of one of the sharpest and most prolific observers of our unusual times.

Listening to Shaking a Leg is like spending time with the funniest, wisest friend you've ever had - a person whose breadth of interest ranges from food to feminism to science fiction and everything in between. Bursting with ideas, culturally astute and sparklingly witty, this comprehensive volume of Angela Carter's journalism is the most down-to-earth and entertaining companion to latter 20th-century thought you'll ever need.

Following The Broken Estate, The Irresponsible Self, and How Fiction Works - books that established James Wood as the leading critic of his generation - The Fun Stuff confirms Wood’s preeminence, not only as a discerning judge but also as an appreciator of the contemporary novel. In 23 passionate, sparkling dispatches - which range over such crucial writers as Thomas Hardy, Leo Tolstoy, Edmund Wilson, and Mikhail Lermontov - Wood offers a panoramic look at the modern novel.

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

In a book that begins with a series of lynchings and ends with a series of apologies, Eula Biss explores race in America. Her response to the topic is informed by the experiences chronicled in these essays - teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago’s most diverse neighborhood.

Originally published in 1966, Susan Sontag's first collection of essays is a modern classic and includes the famous essays "Notes on Camp" and "Against Interpretation", as well as, her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

Ross Gay’s essays have been called “exquisite” (Tracy K. Smith), “imperative” (the New York Times Book Review), and “brilliant” (Ada Limón). Now, in this new collection of genre-defying pieces, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight.