Mostrando títulos en Realismo Mágico

Just before dawn one winter’s morning, a hijacked aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India’s legendary movie star, and Saladin Chamcha, the man of a thousand voices. Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?

After disappearing amidst a spray of bullets, antiques dealer Sarah Lester leaves behind no body, only questions. Sarah’s friends are left dealing with the aftermath of her disappearance, including an investigation into the provenance of her antiques, which threatens to crush The Old Curiosity Shop. As Sarah struggles to reunite with her father, she continues the search for her mother, unaware the violent colonial past has followed her home, putting herself, and those she loves in danger.

Carter, Flynn, Smith, and Jayden are sons of the Billionaire elite of Carbon Beach. All play and no work, their reputation of treating women badly lands on gossip columnist Serena Saxton’s desk. Eager for an expose that will whisk her away from her mediocre Manhattan house-share, she jumps at the chance to travel to Malibu and unearth the secrets of the infamous players. But their darkest secret is one she couldn't have foreseen–they're vampires, looking for one woman to love and to share, and they think Serena might be the one.…

It’s 1992, and ten-year-old Molly is tired of living in the fire-rotted, nun-haunted House of Friends: a Semi-Cooperative Living Community of Peace Faith(s) in Action with her formerly blind dad and their grieving housemate Evelyn. But when twenty-three-year-old Jeanie, a dirt bike-riding ex-con with a shady past, moves in, she quickly becomes the object of Molly’s adoration. She might treat Molly terribly, but they both have dead moms and potty mouths, so naturally Molly is the moth to Jeanie’s scuzzy flame.

After her mother dies, Hannah doesn’t know how to exist without her. Literally. In fact, Hannah’s not even certain that she does exist. No one seems to see or hear her, and she finds herself utterly alone. Grief-stricken and confused, her sense of self slowly slipping away, Hannah sets out to find new purpose in life—and answers about who (and what) she really is.

It’s been a year since Hannah’s husband, Brian, lost his battle with cancer, just days before his 30th birthday. Over and over again, Hannah has been told it’s time to move on. Trouble is, she’s not sure how. When her company downsizes and Hannah finds herself out of work, she moves back home to GraceTown, Maryland. Hannah isn’t sure exactly what she’s hoping to find in GraceTown, but a mysterious pink house no one but her has ever seen isn’t it. Nor does she expect the woman living in the house—someone unknown yet still familiar to Hannah--to present her with a gift.

You’ve heard of the Afterlife. Welcome to the Beforelife. There are four of us: Samuel, Lucy, Thomas, and me – Eliza. We came into being the day Becca Valentine was born. We’ve been by her side ever since. What she doesn’t know yet, is that one day she might become our mother. Then two men come into her life. Both seeking her heart. And then we realise: everything rests on Becca’s love story. Because one of the men is Lucy and Thomas’s father. And the other is mine and Samuel’s. And there’s simply no way we can all be born.

Chloe Howard’s devotion to her job has come at a cost: spending time with the most important person in her life - her mother. Vowing to change, she plans a trip home. Sadly, hours before she arrives, her mother passes away, leaving Chloe without a goodbye and riddled with grief and regret. But maybe...maybe it’s not too late. Just days before the funeral, Chloe finds her mother unaccountably alive and well. And it’s no longer May; she’s been transported back in time to March.

The Death Gate is down and Izzy Sage is at a crossroads. What will happen when they throw the switch and bring it back? She’s all atwitter on the big day...and then things only get more twisted when Zoe Lake-Winters, a powerful mage, walks through the door with her husband and daughter in tow. Two very different worlds are colliding, and Izzy and Zoe are at the center of it. The mystery of the other side is dark and deep and Zoe finds she’s intrigued...even if her methods are a bit extreme for the Grimlocks.

In the state of Liberty, water is rationed, free speech is hardly without a cost, and Texas has just declared itself its own country. In this society, paranoia is well-suited because eyes and ears are all around, and they are judging. Always judging. This terrifying terrain is explored via Eleanor, a young woman eagerly learning about her magic through her coven. But being a white witch is not as easy as they portray it in the books, and she’s already been placed under "house arrest" with a letch named Stan, a coworker who wronged her in the past and now exists in the form of a cat.

Mary Robinette Kowal stunned readers with her charming first novel, Shades of Milk and Honey, a loving tribute to the works of Jane Austen in a world where magic is an everyday occurrence. This magic comes in the form of glamour, which allows talented users to form practically any illusion they can imagine. Shades debuted to great acclaim and left readers eagerly awaiting its sequel. Glamour in Glass continues following the lives of beloved main characters Jane and Vincent, with a much deeper vein of drama and intrigue.

Combine an offbeat cast of characters with Murakami's idiosyncratic prose, and the result is the remarkable story Dance Dance Dance: high-class call girls billed to MasterCard, a psychic 13-year-old dropout has a passion for talking heads, and meet a hunky matinee idol doomed to play dentists and teachers. Don’t forget the one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a strange book hidden in the library stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues that lead him to a masquerade party in New York, to a secret club, and through a doorway to a subterranean library, hidden far below the surface of the earth.

Gabriel García Márquez's great masterpiece is the story of seven generations of the Buendía family and of Macondo, the town they built. Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and its miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book, and only Aureliano Buendía can fathom its mysteries and reveal its shrouded destiny.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge. It’s a tough place to be a single mother, but at least Emaleen never goes hungry. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature.

A haunted young girl (who happens to be a kung-fu expert and pathological liar) runs away from an oppressive city, where the sky is always grey, in search of love and sisterhood - and finds herself in a magical place known only as the Street of Miracles. There, she is quickly adopted into a vigilante gang of glamorous warrior femmes called the Lipstick Lacerators, whose mission is to scour the Street of violent men and avenge murdered trans women everywhere. Can our intrepid heroine find the truth within herself in order to protect her new family and heal her broken heart?

Los Angeles brims with opportunity in 1959—though not for aspiring fashion designer Cordelia Mai Yin, the first-generation child of Vietnamese immigrants, who finds the city unkind to outsiders and as dispirited as her own family. When Cordi rents a cheap loft in an old apartment building, she quickly warms to kindred souls Tessa, Audrey, and Silly. They also want better things and have pasts they’d rather forget. That they all share the same middle name makes their friendship seem like destiny.

For reasons of her own, Hero Tojosoa accepts an invitation she was half expected to decline, and finds herself in Prague on a bachelorette weekend hosted by her estranged friend Sofie. Little does she know she’s arrived in a city with a penchant for playing tricks on the unsuspecting. A book Hero has brought with her seems to be warping her mind: the text changes depending on when it’s being listened to and who’s doing the listening, revealing startling new stories of fictional Praguers past and present.

Si esta novela fuera un país, sería el más poblado del mundo. Una obra maestra de la literatura universal. Mito por derecho propio, saludada por sus lectores como la obra en español más importante después de la Biblia, Cien años de soledad cuenta la saga de la familia Buendía y su maldición, que castiga el matrimonio entre parientes dándoles hijos con cola de cerdo. Como un río desbordante, a lo largo de un siglo se entretejerán sus destinos por medio de sucesos maravillosos en el fantástico pueblo de Macondo, en una narración que es la cumbre indiscutible del realismo mágico y la literatura del boom.

A spellbinding saga about the inhabitants and inheritors of one rural community, by one of Iceland's most beloved novelists. A man comes to awareness in a cold church in the Icelandic countryside, not knowing who he is, why he's there, or how he arrived, with a stranger staring mockingly from a few pews back. Startled by the man's cryptic questions, he leaves—and plunges into a history spanning centuries, a past pressed into his genes that sinks him closer to some knowledge of himself.