Showing results by publisher "Penguin Audio" in Literary History & Criticism

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

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Twelve bytes. Twelve eye-opening, mind-expanding, funny and provocative essays on the implications of artificial intelligence for the way we live and the way we love - from Sunday Times best-selling author Jeanette Winterson. In this original, deeply researched and lively new book, Jeanette Winterson traces the history of the AI revolution. She talks to some of the boldest and most imaginative thinkers in the field and looks to religion, myth and literature to help us understand the radical changes to the way we live and love that are just around the corner.

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry.

Mohsin Hamid's brilliant, moving, and extraordinarily clever novels have not only made him an international best seller, they have earned him a reputation as a "master critic of the modern global condition" ( Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here, he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political.

In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy

So begins Benjamin Taylor's Here We Are, the unvarnished portrait of his best friend and one of America's greatest writers. Needless to say, Philip Roth's place in the canon is secure, but what is less clear is what the man himself was like. In Here We Are, Benjamin Taylor's beautifully constructed memoir, we see him as a mortal man, experiencing the joys and sorrows of aging, reflecting on his own writing, and doing something we all love to do: passing the time in the company of his closest friend.

For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St. Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law.

To be a bookseller or librarian...you have to play detective. Be a treasure hunter. A matchmaker. A brilliant listener. A person who creates a kind of magic by pulling a book from a shelf, handing it to someone and saying, 'You've got to read this. You're going to love it'. In this love letter to the heroes of literacy, James Patterson uncovers true stories from booksellers and librarians.

Henry Fielding’s riotous tale of innocents in a corrupt world was one of the earliest English novels, blending bawdy slapstick, philosophical musing, and pointed social satire to create a work of moral complexity and generous, life-affirming humanity. Published in 1742, it tells the story of the chaste servant Joseph Andrews who, after being sacked for spurning the advances of the lascivious Lady Booby, takes to the road, accompanied by his beloved Fanny Goodwill and the absent-minded, much put-upon Parson Adams.

Warmth is a new kind of book about climate change: not what it is or how we solve it, but how it feels to imagine a future - and a family - under its weight. In a fiercely personal account written from inside the climate movement, Sherrell lays bare how the crisis is transforming our relationships to time, to hope, and to each other. At once a memoir, a love letter, and an electric work of criticism, Warmth goes to the heart of the defining question of our time: how do we go on in a world that may not?

Twenty-five years after its original publication, Do I Have to Say Hello? Aunt Delia’s Manners Quiz for Kids and Their Grown-ups is back, and do we and our kids all need it. In a series of light-hearted multiple choice quizzes, alternate scenarios, and true-or-false questions, Delia Ephron and Edward Koren, the author and illustrator team who brought us the best-selling How to Eat Like a Child, depict a range of possibilities that reflect life as it is as well as life as it ought to be.

Peter Ackroyd's insightful new biography positions Shakespeare in the close context of his world. In this way, Ackroyd not only richly conjures up the texture of Shakespeare's life, but also imparts an amazing amount of vivid, interesting material about place, period and background. Walk with Ackroyd through sixteenth century London and Stratford as he uncovers the intimate circumstances of Shakespeare's life.

How did George Eliot's love life affect her prose? Why did Kafka write at three in the morning? In what ways is Barack Obama like Eliza Doolittle? Can you be over-dressed for the Oscars? What is Italian Feminism? If Roland Barthes killed the Author, can Nabokov revive him? What does 'soulful' mean? Is Date Movie the worst film ever made? A collection of essays that brims over with personality and warmth, Changing My Mind is journalism at its most expansive.

Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout A Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence.

In search of a new history of queer culture, Diarmuid Hester travels from Cambridge's ancient cloisters to the smoky clubs of Jazz Age Paris, through the bunkers of Nazi-occupied Jersey to the newly liberated gaybourhoods of New York and beyond. Authoritative and not a little irreverent, Hester brings to life the bars and basements, homes and studios, cities and landscapes that shaped the sexual identities of such extraordinary figures as E. M. Forster, Josephine Baker, James Baldwin and Derek Jarman.

Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-20th century race, religion and politics.

At the turn of the 20th century, Rudyard Kipling towered over not just English literature, but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures - including Freud and William James - was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse.

Most of what we say about books is really about the words inside them: the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. All books are, as Stephen King put it, 'a uniquely portable magic'. Here, Emma Smith shows us why. Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us.