Mostrando resultados por Editor "Random House Audio" en Poesía

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

A stunning collection of poems that John Updike wrote during the last seven years of his life. The opening sequence, "Endpoint", is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in "turning the oddities of life into words".

Piercy has long been known for her political poems, and here we have her thoughts on illegal immigrants, dying languages, fraught landscapes, abortion, president-speak. She examines her nonbeliever's need for religious holidays and spiritual depth, and the natural world is appreciated throughout. On the Way Out, Turn Off the Light is yet more proof of Piercy's love and mastery of language - it is moving, stimulating, funny, and full of the stuff of life.

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

woke up no light is a Black girl’s saunter turned to a woman’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.

It is the evening before the holiday of Purim, and the Nazis have given the ghetto's leaders 24 hours to turn over 10 Jews to be hung to "avenge" the deaths of the 10 sons of Haman, the villain of the Purim story, which celebrates the triumph of the Jews of Persia over potential genocide some 2,400 years ago. If the leaders refuse, the entire ghetto will be liquidated. Terrified, they go to the ghetto's rabbi for advice; he tells them to return the next morning.

Ruth Padel's new sequence of poems, in four movements, is a personal voyage through the life and legend of one of the world's greatest composers. She uncovers the man behind the music, charting his private thoughts and feelings through letters, diaries, sketchbooks, and the conversation books he used as his hearing declined. She gives us Beethoven as a battered four-year-old, weeping at the clavier; the young virtuoso pianist agonized by his encroaching deafness; the passionate, heartbroken lover. Padel's quest takes her into the heart of Europe and back to her own musical childhood.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

Every day, we hear a version of this message, and so we search and strive. Yet none of the places we’ve been told to look—our careers, relationships, even dreams that come true—seem to give lasting satisfaction. After twenty years as a professional writer of other people’s truth, Anna Mitchael found herself at the same crossroads. Tired of reaching and wondering where it was all headed, she began asking questions.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.

Fever of Unknown Origin opens at a remote crossroads, where the speaker considers the intersection of history, beauty, and destruction: “the past / is paper / and the present, a match . . .” What follows is an urgent tour of landscapes—environmental, political, and personal—that reframes our perception of modern America and leads the listener into “An empire of rags and photons” where we must look to the past to clarify our futures.

With Hutchins’s trademark sensory and evocative language throughout, Make Believe contains both viral spoken-word pieces and never-before-shared writing. Ultimately pointing listeners toward transformation, Hutchins invites you to imagine: What would happen if you allowed yourself to believe again—in dreams and miracles, but mostly in yourself?

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.

A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

Catherine Cohen, the one-woman stand-up chanteuse who has electrified the downtown NYC comedy scene in her white go-go boots, has been posting poignant, unfiltered poems on social media since before Instagram was a thing. A self-proclaimed self-obsessed millennial on the prowl with her beaded bag, she ponders guys who call you "dude" after sex, English-major dreams, true love during the pandemic, and other weighty matters in these captivating short lyrics.

Michael Faudet's latest book takes the listener on an emotionally charged journey, exploring the joys of falling madly in love and the melancholy world of the brokenhearted. Beautifully captured in poetry, prose, and short stories, Faudet's whimsical and sometimes erotic writing has captured the hearts and minds of thousands from around the world.

A reimagining of Romeo and Juliet, Angel & Hannah is the sweeping, unforgettable story of an interracial couple in 1990s New York City who are determined to protect their love against all odds. Told across the changing seasons, Angel & Hannah holds all of the tension and cadence of blank verse while adding dynamic and expressive language rooted in a long tradition of hip-hop and spoken word, creating new and magnetic forms.

One of the most influential poets in Chinese history, Ai Qing is mostly unknown to American readers, but his work has shaped the nature of poetry in China for decades. Born between the fall of imperial Manchurian rule and the establishment of the Communist People’s Republic, Ai Qing was at one time an intimate of Mao Zedong. He would eventually fall out with the leader and be sentenced to hard labor during the Cultural Revolution, when he was exiled to the remote part of the country known as “Little Siberia” with his family, including his son, Ai Weiwei.