Showing results by publisher "Penguin Audio" in Themes & Styles

Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and Western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy.

Michael Robbins' first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.

The first selection of poems by renowned Iranian poet Garous Abdolmalekian to appear in English, this collection is a captivating, disorienting descent into the trauma of loss and its aftermath. In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: Pain arrives before the wound, and the dead wait for sunrise.

Jay Bernard’s powerful debut is a queer exploration of the black British archive, tracing a line between two significant events in recent British history: the New Cross Massacre of 1981 in which 13 young black people were killed in a house fire - and the Grenfell Tower fire in 2017. The collection stems from research undertaken about the New Cross Fire during a 2016 residency at the George Padmore Institute.

With the same brilliant wit and biting realism that made Love Poems for Married People, Love Poems for People with Children, and Love Poems for Anxious People such hits, John Kenney is back with a brand new collection that tackles the hilarity of life in the office. From waiting in line for the printer and revising spreadsheet after spreadsheet, to lukewarm coffee, office politics, and the daily patterns of your most annoying - and lovable - coworkers, Kenney masterfully captures the warmth and humor of working the "9 to 5" in today's modern era.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.

Borderline Fortune is a meditation on intangible family inheritance - of unresolved intergenerational conflicts and traumas in particular - set against the backdrop of our planetary inheritance as humans. As species go extinct and glaciers melt, Teresa K. Miller asks what we owe one another and what it means to echo one’s ancestors’ grief and fear. Drawing on her family history, Miller seeks to awaken from the intergenerational trance and bear witness to our current moment with clarity and attention.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

In nearly four decades as a journalist covering conflict from Rwanda to Kosovo to Palestine, Channel 4 News International Editor Lindsey Hilsum has always carried a book of poetry. In Ukraine, she tweeted a poem a day, and people began to read, to share, to ask for more. Here, Lindsey collects her favourite poems from ancient times to modern, by writers from all around the world. Alongside each, she recalls a memory from her own work, whether interviewing the warlords of Bosnia, meeting child soldiers in Uganda or giving testimony in Rwanda.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

Rose McLarney’s fourth collection of poems, Colorfast, reckons with fading and bleeding away, the gray of aging and the gray areas to which truths are relegated. McLarney reconsiders girlhood stories, acknowledges omissions from Southern history, and studies the silences of women’s and other voices left out of accounts of the past. Yet she does not write of only what has been lost, defying elegy with tributes to her mother while she is alive to read them, and finding vibrancy that remains in sources such as weeds, gravel, insect shells, and the flawed human body.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

A dazzling collection of raw and explosive poems from a thrilling new feminist voice. In this multi-faceted collection of odes, anecdotes, sonnets and prose, Olivia Gatwood weaves together the trials and triumphs of growing up and explores the many ways that fear and violence can be internalised in a woman's psyche. At times blistering and riotous, at times soulful and exuberant, Life of the Party is about what it means to be a girl and a woman in today’s world and the challenge of briefly being both.

In Poor, Caleb Femi explores the trials, tribulations, dreams and joys of young Black boys in 21st-century Peckham. He contemplates the ways in which they are informed by the built environment of concrete walls and gentrifying neighbourhoods that form their stage, writes a coded, near-mythical history of the personalities and sagas of his South London youth and pays tribute to the rappers and artists who spoke to their lives.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicentre of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown. This is a book of awakening out of violence, guilt, shame and critical pessimism to imagine how we can strive towards a new existence in a world that seems to be dissolving into desolate futures.

Penguin presents the audiobook edition of bone written and read by Yrsa Daley-Ward. Observer book of the year 2017. 'You will come away bruised. You will come away bruised but this will give you poetry.' Raw and stark, the poems in Yrsa Daley-Ward's breakthrough collection strip down her reflections on the heart, life, the inner self, coming of age, faith and loss to their essence. They resonate to the core of experience.

Deep in limestone country, at the corner of Wiltshire, Oxfordshire, and Gloucestershire, lies the village of Coleshill. This haunting new collection from Fiona Sampson is a portrait of place, both real and imaginary; a dreamscape with its roots deep in the local soil. The poems hum with an evocative music of their own: there are hymns of the orchards, verses for walkers, songs for bees. These are slices of life and states of mind; poems of grief, fears, and maledictions, but also of renewal, resurrections, and the promise of spring.

Elaine Feeney brings her poetry to Harvill Secker and Vintage with this powerful, personal, fierce collection about women's lives, bodies, battles and triumphs. From a searing meditation on the experience and aftershocks of a sexual assault - written as a series of unflinching cantos - to poems of love, place and new beginnings, Feeney's voice is strong and clear, challenging and confessional, rooted in her west coast of Ireland heritage while speaking to and with women everywhere.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.