Mostrando resultados por Editor "Tantor Audio" en Literatura Mundial

More than 60 stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories - later revised for What We Talk About When We Talk About Love - are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver's literary development.

In this extraordinary memoir, Nobel Prize-winning author Günter Grass remembers his early life, from his boyhood through the late 1950s, when his book The Tin Drum was published. During the Second World War, Grass was drafted into the Waffen-SS. Taken prisoner by American forces, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved to Paris, where he began to write the novel that would make him famous.

As war overtakes the frontier, Emma's family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions-even as horror and injustice unfolds all around them.

Tara moves to the American South three years after her arranged marriage to tech executive Sanjay. Ignored and lonely, Tara finds herself regressing back to childhood memories that have scarred her for life. When she was eight, her parents had left her behind with her aging grandparents and a schizophrenic uncle in Mangalore, while taking her baby brother with them to make a new life for the family in Dubai. Tara's memories of abandonment and isolation mirror her present life of loneliness and escalating abuse at the hands of her husband.

The Stuart family moves to a marginal neighborhood of Cienfuegos, a city on the southern coast of Cuba. Arturo Stuart, a charismatic, visionary preacher, discovers soon after arriving that God has given him a mission: to build a temple that surpasses any before seen in Cuba, and to make of Cienfuegos a new Jerusalem. In a neighborhood that roils with passions and conflicts, at the foot of a cathedral that rises higher day by day, there grows a generation marked by violence, cruelty, and extreme selfishness.

Thirty-three-year-old hijabi Sana Saeed has put away her childhood dream of ishq—an all-consuming, sweeping love. The arranged dates she's agreed to have failed time after time, and she has responsibilities to consider—namely her sweet, autistic younger brother, Zia. Sana and Zia are a package deal, and she wouldn't have it any other way. But their traditional mother won't allow Sana to be named as his future guardian . . . unless she's married.

Carson Bradley is the CEO of Bradley Pharmaceutical Corporation, a powerful and influential multi-billion dollar drug empire. His wealth spans beyond anyone's imagination, but is useless to his lonely soul, which has been dormant since the death of his first love to cancer. Every day he strives for the sake of his research because he's determined to eradicate that vile disease forever. Lillian Ly is a young, humble medical student whose compassion for people is boundless.

To the exotic Aminpour sisters, Ireland looks like a much-needed safe haven. It has been seven years since Marjan Aminpour fled Iran with her younger sisters, Bahar and Layla, and she hopes that in Ballinacroagh they might finally find a home. The sisters set about creating a Persian oasis and soon sensuous wafts of cardamom, cinnamon, and saffron float through the streets-an exotic aroma that announces the opening of the Babylon Cafe. And it is an affront to the senses of Ballinacroagh's uncrowned king, Thomas McGuire.

On April 11, 1931, Virginia Woolf ended her entry in A Writer's Diary with the words "too much and not the mood." She was describing how tired she was of correcting her own writing, of the "cramming in and the cutting out" to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture.

On a sweltering summer night in 1925, beauties in beaded dresses mingle with hepcats in dapper suits on the streets of Harlem. The air is thick with reefer smoke, and jazz pours out of speakeasy doorways. Ben Charles and his devoted wife, Angeline, are among the locals crammed into a basement club to hear jazz and drink bootleg liquor. For aspiring poet Ben, the swirling, heady rhythms are a revelation. So is Baby Back Johnston, an ambitious trumpet player who flashes a devilish grin and blasts jazz dynamite from his horn.

When twenty-seven-year-old Linh Ly's recently divorced mother begins dating a coworker, Linh is determined to make sure he is worthy of her mother. She's seen the kind of men her mother ends up with—she grew up watching her unreliable and volatile alcoholic father as her mother worked two jobs to make ends meet. Linh is certain that her mother can't do this on her own, but what begins as genuine worry quickly turns obsessive.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

Throughout Proust's life, nine of his short stories remained unseen - the writer never spoke of them. Why did he choose not to publish them along with the others? One possible answer is that he was developing his themes in preparation for his masterpiece, In Search of Lost Time; another is that the stories were too audacious - too near to life - for the censorious society of the time. In these stories, published here for the first time, we find an intimate picture of a young author full of darkness and melancholy, longing to reveal his true self to the world.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

Ehli-nikkalu, eldest daughter of the Hittite emperor, is married to a mere vassal of her father's. But despite her status, her foreignness and inability to produce an heir drive a wedge between her and the court that surrounds her. When her secretary is mysteriously murdered while carrying the emperor a message that would indict the loyalty of his vassal, Ehli-nikkalu adopts the dead man's orphaned children out of a guilty sense of responsibility.

Sheriff Zeb Hanks has his hands full when sociopath Jimmie Joe Walker, recently released from an Arizona state prison, masterminds a devious plan to make himself filthy rich. His plan involves Ángel Gomez, a down-on-his-luck half Mescalero Apache/half Mexican. Ángel's alcoholism and far-fetched dreams make him an unwitting dupe in Jimmie Joe's plans, which end up endangering Ángel's own life, as well as the lives of those he loves.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Returning to the fictional Ojibwe reservation in northern Minnesota she deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family's land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked.

In the late 1950s and early 1960s, the writers of the Beat Generation revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time - particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's "Howl" (1956), and William S. Burroughs's Naked Lunch (1959).

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.