Showing titles in Asian

When recently widowed Maggie McElroy is called to China to settle a claim against her late husbands estate, she is blindsided by the discovery that he may have led a double life. Since work is all that will keep her sane, her magazine editor assigns her to profile Sam, a half-Chinese American who is the last in a line of gifted chefs tracing back to the imperial palace. As she watches Sam gear up for Chinas Olympic culinary competition by planning the banquet of a lifetime, she begins to see past the cuisines artistry to glimpse its coherent expression of Chinese civilization.

A vow. A contract. A marriage of fire and ice. But just when Eric de Vries and I found our forever, the entire world conspired to keep us apart. A kidnapping. A trial. A madman bent on revenge. Now caught in a web of our own passion and a father's obsession, the harder we struggle, the tighter we're caught. They say love conquers all, but it feels like we're the conquest. As the walls close in, I have to wonder...are we really meant to be? Or is this love just a trap?

The Narrow Road to the Interior and Hojoki are two of the best-loved works of their kind; famous for their beautiful, delicate verse and subtle insight into the human condition. It has been said of The Narrow Road that 'it was as if the very soul of Japan had itself written it'. It takes the form of a travel diary, and traces the poet's journey from Edo (modern-day Tokyo) to the northern interior.

Kobayashi Issa (1763-1828) was a brilliant master of Japanese haiku. This instructional book offers six lessons on how to write haiku based on examples from Issa and from twenty-first century poets who are following his creative path.

If Grace is being honest, she knows her choices skate past questionable and probably into destructive. But her heart is broken and the guy who broke it—her ex Josh—keeps hinting at a reunion. So when her best friends, Tiff and Camille, suggest they take a girls trip to help her get over her heartache, Grace doesn’t hesitate to recommend Cancún. She just doesn’t mention that Josh also happens to be there.

Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lims' handsome new heir, Tian Bai. Li Lan must uncover the Lim family's darkest secrets before she is trapped in this ghostly world forever.

Una maravillosa muestra del talento narrativo de Murakami que nos abre las puertas a otras realidades y nos lleva de la mano a mundos fantásticos. Un hombre que se obsesiona con la insólita y misteriosa desaparición del elefante de un zoo, un abogado en paro que recibe el encargo de su mujer de encontrar a su gato, una pareja de recién casados que deciden atracar un MacDonald's en plena noche, una curiosa digresión sobre los canguros, un enano diabólico que baila, un joven empeñado en burlarse de su futuro cuñado, un pirómano confeso.

Wesley Friends School is Washington, DC’s most prestigious prep school, so of course Aki Hiyashi-Brown is proud to teach at it and send her daughter Meg there. Why wouldn't she be proud? Parents kill to have their kid enrolled at Wesley. Not only is Wesley the premier academic destination for the children of the capital elite, it’s all about Diversity, Achievement, Collegiality, as all of their very glossy brochures will tell you. Aki should know. As one of the few teachers of color on staff, her face is plastered on every piece of marketing material the school puts out.

No Longer Human (1948, Ningen Shikkaku / A Shameful Life / Confessions of a Faulty Man) was an attack on the traditions of Japan, capturing the postwar crisis of Japanese cultural identity. Framed by an epilogue and prologue, the story is told in the form three notebooks left by Ōba Yōzō, whose calm exterior hides his tormented soul. Osamu Dazai was a Japanese author who is considered one of the foremost fiction writers of 20th century Japan. A number of his most popular works, such as Shayō (The Setting Sun) and Ningen Shikkaku (No Longer Human), are considered modern-day classics in Japan.

While intensely attentive to its own tradition, Japanese literature has also embraced the outside world, particularly the influence of China. Beyond this, Japan boasts a powerful literary culture, made up of cultivated reading publics, both aristocratic and bourgeois, literary salons, specialized presses, authoritative judges of talent who cultivated and celebrated particular writers and styles, and a canon consisting of classics. This Very Short Introduction traces the rich history of Japanese literature from its beginnings over a millennium ago to the present day.

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier.

Audrey Zhou left Hickory Grove, the tiny central Illinois town where she grew up, as soon as high school ended, and she never looked back. She moved to New York City and became the person she always wanted to be, complete with a high-paying, high-pressure job and a seemingly faultless fiancé. But if she and Manhattan-bred Ben are to build a life together, in the dream home his parents will surely pay for, Audrey can no longer hide him, or the person she’s become, from those she left behind.

Eighteen-year-old Shelley, born into a much-despised branch of the Zheng family in Yunnan Province and living in the shadow of his widowed father’s grief, dreams of bigger things. Buoyed by an exuberant heart and his cousin Deng’s tall tales about the United States, Shelley heads to San Francisco to claim his destiny, confident that any hurdles will be easily overcome by the awesome powers of the “Chinese groove,” a belief in the unspoken bonds between countrymen that transcend time and borders.

Mark Chan this. Mark Chan that. Writer and barista Emily Hung is tired of hearing about the great Mark Chan, the son of her parents’ friends. You’d think he single-handedly stopped climate change and ended child poverty from the way her mother raves about him. But in reality, he’s just a boring, sweater-vest-wearing engineer, and when they’re forced together at Emily’s sister’s wedding, it’s obvious he thinks he’s too good for her. But now that Emily is her family’s last single daughter, her mother is fixated on getting her married and she has her sights on Mark.

Hurricane Harvey is about to hit Houston. Meanwhile, single mom Jia Shah is already having a rough week: her twelve-year-old son, Ishaan, has just been suspended from school for getting in a fight. Still reeling from the fallout of her divorce—their move to Houston, her family’s disapproval, the struggle to make ends meet on her own—now Jia is worried about Ishaan’s future, too. Will her solo parenting be enough? Doesn’t a boy need a father?

While classic war films played, Old Second and his countrymen found intimacy in the screening rooms. In the box office, Bao Mei sold movie tickets to closeted men, guarding their secrets and finding her own happiness with the projectionist. But when Old Second’s passion for his male lover is revealed, a series of haunting events unfold, propelling these characters toward an uncertain future in America.

A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.

A poignant and suspenseful drama that untangles the complicated ties binding three women - two sisters and their mother - in one Chinese immigrant family and explores what happens when the eldest daughter disappears, and a series of family secrets emerge, from the New York Times best-selling author of Girl in Translation.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.