Mostrando resultados por Editor "Tantor Audio" en Europeo

Written when women---and workers generally---had few rights in England, Agnes Grey exposes the brutal inequities of the rigid class system in mid-19th-century Britain. Agnes comes from a respectable middle-class family, but their financial reverses have forced her to seek work as a governess.

Every young lady dreams of a life spent exchanging witty asides with a dashing Mr. Darcy, but how should you let him know your intentions? Seek counsel from this charming guide to Jane Austen's world. Its step-by-step instructions reveal the practicalities of life in Regency England. The Jane Austen Handbook is the perfect companion for fans of her novels and their film adaptations, complete with detailed information on love among the social classes, currency, dress, and nuances of graceful living.

How does one become accidentally engaged? That's what Suzy Curtis thinks when she suddenly finds herself very publicly engaged to handsome Harry Fitzallan, local town hero. Harry wants famous rock star Jaz to be his best man - only Jaz is Suzy's ex-husband and a recovering alcoholic. Suzy's half sister, Lucille, loves getting to know the family she never met, but she can't help her attraction to Jaz, nor can Suzy quash her entirely inappropriate feelings for Leo, Harry's engaged brother.

When Nancy discovers that the expensive jewelry her husband's been buying isn't for her, she decamps from the Scottish countryside to her best friend Carmen's posh Chelsea town house to sort things out. Nancy finds herself in a surprising new world, where rock stars are nicer than you thought, social workers are not necessarily to be trusted, and the filthy rich are folks with problems just like you.

This enchanting collection of stories gathers together legends from across Scotland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman's peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

When Arkady Petrovich comes home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away traditional values of contemporary Russian society.

J.R.R. Tolkien's novels of Middle-earth—The Hobbit, The Lord of the Rings trilogy, and The Silmarillian—have become some of the most famous, and most beloved, literary works of the twentieth century. Even if you've never read the novels and have only seen the films, you know that the world of Middle-earth is a complicated one. What you'll find in The Oigins of Tolkien's Middle-earth For Dummies is a basic guide to some of the possible linguistic and mythological origins of Middle-earth, plus a rudimentary analysis of its many themes and lessons for our world.

Following his acclaimed biography of Dickens, Robert Douglas-Fairhurst illuminates the tangled history of two lives and two books. Drawing on numerous unpublished sources, he examines in detail the peculiar friendship between the Oxford mathematician Charles Dodgson (Lewis Carroll) and Alice Liddell, the child for whom he invented the Alice stories, and analyzes how this relationship stirred Carroll's imagination and influenced the creation of Wonderland.

When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.

In this extraordinary memoir, Nobel Prize-winning author Günter Grass remembers his early life, from his boyhood through the late 1950s, when his book The Tin Drum was published. During the Second World War, Grass was drafted into the Waffen-SS. Taken prisoner by American forces, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved to Paris, where he began to write the novel that would make him famous.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

Throughout Proust's life, nine of his short stories remained unseen - the writer never spoke of them. Why did he choose not to publish them along with the others? One possible answer is that he was developing his themes in preparation for his masterpiece, In Search of Lost Time; another is that the stories were too audacious - too near to life - for the censorious society of the time. In these stories, published here for the first time, we find an intimate picture of a young author full of darkness and melancholy, longing to reveal his true self to the world.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works.

Tolkien's Lost Chaucer uncovers the story of an unpublished and previously unknown book by the author of The Lord of the Rings. Tolkien worked between 1922 and 1928 on his Clarendon edition Selections from Chaucer's Poetry and Prose, and though never completed, its 160 pages of commentary reveals much of his thinking about language and storytelling when he was still at the threshold of his career as an epoch-making writer of fantasy literature.

The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley's gothic masterpiece, Frankenstein. Montillo recounts how - at the intersection of the Romantic Age and the Industrial Revolution - Shelley's Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

An in-depth and personal exploration of Scandinavian crime fiction as a way into Scandinavian culture at large.

Stieg Larsson's best-selling Millennium Trilogy is an international phenomenon. These books express Larsson's lifelong war against injustice, his ethical beliefs, and his deep concern for women's rights. The Girl with the Dragon Tattoo and Philosophy probes the compelling philosophical issues behind the entire trilogy. What philosophies do Lisbeth Salander and Kant have in common? To catch a criminal, can Lisbeth and Mikael be criminals themselves? Can revenge be ethical?

Eliminate the impossible, Sherlock Holmes said, and whatever is left must be the solution. But, as Pierre Bayard finds in this dazzling reinvestigation of The Hound of the Baskervilles, sometimes the master missed his mark. Using the last thoughts of the murder victim as his key, Bayard unravels the case, leading the reader to the astonishing conclusion that Holmes - and, in fact, Arthur Conan Doyle - got things all wrong: The killer is not at all who they said it was.