Mostrando resultados por Editor "HarperAudio" en Afroamericano

Janelle Monáe and an incredible array of talented collaborating creators have written a collection of tales comprising the bold vision and powerful themes that have made Monáe such a compelling and celebrated storyteller. Dirty Computer introduced a world in which thoughts—as a means of self-conception—could be controlled or erased by a select few. And whether human, A.I., or other, your life and sentience was dictated by those who’d convinced themselves they had the right to decide your fate.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy. But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

Olivia Jones, hard-working and accomplished, has, against the odds, blazed an enviable career path in the finance world. But behind the veneer of her success, she is mourning several devastating losses and betrayals. Untethered from her life in New York City, Olivia moves to a summer home in The Hamptons. Here, Olivia finds a close-knit community of African American elites who escape New York City for the beautiful beaches of the Hamptons. Since the 1930s, very few have known about this Historically Black Beachfront Community, and the residents like it that way.

When crime reporter Jordan Manning leaves her hometown in Texas to take a job at a television station in Chicago, she’s one step closer to her dream: a coveted anchor chair on a national network. Jordan is smart and aggressive, with unabashed star-power, and often the only woman of color in the newsroom. Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has been able to balance her dueling motivations: breaking every big story—and giving a voice to the voiceless.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters”: Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

After dropping her child off at preschool, Marla Hancock, a stay-at-home mother, disappears. She had recently left her verbally abusive husband in rural Indiana and moved in with her sister, Shelly, who simply can’t believe that her sister would ever willingly vanish without her children. But with limited support from the town’s police department or media resources, Shelly fears that Marla’s disappearance won’t get the attention it deserves, or worse, will go unsolved. So, several weeks after filing a missing person’s report, she reaches out to TV journalist Jordan Manning for help.

Tabitha Walker is a black woman with a plan to "have it all." At 33 years old, the checklist for the life of her dreams is well underway. Education? Check. Good job? Check. Down payment for a nice house? Check. Dating marriage material? Check, check, and check. With a coveted position as a local news reporter, a "paper-perfect" boyfriend, and even a standing Saturday morning appointment with a reliable hairstylist, everything seems to be falling into place. Then Tabby receives an unexpected diagnosis, jeopardizing the keystone she took for granted: having children.

The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant—after she was told she may not be able to have biological children—Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.

After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?). Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work.

1954: In the quaint town of Mendol, Oklahoma, Bailey Dowery is a Black dressmaker for the wives and daughters of local oil barons. She earns a good living fitting designer gowns and creating custom wedding dresses for the town’s elite. But beyond her needle and thread lies a deeper talent, one passed down from her mother: the gift of insight. With just a fleeting touch or brush against the skin, Bailey has sudden flashes of intuition.

Valiant Jackson always gets what he wants - and he's wanted Mae for years. The door finally opens for him when Mae strikes a bargain: seduce her virginal young cousin, Cecily, who is engaged to Frank Washington. Frank values her innocence above all else. If successful, Val's reward will be a night with Mae. But Val secretly seeks another prize. Elizabeth Townsend is fiercely loyal to her church and her civil rights attorney husband. Little does she know that her worst mistake will be Val's greatest triumph.

What kind of mail-order bride greets her intended with a bullet instead of a kiss? One like Regan Carmichael - an independent spirit equally at home in denims and dresses. Shooting Dr. Colton Lee in the shoulder is an honest error, but soon Regan wonders if her entire plan to marry a man she's never met is a mistake. Colton, who buried his heart along with his first wife, insists he only wants someone to care for his daughter. Yet Regan is drawn to the unmistakable desire in his gaze.

Lottie Rebecca Lee is spoken into the world in Fayetteville, North Carolina, by a Black nurse who declares, “Lord Jesus, if that ain’t the blackest little baby born this side of heaven.” Later, Lottie will prove that she is the ancestors’ promise to unearth the Mississippi and Ghanaian atrocities that have tormented Benjamin Lee, her grandfather who was born during the Great Depression in Mississippi’s red clay tobacco fields, and Benjamin Junior, his son and Lottie Rebecca’s father, born in Fayetteville, North Carolina, where the post Korean War GI Bill promises prosperity.

Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block - her neighbor, Theo. But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear.

It was supposed to be the highlight of her career, the pinnacle for which she’d worked all her life. And as Hattie McDaniel took the stage in 1940 to claim an honor that would make her the first African-American woman to win an Academy Award, she tearfully took her place in history. Between personal triumphs and tragedies, heartbreaking losses, and severe setbacks, this historic night of winning best supporting actress for her role as the sassy Mammy in the controversial movie Gone With the Wind was going to be life-changing. Or so she thought.

From the Great Depression through the post-World War II years, Joseph “Ziggy” Johnson has been the pulse of Detroit’s famous Black Bottom. A celebrated gossip columnist for the city’s African-American newspaper, the Michigan Chronicle, he is also the emcee of one of the hottest night clubs, where he’s rubbed elbows with the legendary black artists of the era, including Ethel Waters, Billy Eckstein, and Count Basie. Ziggy is also the founder and dean of the Ziggy Johnson School of Theater. But now the doyen of Black Bottom is ready to hang up his many dapper hats.

Originally published in 1938, Uncle Tom's Children, a collection of novellas, was the first book from Richard Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. Set in the American Deep South, each of the powerful and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. The collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."