Showing titles in Adoption & Fostering

Fourteen-year-old Shazia has been taken into care after a conversation at school leads her teacher to suspect that the teenager's family are planning to send her to Pakistan for an arranged marriage. To her family's fury, Shazia is sent to live with foster carer Maggie Hartley whilst social services investigate. But with Shazia denying everything and social services unable to find any evidence to support the teacher's fears, Shazia is allowed to return home. But a few weeks later, Maggie is woken up in the middle of the night by a phone call from a terrified Shazia, who has managed to escape the family home through a window.

Growing up with adoptive nisei parents, Susan Kiyo Ito knew only that her birth mother was Japanese American and her father White. But finding and meeting her birth mother in her early 20s was only the beginning of her search for answers, history, and identity. Though the two share a physical likeness, an affinity for ice cream, and a relationship that sometimes even feels familial, there is an ever-present tension between them, as a decades-long tug-of-war pits her birth mother’s desire for anonymity against Ito’s need to know her origins, to see and be seen.

Aneta and Filip, the children’s parents, are distraught when their children are taken into care. Aneta maintains she is innocent of harming them, while Filip appears bewildered and out of his depth. It’s true the family has never come to the attention of the social services before, and little Kit and Molly appear to have been well looked after, but Kit has a broken arm and bruises on his face. Could it be they were a result of a genuine accident, as Aneta is claiming?

When police are called to a local supermarket late one evening, they find an angry shopkeeper and a silent young woman. It's the third time 24-year-old Zoe has been caught stealing in the past few days. Eyes filled with panic, Zoe has been hiding bread, milk, Calpol and nappies under her coat. As police officers break down the door of Zoe's flat they find seven-year-old Coco and two-year-old Lola, home alone, huddled on the floor in a freezing cold bedroom, crying out for their mummy.

The true story of Melody, aged eight, the last of five siblings to be taken from her drug dependent single mother and brought into care. When Cathy is told about Melody’s terrible childhood, she is sure she’s heard it all before. But it isn’t long before she feels there is more going on than she or the social services are aware of. Although Melody is angry at having to leave her mother, as many children coming into care are, she also worries about her obsessively – far more than is usual....

The moment Diane Burke, an author and mother of two grown sons, received an unexpected certified letter in the mail, she had no idea her life would be shaken to its core. Memories of a past she had buried more than forty years ago suddenly resurfaced and she wasn't prepared to deal with them. Steve Orlandi, happily married, father of two and step-father of three, was living the typical middle class American life. But since the age of eight, when he discovered he was adopted, he had led that life dealing with inner questions about his self-identity and genetic history.

That’s the real life story of country music star Jimmy Wayne. It’s a miracle that Jimmy survived being hungry and homeless, bouncing in and out of the foster care system, and sleeping in the streets. But he didn’t just overcome great adversity in his life; he now uses his country music platform to help children everywhere, especially teenagers in foster care who are about to age out of the system. Walk to Beautiful is the powerfully emotive account of Jimmy’s horrendous childhood and the love shown him by Russell and Bea Costner, the elderly couple who gave him a stable home and provided the chance to complete his education. Jimmy says of Bea, “She changed every cell in my body.”

Born in a prison and removed from his drug-dependent mother, rejection is all that 7-year-old Alex knows. When Cathy is asked to foster little Alex, aged seven, her immediate reaction is: Why can't he stay with his present carers for the last month? He's already had many moves since coming into care as a toddler and he'll only be with her a short while before he goes to live with his permanent adoptive family. But the present carers are expecting a baby and the foster mother isn't coping, so Alex goes to live with Cathy.

“Your parents are so amazing for adopting you! You should be grateful that you were adopted.” Angela Tucker is a Black woman, adopted from foster care by white parents. She has heard this microaggression her entire life, usually from well-intentioned strangers who view her adoptive parents as noble saviors. She is grateful for many aspects of her life, but being transracially adopted involves layers of rejection, loss, and complexity that cannot be summed up so easily.

Foster carer Maggie Hartley is used to all manner of children arriving on her doorstep, but nothing can prepare her for sisters Billy and Bo when they arrive at her home. It is clear from the moment she sets eyes on them that four-year-old Bo and seven-year-old Billy have clearly been subjected to unimaginable neglect, and it takes all of Maggie's skills as a foster carer to try to connect with the volatile little girls, who seem far younger than their years.

Just as you prepared your home to welcome a new child, it is important to prepare your heart and mind - especially if the child has suffered from a background of trauma. Perhaps your invitation for love is met with hostility and you find that this new member of your family rejects connection. It’s critical to acknowledge the effects of trauma on a child’s ability to attach. Mike and Kristin Berry realized this when they became adoptive and foster parents. They now offer guidance from their own journey to others parenting a child who has experienced past trauma.

Many foster and adoptive parents are raising children with complex emotional trauma, desperate for answers to heal their families. Caught off guard, these families find themselves with shattered dreams, shattered homes, and shattered hearts, with nowhere to turn for answers. Extended family members, friends, and the greater community don't understand the challenges and can, sometimes, add to the problems these families face, prolonging the healing process for all.

Cruel to Be Kind is the true story of Max, age six. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn't the only one in denial; his whole family are, too.

In her new book, Cathy Glass, the number one best-selling author of Damaged, tells the story of the Alice, a young and vulnerable girl who is desperate to return home to her mother. Alice, aged four, is snatched by her mother the day she is due to arrive at Cathy's house. Drug-dependent and mentally ill, but desperate to keep hold of her daughter, Alice's mother snatches her from her parents' house and disappears.

Jack Rocco was a baby when he was adopted by a blue-collar, Italian American family. Today a successful orthopedic surgeon, Jack’s identity was built around his Italian heritage, and while he knew the story of his “Gotday,” he didn’t know the story of his birth day. His was a closed adoption, and he only knew that his birth parents were a young couple—an Italian father and a German Irish mother—who couldn’t afford a child.

'Is It My Fault Mummy?': seven-year-old Paris is trapped in a prison of guilt. Devastated after the death of her baby brother, Joel, Maggie faces one of her most heartbreaking cases yet as she tries to break down the wall of guilt surrounding this damaged little girl. 'A Desperate Cry for Help': 12-year-old Meg arrives at Maggie's after a fire destroys the children's home she's been living in. Traumatised by the fire and angry and vulnerable, having been put into care by her mother, Meg is lashing out at everyone around her.

Cathy Glass, international best-selling author, tells the shocking story of Zeena, a young Asian girl desperate to escape from her family. When 14-year-old Zeena begs to be taken into care with a non-Asian family, she is clearly petrified. But of what?Placed in the home of experienced foster carer Cathy and her family, Zeena gradually settles into her new life, but misses her little brothers and sisters terribly.

Failures don't need to be final, and disappointment doesn't need to be defining. Come along on a wild, hilarious, faith-building ride, and let The Art of Getting It Wrong guide you toward hope for the future and the freedom to love your life exactly where you are. Long before his YouTube channel, The Miller Fam, became a viral sensation, Stephen Miller got a ton of things wrong. He knows what it's like to endure countless failed endeavors, make too many rash decisions, and feel deep discouragement when life doesn't go as planned--sometimes all before breakfast.

Nearly every person in the United States is affected by adoption. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. Wellington's timely–and deeply researched–account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.

Who are the children of foster care? What, as a country, do we owe them? Cris Beam, a foster mother herself, spent five years immersed in the world of foster care looking into these questions and tracing firsthand stories. The result is To the End of June, an unforgettable portrait that takes us deep inside the lives of foster children in their search for a stable, loving family. Beam shows us the intricacies of growing up in the system - the back-and-forth with agencies, the rootless shuffling between homes, the emotionally charged tug between foster and birth parents.