Mostrando resultados por autor "Lawrence Block" en Todas las categorías

Lawrence Block on Lust Weekend: “LUST WEEKEND was written in 1962 and published that same year by Nightstand Books. The title’s an obvious play on THE LOST WEEKEND, Charles Jackson’s groundbreaking novel of alcoholism. The book was a sensation, as was the film adaptation starring Ray Milland. “The people at Nightstand generally changed the titles on my manuscripts. But LUST WEEKEND made the cut, and I’m sure I came up with the title first and wrote the book to fit. ‘Lust’ was a favorite word at Nightstand, where they wanted to excite the readers withoutd alarming the censors. ...

Is he an out-and-out mincing homosexual? Or a closet queen? A transvestite masquerading in full make-up and dress as a woman? A muscle-bound stud? Or is he just your normal American boy who happens to be in the business for himself, selling desirable merchandise--his body--at prices the market will bear? In THE MALE HUSTLER John Warren Wells talks frankly and at length to seven male prostitutes. They tell exactly what they do for a living; how they find their clients, what they think about their clients--and themselves; they talk about money, about men, about women. This book is a ...

An intense and gripping short story audiobook that delves into the unsettling psyche of a twisted individual, "A Fire at Night" by Lawrence Block narrated by Mike Vendetti is a chilling exploration of the mind of a deranged arsonist.

Imagine being on a date, and your date announces they will turn into a werewolf in half an hour. And as the night unfolds, you find yourself facing the true test of love and acceptance. Or could it be a joke?

From the notebook of a female sex therapist: "The "patient" calls me this morning to confirm his appointment, arrived precisely at 11 a.m. He's 28, tax lawyer, divorced. Sex problems: periodic impotence, periodic premature ejaculation, occasional inability to reach climax. Diagnosis: general sexual insecurity. "We sit on couch, drink coffee. Neck a little. He has soft hands, a nice touch. Very breast-oriented. We get undressed, sit around naked, then go to bed and play with each other. He gets erection almost immediately but loses it early, then unable to get it back. "I tell him we'll cure...

Lawrence Block remembers: "Well, in point of fact, I don't remember much. SINTIME was an Andrew Shaw title for Nightstand Books. The book opens at a resort in or around Vergennes VT, a setting that was certainly inspired by a visit my then-wife and I made to friends of ours who were summering in or around Vergennes. It was a pleasant few days, as I recall, and the friends we were visiting were Hal and Marcia Dresner. Hal was a writer, writing the same sort of books as I, and for the same publishers; he moved on sooner than I did, went out to Los Angeles, had a fine career as a screenwriter,...

A partir de su debut en 1977, Bernie Rhodenbarr se ha ganado la entusiasta admiración de un público internacional cada vez más numeroso. Este caballero, con su corazón ligero y sus dedos más ligeros aún, cuyos talentos detectivescos lo sacan de los apuros en que lo meten sus habilidades de ladrón, se roba de paso los corazones y las mentes de los lectores. «Los ladrones no pueden escoger» es su primera aparición.

En su cuarta aventura, Matthew Scudder reabre un caso que había investigado años antes como detective del Departamento de Policía de Nueva York. Louis Pinell, el recién aprehendido Merodeador del Picahielo, admite libremente haber matado a siete jóvenes mujeres nueve años atrás – pero jura que Bárbara Ettinger fue asesinada por algún copión. Scudder le cree. Sin embargo, la pista que podría conducir al verdadero asesino de Ettinger es torcida, oscura y peligrosa…además de estar ya más fría que el cadáver de la joven que Scudder está resuelto a vengar. Su investigación ...

In “Clean Slate” (Kit Tolliver #4) Kit found her mission in life. There were five men who once slept with her and lived to tell the tale, and she’s determined to hunt them down and wipe them off the board of life. So far, so good. But what do you do when all you know about a guy is the name he gave you? She’d met him in Philadelphia, but he was in town on business, so all she really knew was that he was from someplace else. Good old Sid from Philadelphia, except he wasn’t from Philadelphia, and his name wasn’t Sid. Want to give that a whirl out on Google? Then Rita told her ...

TRAMP was first published in 1961 by Nightstand Books, under the pen name of Andrew Shaw. Here's a taste of the text: "IT WAS PRECISELY ten o’clock when the alarm went off. The clock, purchased years ago at a drugstore for not much money, made up in volume what it lacked in melody. It did not ring, exactly; it jangled. Schoenberg would have been delighted with the twelve-tone discordance of the clock. "For perhaps ten seconds the clock rang without eliciting any response whatsoever. Then, dreamily, a hand worked its way out from under the bedcovers. The hand pawed its way through warm and...

KEPT So you’re unemployed, fresh off a construction crew in Albany, and standing on a Thruway ramp trying to thumb a ride, and a babe in a Cadillac convertible stops for you. Hey, these things happen. They never happened to me, but never mind. For you it's different. You’re Mark Taggert and you’ve got the good sense to get in the car, and it changes your life. The girl’s Elaine Rice, and she’s gorgeous and sexy, and you wind up in her Park Avenue apartment, and you go to bed, and the chemistry is right, and there’s only one problem. She’s rich. Too rich for you to be ...

"You Can Call Me Lucky" first appeared in Indian Country Noir, edited by Liz "Bootsie" Martinez and Sarah Cortez, and published by Akashic Books as part of their Noir series. Bootsie is a good friend of mine, and I had a hard time saying no when she beseeched me for a story. I felt unqualified, having minimal acquaintance with American Indians and their habitat. Then I thought of Indian casinos. And I remembered my nameless girlfriend, who'd thus far brightened Hell's Kitchen and Riverdale with her presence. No reason why she had to stay in the five boroughs of New York. Suppose she turned ...

Lawrence Block reports: “THE SIN-DAMNED was one of the early Andrew Shaw titles, published by Nightstand Books in sometime in 1960. The cover, like that of many of its contemporaries, is the work of Harold W. McCauley. “While I can recognize the text as my work, I can’t claim to recall writing it. Every day the great hoard of things I don’t remember grows incrementally larger, and writing this novel has long since been a part of it. I do know, though, that someone else supplied the title, probably some editor in publisher Bill Hamling’s employ. It could have been Harlan Elison, or...

When we first met Kit Tolliver, in “If You Can’t Stand the Heat,” we didn’t know her name. She walked into a bar in New York’s Hell’s Kitchen, where a slightly sinister gentleman picked her up, took her home, and took her to bed. She had a good time. Then she killed him, took his money, and went on her way. In her fourth appearance, “Clean Slate,” we found out more about Kit. Her name, and how she got this way. And she in turn finds her mission in life. There were five men who slept with her and lived to tell the tale, and she’s determined to hunt them down and wipe them ...

Sheesh. What a lousy title. Flesh Mob was published by Midnight Reader, a fellow imprint of Nightstand Books, in 1962. I can tell at a glance that it’s my work, although I don’t specifically recall writing it. And I must have put a title on it, but I an assure you that it wasn’t Flesh Mob. It could only have been the inspiration of some editor in Illinois. Several notables filled that role over the years, including Earl Kemp, A. J. Budrys, and Harlan Ellison, but it’s hard to imagine any of those three making a eureka moment of Flesh Mob. For years it struck me as merely a bad title...

Because they were collected into a single hardcover volume published by Subterranean Press, a good number of readers are acquainted with my three collaborations with Donald E. Westlake. That's not the case with CIRCLE OF SINNERS, a similar joint effort undertaken with another longstanding (and, I'm pleased to say, still standing) friend and colleague, Hal Dresner. Unlike two of the Block/Westlake titles, CIRCLE OF SINNERS did not bear a joint byline; Nightstand issued it as "by Don Holliday," which was in fact Hal's pen name. (To increase the level of confusion, one book of mine was ...

Lawrence Block has this to say about Flesh Parade: “FLESH PARADE was first published in 1962 by Midnight Reader, a sister imprint of Nightstand Books. The title was supplied by an editor, and we’ll never know what my own title may have been. The publisher was fond of two-word titles, often with favorite words: Flesh, Slut, Lust. They could slip past the censors while letting the reader know what kind of book he was getting. “I’ve had a complicated relationship with my early pseudonymous books. There was a time when I rejoiced in the fact that they had not been printed on acid-free ...

Kit Tolliver’s got a problem. Whenever she has sex with a man, she feels an irresistible urge to kill him. That’s fine, she enjoys the killing as much as the sex, but it does limit the possibilities for a satisfying long-term relationship. But she’s got a friend, a woman in Kirkland, Washington, and there’s a definite sexual undercurrent to the friendship. Is that a possibility? And would she even enjoy sex with a woman? And what would happen afterward? She’s in St. Louis, hoping a lesbian bar might hold the answer. And she’s not the bar’s only patron with a hidden agenda. ...

Sheldon Lord began his career with CARLA (#5 in the Collection of Classic Erotica),published by Harry Shorten’s Midwood Books in 1958. Just about a year later he wrote CAMPUS TRAMP (CCL #7) for William Hamling’s Nightstand Books, for whom he’d morphed into Andrew Shaw. And young Mr. Lord’s first book for yet a third publisher, Beacon, was APRIL NORTH (CCL #4).Each publisher wanted more from the guy. Beacon’s request for a second book was remarkably specific. They had a title in mind—COMMUNITY OF WOMEN—and a theme. Their notion was that no end of interesting and attractive ...