Mostrando resultados por autor "Robert B Parker" en Todas las categorías

It is the winter of 1879, and Dodge city has lost its snap. Thirty-one-year-old Wyatt Earp, assistant city marshal, loads his wife and all they own into a wagon, and goes with two of his brothers and their women to Tombstone, Arizona, land of the silver mines. There Earp becomes deputy sheriff, meeting up with the likes of Doc Holliday, Clay Allison and Bat Masterson as well as finding the love of his life, showgirl Josie Marcus.

Once upon a time, though not so long ago, there was a girl named April Kyle, a beautiful teenage runaway who turned to prostitution to escape her terrible family life. Now, April Kyle's return in Hundred-Dollar Baby is nothing short of shocking.

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels. Includes Chance, Hush Money, and Small Vices.

Boston's premier P.I. investigates the murder of a prominent local banker with family ties to the Mayflower - and perhaps the mob. It's hard not to imagine the victim's young bride as the one with her finger on the trigger. Even her lawyer thinks she's guilty. But Mary Smith is entitled to the best defense she can afford - and thanks to her late husband's millions, she can afford plenty - so Spenser hires on to investigate.

When a Hollywood-based TV series schedules filming in Boston, Spenser smells trouble. When he signs up to protect the show's star, Jill Joyce, he knows it's on its way. First, there's Jill herself. She's spoiled, arrogant, drugged out -- made worse by fear. Someone is out to get her -- does she imagine it, or is it real?

When we last saw Virgil Cole and Everett Hitch, they had just put things to right in the rough-and-tumble Old West town of Resolution. It's now a year later, and Virgil has only one thing on his mind: Allie French, the woman who stole his heart from their days in Appaloosa. Even though Allie ran off with another man, Virgil is determined to find her, his deputy and partner Everett Hitch at his side.

After a busted marriage kicks his drinking problem into overdrive and the LAPD unceremoniously dumps him, 35-year-old Jesse Stone's future looks bleak. So he's shocked when a small Massachusetts town called Paradise recruits him as police chief. He can't help wondering if this job is a genuine chance to start over, the kind of offer he can't refuse. Once on board, Jesse doesn't have to look for trouble in Paradise: It comes to him. For what is on the surface a quiet New England community quickly proves to be a crucible of political and moral corruption.

It’s December in Boston, and Spenser is busy planning the menu for Christmas dinner when he’s confronted in his office by a young boy named Slide. Homeless and alone, Slide has found refuge with an organization named Street Business, which gives shelter and seeks job opportunities for the homeless and lost. Slide’s mentor, Jackie Alvarez, is being threatened, and Street Business is in danger of losing its tenuous foothold in the community, turning Slide and many others like him back on the street. But it’s not a simple case of intimidation....

Spenser's girlfriend Susan goes away with another man, Jerry Costigan, the son of a very rich and dangerous criminal. Spenser and his friend, Hawk, go to find Susan. Soon they are in the world of the CIA, guns and murder.

Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home.

Ten years ago, Paul Giacomin's corrupt father and loose mother used the boys as a pawn in their violent race: Only Spenser could call them off and straighten out the misled teen—almost getting killed in the process. Paul is now 24 and reconciled to his mother's wanton ways. But when Patty Giacomin vanishes, Paul begs Spenser to help him rescue her from the clutches of her boyfriend, a shady character he's sure coerced his mother into running.

It is 1947 when Joseph Burke, ex-Marine, ex-husband, ex-somebody–is hired as a bodyguard to protect Lauren Roach, 25 and spoiled rotten. The unlikely duo becomes entangled with Burke’s boyhood hero, color-barrier breaking baseball player Jackie Robinson, in a story that is both thrilling and engaging. It is in the historical character Jackie Robinson that Mr. Parker finds inspiration and Joseph Burke may find his redemption. This is a work of fiction about a real man. Most of what I’ve written I’ve made up. I have, however, attempted to render Jackie Robinson accurately. As he was, or as I imagined him to be, in 1947, when I was turning 15, and he was changing the world. The rest is altogether fiction. It may be more Burke’s story then Jackie’s story. But, without Jackie, Burke would have had no story. And neither would I. Robert B Parker.

Hired by a wealthy family to locate their teenage daughter, Sunny Randall, a former cop turned Boston P.I., soon finds herself the bodyguard for a difficult teenager who refuses to return to her family. But before long, Sunny is facing greater problems than she ever imagined including a criminal conspiracy that reaches to the top of the state government.

On location in Boston, bad-boy actor Jumbo Nelson is accused of the rape and murder of a young woman. From the start the case seems fishy, so the Boston PD calls on Spenser to investigate. Things don't look so good for Jumbo, whose appetites for food, booze, and sex are as outsized as his name. He was the studio's biggest star, but he's become its biggest liability...

Spenser is investigating the Port City Theater Company, where the director claims he's being stalked. When an actor is shot dead during a performance, all clues lead to the local Chinese Mafia, whose roots run deep in this drab waterfront city. With Hawk and ex mobster Vinnie assisting, Spenser eventually triumphs in one of his most compelling adventures.

Appaloosa, the hometown of Territorial Marshals Virgil Cole and Everett Hitch, continues to prosper, but with prosperity comes a slew of new trouble: carpetbaggers, gamblers, migrants, peddlers, drifters, thieves, and whores, all boiling in a cauldron of excess and greed. And there's a new menace in town: a wealthy, handsome easterner - and the owner of Appaloosa's new casino - Boston Bill Black.

Ellis Alves is no angel. But his lawyer says he was framed for the murder of college student Melissa Henderson...and asks Spenser for help.

When the bride of a Boston police detective vanishes, he hires Spenser to find her. His path leads from a New England college campus to glamorous L.A. sports clubs. When the trail turns to a world of prostitution, drug abuse, and self-destruction, Spenser must enter ghetto tenements to continue his search. Ultimately, Spenser must hire a Chicago hitman to help him free the girl from a sociopathic ex lover.

The heist was legendary, still talked about 20 years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help.

A serial killer is on the loose in Beantown and the cops can't catch him. But when the killer leaves his red rose calling card for Spenser's own Susan Silverman, he gets all the attention that Spenser and Hawk can give. Spenser plays against time while he tracks the Red Rose killer from Boston's Combat Zone to the suburbs. His trap is both daring and brave, and gives the story a satisfying climax.