Mostrando resultados por narrador "Simon Brett" en Todas las categorías

The Elizabethan house of Bracketts is about to be turned into a museum. It had once been the home of the celebrated poet Esmund Chadleigh and is to become a shrine to his life and poetry - but the transition is far from smooth. Carole Seddon had been reluctant to join the Bracketts Board, and now she realises that she should have listened to her instinct. The simmering tension between the board members is about to boil over. A human skeleton is discovered in the kitchen garden, and before too long there is a second body, not yet cold.

It wasn't the rain that upset Carole Seddon during her walk on the West Sussex Downs. It wasn't the dilapidated barn in which she was forced to seek shelter. No, what upset her most was the human skeleton she discovered there.... So begins the second investigation for straitlaced Carole and her more laid-back neighbour Jude. This time their enquiries take them away from Fethering to the small download hamlet of Weldsham, where gossips quickly identify the corpse as Tamsin Lutteridge, a young woman who had disappeared from the village months before....

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....

Fethering residents Jude and Carole get more than they bargained for when a meal in their local pub leaves everyone with food poisoning. When a series of disasters start to befall the business it looks like it could be the end of the road for the Crown and Anchor. The two amateur detectives wonder if it might just be more than a run of bad luck. When a young man is found in the kitchen with a knife through his heart, Carole and Jude swing into action. There's a killer on the loose, and our lady sleuths need to uncover who it is before it's last orders for the pub - and themselves.

Carole Seddon's son is soon to be married to Gaby. But Marie and Harold Martin seem desperate to keep plans for their daughter's big day as low-key as possible. After a quiet engagement party, Harold disappears...only to be found dead the next day in a burnt out car in Epping Forest. Carole discovers that the Martins are hiding secrets that can be traced back 30 years, to the murder of Marie's best friend. Now the girl's killer has been released from prison and is back in his old stomping ground.

Jude has never been averse to a bit of a flutter; her friend Carole, on the other hand, thinks that the local betting shop is a den of iniquity. But when Jude stumbles upon the body of a Polish immigrant, Tadeusz Jankowski, the race is on to find his killer. The odds aren’t looking good. No one seems to know anything about the mysterious Tadeusz - even his sister can’t shed any light on what he was doing in Fethering.

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Soul searching was an unfamiliar exercise to Bill Stratton, and he found it intriguing as well as painful. He hadn't had much occasion for it in his life, given that he was fairly shallow, but then, on the verge of his 60th birthday, his wife told him she was leaving him for another man.

When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother's chaotic flat, Ellen gets the impression Alexandra doesn't like her mother very much. But when Ingrid Richards' body is discovered in her burned-out home, Alexandra's exasperated words don't seem such a joke. Due to the hazardous state of the victim's over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen's not so sure.

Declutterer Ellen Curtis has been working to bring order into the life of Cedric Waites, a recluse in his eighties who hasn't left his house or let anyone inside it since his wife died. On one of her regular visits, Ellen finds the old man dead. Sad but, given his age, perhaps not unexpected. Until the police raise the suspicion that Cedric might have been poisoned! The cause seems be something he ate, and as Ellen cleared away the old man's food containers, she is under suspicion. As is Dodge, who works for Ellen and has unhelpfully done a runner.

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body. When Ellen stumbles across the body of a young woman in an over-cluttered flat, suspicion immediately falls on the deceased homeowner's son. No doubt Nate Ogden is guilty of many things - but is he really the killer? Discovering a link between the victim and her own past, Ellen sets out to uncover the truth.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

Christopher Milton is one of TV’s brightest stars and the natural choice to play the lead in Lumpkin!, the musical version of She Stoops to Conquer. His is a ruthless, egomaniacal talent, guaranteed to turn his co-cast’s rehearsals into nail-biting hell. Charles Paris suspects him of harbouring at least one dark secret from years past. And then the ‘accidents’ begin. Soon it is plain that someone will stop at nothing in order to sabotage the show for their own ends.

A rising young stage comedian, who is about to receive his profession's award as ‘Most Promising Newcomer’, dies sensationally on stage at the start of his act; as he picks up the mike, he is electrocuted. Faulty wiring seems to be the cause; no one person is to blame; a verdict of death by misadventure is returned at the inquest.

Charles Paris’ acting career plumbs new depths when he takes the part of a possible murder victim in ‘Public Enemies’, a true-crime television series. Finding himself in a bizarre world somewhere between police procedure and showbiz, Charles is inexorably drawn into the investigation... especially after the dismembered limbs start turning up. The viewers of ‘Public Enemies’ get caught up in the macabre jigsaw puzzle of death; it is ghastly, of course, but it does make good television.

Charles Paris is, as ever, waiting for a phone call from his agent, and is driven to painting and decorating to make ends meet. A rare evening out at a high-profile restaurant among stars of stage and screen promises a break in the depressing routine. But when the restaurant’s handsome, temperamental chef is brutally murdered, Charles finds himself drawn into the ensuing investigation. At first it seems an open and shut case: the chef’s

When Andrea Gower’s body is discovered in an editing suite, with gashes in her wrists and two razor blades nearby, the cause of death seems obvious, with the words she spoke only hours before taking on a completely different meaning... Working as a radio actor for the BBC was all new to Charles Paris: a new kind of work, a new jargon, and a lot of new faces - some of them quite pretty.

After a long period of "resting", life is looking up for Charles Paris, who has been cast as the Ghost of Hamlet's Father and First Gravedigger in a new production of Hamlet. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root - and the two young stars have rather different views than the more experienced members of the cast. But when the company reach the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead....

Professional declutterer Ellen Curtis doesn't need to like her clients to help them sort their homes out. Aging TV personality and curmudgeon Humphrey Carter might have a chip on his shoulder the size of England, but a job's a job. But when Ellen arrives the morning after Humph's eightieth birthday party, primed and ready to tackle his study - she gets the shock of her life. Humph's dead. . . and all signs point to him having taken his own life.