Mostrando resultados por Editor "Freshwater Seas" en Todas las categorías

In this, the 13th of the series, Dumas, the novelist-historian, finds ample scope for his favorite approach. His subject is a well-documented historical figure: Ali Tepelini, most often known as Ali Pasha and known even in his own day as The Lion of Tepelen. Dumas presents us with an extraordinary character, a man of tremendous courage, unstoppable tenacity, matchless duplicity, extreme debauchery, disgusting cruelty, and amazing ingenuity.

In Merlin, Edwin Arlington Robinson delves into the minds and hearts of a gallery of characters from the story Camelot. He places the action at the moment when Guinevere and Lancelot have fled to Joyeux Gard, and Arthur, goaded on by Modred and Gawaine, is reluctantly preparing an army to make war on them. It is at this time that he needs the advice and support of his old mentor, Merlin, more than ever before in his reign and his life, but it is at just this crucial time that Merlin has found that the love of Vivian is more important to him than kings, knights, or Camelot itself.

What Spoon River Anthology does for a Midwestern small town, Turns and Movies does for the world of vaudeville. Like Masters, like Aiken: passions, betrayals, secrets, sins, victories, defeats, and inevitable losing struggles against age and death are the stuff of this work. And that's only the first part of the book.

The best way to appreciate this long and fascinating poem, really a novel in verse, is to just let it wash over you. Don't try to get caught up in the story, for Byron won't let you do that; don't try to figure it out, for Byron doesn't want you to do that either. Just listen to the man converse with you and enjoy his playful talk - that's why he wrote it, and that's what it's for.

In The Man Against The Sky, Edwin Arlington Robinson presents us with a gallery of characters drawn from the streets, homes and gathering places of Tilbury Town, his fictional Northeastern dwelling place. A mysterious compelling stranger, a woman living on charity, a welcoming home - this and other portraits give us a compelling and perceptive view of the range of human character and feeling.

With Childe Harold's Pilgrimage, cantos III and IV, Byron comes to the high point of his work and to clear and definite mastery of his art as a poet. Though he himself doubts his powers - he says his visions no longer swim so palpably before his eyes as once they did - his visions are far more palpable to us, expressed as they are with the full depth of his romantic and passionate feelings. He continues the device of the journey of the fictional Harold, but Harold is almost a ghost; the thin disguise and facade that separates him from the poet essentaily vanishes.

This volume of The Poetry of Lord Byron is focused on work in which Byron dealt with certain themes that recurred throughout his career, especially personal integrity in the search for freedom and for love, and the suffering that can go with that search. "The Prisoner of Chillon", the keynote piece of this volume, is one of Byron’s most riveting pieces. Based on the true story of Francois Bonivard, it tells a story of political repression and human endurance.

This is Carl Sandburg's fourth collection of poetry. His signature style, a rough-and-ready free verse that often transforms into poetic prose, is in full view. Like Whitman before him and like Masters and Frost in his own time, he puts his focus directly on life as he sees it around him, life in the rough-and-tumble Chicago of the early 20th century and life in the American West at a time when that wild country was finally succumbing to civilization

For everyone who loves, who ever loved, who searches for love, who suffers from love, who rejoices in love, these poems are for you. Are you in love? Have you ever been in love? Do you wish you were in love? Or perhaps you wish you weren't in love? This set of 70 poems is for you. It ranges in time from the classical Greece to the voices of the early 20th century.

The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In this, the 14th of the series, Dumas, the novelist-historian, brings his storytelling skills to a famous subject: the background of one of the most famous of French lawsuits, centering around the secret abduction of Bernard de la Guiche, later count of Saint-Geran, from his mother, Suzanne de Longaunay, by the marquis de Saint-Maixant.

Housman himself knew that his output as a poet would not be large. In his preface to this volume, he wrote, rather touchingly: "I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more." He pulled Last Poems together because his life-long friend, Moses Jackson, was dying and Housman wanted Jackson to be able to read these poems before Jackson passed away.

In this, the second volume of the work, William Hazlitt takes us through the history of Napoleon's campaigns in Italy and Egypt. In the course of these campaigns, and in Napoleon's life in Paris between them, we can see a young, brilliant military leader starting to transform himself from a leader of armies into a leader of nations. His brilliant successes on the battlefield bring him to the adoring attention of the French people and the rather alarmed attention of the French government.

In these two tales drawn from the magical world of the jungles of India, Rudyard Kipling explores issues of good and evil, courage and honor, materialism and spirituality. In "The King's Ankus", the wolf-boy Mowgli confronts a treasure made long ago by humankind--treasure for which humankind will kill, and kill, and kill again. In "The Miracle of Purun Bhagat", a man who has known wealth, and power, and great responsibility casts all that aside for the humble life of a wandering beggar-priest--until circumstances bring him once more to take command and save life.

In this, the third volume of the work, William Hazlitt takes us through the a critical period in Napoleon's life: his leadership of France as first consul. He shows us how the political developments of the time coincided with Napoleon's personal development, the experiences that convinced him that France needed a new leader, and how he came to believe that he himself was that leader. This volume ends with the greatest transition of all, from first consul to emperor.

The beautiful, elegant, heartbreakingly sad story of Lancelot, Guinevere and Arthur is Edwin Arlington Robinson's subject in his 1920 novella in verse, Lancelot. His focus throughout is on one side of the triangle, that of Lancelot and Guinevere. Robinson does not give us Malory's tales of jousts and tournaments; he sets his poem instead in the quiet moments of reflection, hope, anger, forgiveness, remorse and honesty that allow him to explore the meaning of this, one of literature's most enduring love stories, in the depths of the hearts and minds of his characters.

Thomas Gray is worldfamous as the author of "Gray's Elegy", more properly known as "Elegy Written in a Country Churchyard". He did not write very much, but he did write more than just his most famous poem. This collection is a recording of the 1768 Dodsley edition, the primary publication of his poetry that he published during his lifetime.

There's a long tradition of English Christmas stories, sometimes serious, sometimes humorous, often revolving around ghosts and apparitions. Dickens drew on it in a serious vein in A Christmas Carol; here, Jerome K. Jerome tells hilarious stories from around an English Christmas fireside.

In this set of "Uncanny Tales," Mary Louisa Molesworth deftly makes us feel the shiver of ghostly mystery without actually giving us a ghost! Or, to put it another way, she's interested in a different kind of ghostly presence. In "The Man with the Cough", it is the ghostly presence of a secret agent, and the ghostly experience of events that seem like a dream, but have real-world consequences. In "Halfway Between the Stiles", it is the ghostly presence of old memories of love that will not die away, and again, the real world responds. In "Will Not Take Place", it is a man who almost becomes a ghost.

Three great tales of meetings with ghosts, and perhaps more than ghosts: "The Vacant Lot" by Mary E. Wilkins Freeman; "On the Brighton Road" by Richard Middleton; and "Sister Johanna" by Amelia B. Edwards.

Here are two terrifying and sobering stories of ghosts who will stop at nothing. In Henry James' "The Romance of Certain Old Clothes", a woman's envy of her dead sister threatens to destroy her. In "Lost Hearts", three children learn that a classical scholar's love of the past has led him into a terrible and bloody delusion.