Showing results by author "Terry Pratchett" in All Categories

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

Tiffany Aching has spent years studying with senior witches, and now she is on her own. As the witch of the Chalk, she performs the bits of witchcraft that aren't sparkly, aren't fun, don't involve any kind of wand, and that people seldom ever hear about: She does the unglamorous work of caring for the needy. But someone - or something - is igniting fear, inculcating dark thoughts and angry murmurs against witches.

Religion is a controversial business in the Discworld. Everyone has their own opinion, and indeed their own gods - who come in all shapes and sizes. In such a competitive environment, there is a pressing need to make one's presence felt. And it's certainly not remotely helpful to be reduced to be appearing in the form of a tortoise, a manifestation far below god-like status in anyone's book. In such instances, you need an acolyte, and fast - preferably one who won't ask too many questions.

War has come to Discworld. The homes and businesses throughout the duchy of Borogravia limp along, doing the best they can without their men, sent to fight their age-old enemy. Polly has taken over the lion’s share of responsibility for the running of her family’s humble inn, The Duchess. Her beloved brother Paul marched off to war almost a year ago, but it has been more than two months since his last letter home, and the news from the front is bad: the fighting has reached the border, supplies are dwindling, and the brave Borogravians are losing precious ground.

In the beginning, there was nothing but endless flatness. Then came the Carpet.... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples and there's a new story in the making. The story of Fray, sweeping a trail of destruction across the Carpet, and two brothers, who set out on an adventure to end all adventures.

Roundworld is in trouble again, and this time it looks fatal. Having created it in the first place, the wizards of Unseen University feel vaguely responsible for its safety. They know the creatures that lived there escaped the impending Big Freeze by inventing the space elevator - they even intervened to rid the planet of a plague of elves, who attempted to divert humanity onto a different time track. But now it's all gone wrong - Victorian England has stagnated, and the pace of progress would embarrass a limping snail.

Tiffany Aching leaps into a dance - and suddenly the spirit of winter is in love with her. He's showering her with snowflakes and offering her a crown of ice. Which is creepy, but also just a little bit...cool. Now she's dancing to his tune. She can't change the steps. But unless Tiffany can work out how to deal with the Wintersmith, there will never be another springtime.

Three witches gathered on a lonely heath. A king has been cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the crown of the kingdom are both missing. The omens are not auspicious for the new incumbent, for whom ascending this tainted throne is a more complicated affair than you might imagine - particularly when the blood on your hands just won't wash off, and you're facing a future with knives in it.

Maurice, a streetwise tomcat, has the perfect money-making scam. Everyone knows the stories about rats and pipers, and Maurice has a stupid-looking kid with a pipe, and his very own plague of rats—strangely educated rats. But in Bad Blintz, the little con suddenly goes down the drain. For someone there is playing a different tune and now the rats must learn a new word. EVIL. It's not a game any more. It's a rat-eat-rat world. And that might only be the start.

When the very fabric of time and space are about to be put through the wringer, in this instance by the imminent arrival of a very large and determinedly oncoming meteorite, circumstances require a very particular type of hero. Sadly, what the situation does not need is a singularly inept wizard, still recovering from the trauma of falling off the edge of the world. Equally it does not need one well-meaning tourist and his luggage, which has a mind of its own¿which is a shame, because that's all there is.

"Look after the dead," said the priests, "and the dead will look after you." Wise words in all probability, but a tall order when you have just become the pharaoh of a small and penniless country whose largesse, and indeed treasury, is unlikely to stretch to the building of a monumental pyramid to honour your dead father. And particularly when your only visible means of support is a recently acquired qualification from the Guild of Assassins.

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

Terry Pratchett's final Discworld novel, and the fifth to feature the witch Tiffany Aching.

Not just another science audiobook and not just another Discworld novella, The Science of Discworld is a creative, mind-bending mash-up of fiction and fact, that offers a wizard’s-eye view of our world that will forever change how you look at the universe.

2040-2045: In the years after the cataclysmic Yellowstone eruption there is massive economic dislocation as populations flee Datum Earth to myriad Long Earth worlds. Sally, Joshua, and Lobsang are all involved in this perilous rescue work when, out of the blue, Sally is contacted by her long-vanished father and inventor of the original Stepper device, Willis Linsay. He tells her he is planning a fantastic voyage across the Long Mars and wants her to accompany him. But Sally soon learns that Willis has an ulterior motive for his request....

In the 'fantasy' universe of the phenomenally bestselling Discworld series, everything runs on magic and common sense. The world is flat and million-to-one chances happen nine times out of ten. Our world seems different - it runs on rules, often rather strange ones. Science is our way of finding out what those rules are. The appeal of Discworld is that it mostly makes sense, in a way that particle physics does not.

They say that a little knowledge is a dangerous thing, but it is not one half so bad as a lot of ignorance. There are some situations where the correct response is to display the sort of ignorance that happily and wilfully flies in the face of the facts. In this case, the birth of a baby girl, born a wizard, by mistake. Everybody knows that there's no such thing as a female wizard. But now it's gone and happened, there's nothing much anyone can do about it. Let the battle of the sexes begin.

The construction of the world's first truly accurate clock starts a race against, well, time. For if the perfect clock starts ticking, Time, as we know it, will stop. And then the trouble will really begin. Subtle, sly, thought-provoking, and hilarious, Thief of Time is Terry Pratchett at his best. "This delightful production keeps the listener spellbound," says AudioFile.

The acclaimed Science of Discworld centred on an original Pratchett story about the Wizards of Discworld. In it they accidentally witnessed the creation and evolution of our universe, a plot which was interleaved with a Cohen & Stewart non-fiction narrative about Big Science. In The Science of Discworld II our authors join forces again to see just what happens when the wizards meddle with history in a battle against the elves for the future of humanity on Earth. London is replaced by a dozy Neanderthal village.

Most of us grow up having always known to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly, some of these things are now beginning to be forgotten. Legends, myths, and fairy tales: our world is made up of the stories we told ourselves about where we came from and how we got there. It is the same on Discworld, except that beings which on Earth are creatures of the imagination - like vampires, trolls, witches, and possibly, gods - are real, alive and in some cases kicking on the Disc.