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In the grotesque bell-ringer Quasimodo, Victor Hugo created one of the most vivid characters in classic fiction. Quasimodo's doomed love for the beautiful gypsy girl Esmeralda is an example of the traditional love theme of beauty and the beast. Yet, set against the massive background of Notre Dame de Paris and interwoven with the sacred and secular life of medieval France, it takes on a larger perspective.

William Wordsworth (1770-1850) was born in Cockermouth, in the Lake District. His Lyrical Ballads, written in collaboration with Coleridge, was published in 1798, and shortly afterwards he settled in Dove Cottage, Grasmere, with his sister Dorothy. Inspired in his early manhood by the French Revolution, he grew disillusioned with revolutionary politics and in later life became decidedly conservative. He left a vast body of work, ranging from delicately simple lyrics to deeply meditative odes.

Although now beloved and revered by millions as the greatest composer who ever lived, Johann Sebastian Bach (1685–1750) was best known in his lifetime as an organist, and was eclipsed in fame as a composer by two of his twenty children. For the last twenty-seven years of his life he was a schoolteacher and choir director whose duties extended to meal supervision and dormitory inspection. Yet throughout his career he composed a vast body of music which is amongst the most joyful, dancing and enrapturing ever written.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

Bertrand Russell's A History of Western Philosophy serves as the perfect introduction to its subject; it remains unchallenged as the greatest account of the history of Western thought. Charting philosophy's course from the pre-Socratics up to the early twentieth century, Russell relates each philosopher and school to their respective historical and cultural contexts, providing erudite commentary throughout his invaluable survey.

Barchester Towers, the sequel to The Warden, is the second novel in Trollope's major series, the Chronicles of Barsetshire. It focuses on the power struggle between Archdeacon Grantly, Mr. Slope and the Proudies as they fight for control of the diocese of Barchester. Meanwhile, another struggle is taking place for the heart of Eleanor Bold. Who will win her? The vile Mr. Slope, the idling Bertie Stanhope or someone else entirely?

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books.

Tchaikovsky is one of the most popular composers of all time. His melodies are known to many people who may never have heard his name. They crop up on mobile telephones, alarm clocks and answering machines as often as on records and concert programs. Like his music, the man himself was widely loved, but his inner life was fraught with sufferings, confusions and a deep vein of self-doubt. The drama of his emotional life is vividly reflected in his music, letters and diaries, all of which play a major part in this intimate portrait-in-sound.

Published in 1913, My Childhood is the first in an autobiographical trilogy by the Russian writer and five-time Nobel Prize-nominee Maxim Gorky. Painfully moving in places, the book tells of the experiences of a young boy who goes to live with his grandparents following the death of his father. Gorky’s depiction of 19th-century Russia through the eyes of his younger self is remarkable. As he recalls memories of his youth, contrasting themes and emotions are revealed, from barbaric joy to dark gloom, genuine cruelty and saint-like forbearance.

The Portrait of a Lady tells the compelling and ultimately tragic tale of a beautiful young American woman's encounter with European sophistication. Set principally in England and Italy, the story follows Isabel Archer's fortunes as a variety of admirers vie for her hand. Her choice will be crucial, and she is not wanting for advice, whether from the generous-spirited Ralph Touchett or the charming Madame Merle.

The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from a fountain; the unrecognized master who died almost penniless at the age of 31.

The Eightfold Path is the most widely known formulation of the Buddha's teaching. It is ancient, reaching back to the Buddha's very first discourse, and it is highly venerated as a unique treasury of wisdom and practical guidance. The teaching of the Eightfold Path challenges us to grasp the implications of that vision, and asks us to transform ourselves in its light. Like the teaching itself, this work covers every aspect of life.

Now of that second kingdom I shall sing where human souls are purified of sin and made worthy to ascend to Heaven’ Purgatory is the second part of Dante’s The Divine Comedy ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud – forced to circle their terrace for aeons bent double in humility; the slothful – running around crying out examples of zeal and sloth; while the lustful are purged by fire.

Alice is back in her room, stroking her cats, but not for long. Slipping through the looking-glass, she meets another wild collection of fantasy characters, including the Red and White kings and queens, and Tweedledum and Tweedledee, and she is entertained by the poems "Jabberwocky" and "The Walrus and the Carpenter".

A terrifying ghost is haunting the ancient mansion of Canterville Chase, complete with creaking floorboards, clanking chains and gruesome disguises - but the new occupants seem strangely undisturbed by his presence. Deftly contrasting the conventional gothic ghost story with the pragmatism of the modern world, Wilde creates a gently comic fable of the conflict between old and new. Rupert Degas's hilarious reading brings the absurdity and theatricality of the story to life.

Bored with inactivity following the end of the Civil War, the fanatical members of the American Gun Club in Baltimore look for a project to fulfill their passion for rearms. Their distinguished President, Impey Barbicane, proposes an exciting new endeavor - one that will cement their names in history: They will build the largest projectile ever known to man and shoot it at the moon! The bullet will be hollowed to accommodate Barbicane and two bold companions, along with their dog, and they will claim the moon as America's 37th state.

Heyst’s aim to live a solitary existence is cut short when he meets an enchanting English violinist named Lena and brings her back to his island, rescuing her from her predatory patron Schomberg. Together they create a haven and Lena reawakens Heyst’s passion for life, but the world soon breaks in on them as Schomberg exacts his revenge.

Published four years after Rousseau's death, Confessions is a remarkably frank and honest self-portrait, described by Rousseau as "the history of my soul". From his idyllic youth in the Swiss mountains, to his career as a composer in Paris and his abandonment of his children, Rousseau lays bare his entire life with preternatural honesty.

What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.

In Framley Parsonage, the fourth novel of Trollope's Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer.