Horror Culture

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.

In the shocking finale to the best-selling series that began with Stalking Jack the Ripper, Audrey Rose and Thomas are on the hunt for the depraved, elusive killer known as the White City Devil. A deadly game of cat-and-mouse has them fighting to stay one step ahead of the brilliant serial killer - or see their fateful romance cut short by unspeakable tragedy.

Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly. But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship.

A ghostly witch named Bathsheba led the haunting of the Perron family, physically and psychologically tormenting them. This legendary ghost story eventually became the subject of the movie The Conjuring, and continued to haunt the Perron family for years to come.

Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can be said of religion.

During spring break, archaeology students Adam Andrews and Eva Lunes fly to the Yucatan to research Mayan pyramids, ruins, and myths. When their island guide, Enrique, offers to give them a private tour of Kukulkan’s Island, also called Snake Island, they seize the opportunity, as it has some of the most fantastic, least-seen ruins of all Mayan culture. When Eva and Adam arrive at Snake Island, they tour Kukulkan’s Pyramid and learn of the legend of the Forbidden Tree and its cursed fruit. Unfortunately, Adam and Eva also encounter a mysterious man who warns them to leave the island. ...

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After the horrifying explosion that claimed one of their own, the Diviners find themselves wanted by the US government, and on the brink of war with the King of Crows. While Memphis and Isaiah run for their lives from the mysterious Shadow Men, Isaiah receives a startling vision of a girl, Sarah Beth Olson, who could shift the balance in their struggle for peace. Sarah Beth says she knows how to stop the King of Crows - but, she will need the Diviners' help to do it.

A stand-alone novel, 1st in the Extinction series. Liam Collins was just an engineering geek, not the stuff of heroes. After centuries of war, nations have fallen and civilization is on the verge of collapse. Within the state of Colorado, only two walled city-states remain. To the south, Pike City is at war with a loose confederation of tribes ensconced within the Rocky Mountains, while in the north, Flatiron City strives to remain neutral by selling weapons to both sides. In Flatiron City, Liam develops the technology that is bartered to keep the peace. But his simple life and the delicate...

A stand-alone novel, 4th in the Extinction series. As an escaped slave, Oscar believes his troubles are over, but from across the universe an omnipotent alien intellect has other plans. The lost progeny of a scorched Earth barely survives aboard ancient decrepit starships, lost in outer space. Street gangs and slave markets rule the ships, while Oscar guards a safe haven for others fleeing bondage. As gangs battle for supremacy, their ship is plunged into darkness. A Signal from deep space has taken control and will force the crews onto a dangerous path of contrition and reunification. To ...

It is 1659 and Mary Newbury, theyoung granddaughter of a witch, sees her wise and beloved grandmother tortured and hanged as a servant of the Devil. Then a stranger with hauntingly familiar eyes approaches her with an opportunity - safe passage to America. But the difficult ocean voyage only leads her to a community of inflexible, fearful grownups who try to decide for her who and what she will be. Mary must disguise herself as a pious Puritan girl, hiding her true nature, or else face terrible danger once again.

Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember - so she and her best friend, Poulton, run away from home to explore them. In 1851, 17-year-old Roan arrives at the Mill House as a ward - one of three, all with something to hide from their new guardian. 1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area.

In 17th-century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend and confidante. It’s not long before Anna falls completely under the Countess’s spell - and the Countess takes full advantage.