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Wasteland
- The Great War and the Origins of Modern Horror
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
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Publisher's summary
Historian and Bram Stoker Award nominee W. Scott Poole traces the confluence of history, technology, and art that gave us modern horror films and literature.
In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war.
From Nosferatu to Frankenstein's monster and the Wolf Man, from Fritz Lang, F. W. Murnau and Albin Grau to Tod Browning and James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Historian W. Scott Poole chronicles these major figures and the many movements they influenced. Wasteland reveals how bloody battlefields, the fear of the corpse, and a growing darkness made their way into the deepest corners of our psyche.
On the 100th anniversary of the signing of the armistice that brought World War I to a close, W. Scott Poole takes us behind the front lines of battle to a no-man's-land where the legacy of "the War to End All Wars" lives on.
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Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.
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Surface Level Political Propaganda
- By Tom Stom on 11-11-23
By: Nina Nesseth
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Men, Women, and Chain Saws
- Gender in the Modern Horror Film
- By: Carol J. Clover
- Narrated by: Eva Wilhelm
- Length: 10 hrs and 7 mins
- Unabridged
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From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.
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Outdated by today’s standards but interesting academic read
- By Shadow007 on 07-26-24
By: Carol J. Clover
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Dark Carnivals
- Modern Horror and the Origins of American Empire
- By: W. Scott Poole
- Narrated by: Enrique McGavin
- Length: 14 hrs and 16 mins
- Unabridged
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The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.
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Loses Way in Last 3rd
- By Chris H on 01-05-23
By: W. Scott Poole
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In the Mountains of Madness
- The Life, Death, and Extraordinary Afterlife of H.P. Lovecraft
- By: W. Scott Poole
- Narrated by: Tim Campbell
- Length: 11 hrs
- Unabridged
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More than a traditional biography, In the Mountains of Madness will place Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own. Much of the literary work on Lovecraft tries to place him in relation to Edgar Allan Poe, M. R. James, or Arthur Machen; these ideas have little meaning for most contemporary listeners. In his provocative new book, W. Scott Poole reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and more.
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Needs Citation
- By Middle Age Gamer on 11-29-16
By: W. Scott Poole
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Dead Blondes and Bad Mothers
- Monstrosity, Patriarchy, and the Fear of Female Power
- By: Sady Doyle
- Narrated by: Chloe Cannon
- Length: 6 hrs and 42 mins
- Unabridged
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Sady Doyle, hailed as "smart, funny, and fearless" by the Boston Globe, takes listeners on a tour of the female dark side, from the biblical Lilith to Dracula's Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein's "domineering" mother Augusta; exorcism casualty Anneliese Michel, starving herself to death to quell her demons; author Mary Shelley, dreaming her dead child back to life.
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This book is exceptional!
- By Chays Love on 09-19-19
By: Sady Doyle
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Paperbacks from Hell
- The Twisted History of ’70s and ’80s Horror Fiction
- By: Grady Hendrix, Will Errickson - contributor
- Narrated by: Timothy Andrés Pabon
- Length: 5 hrs and 39 mins
- Unabridged
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Take a tour through the horror paperback novels of two iconic decades...if you dare. Hear shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary's Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more.
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The Rosetta Stone of horror schlock
- By Stefan Filipovits on 08-26-20
By: Grady Hendrix, and others
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Nightmare Fuel
- The Science of Horror Films
- By: Nina Nesseth
- Narrated by: Raquel Beattie
- Length: 10 hrs and 2 mins
- Unabridged
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Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.
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Surface Level Political Propaganda
- By Tom Stom on 11-11-23
By: Nina Nesseth
What listeners say about Wasteland
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Zee P. Soffron
- 11-10-18
A Deep Dive
A deep dive into war, writing, political chess and the human condition. Insight on today's narrative and the roots of horror.
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3 people found this helpful
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- Zack
- 02-09-22
not what I expected
it's a ok story but there us alot and I mean alot of modern liberal politics that I wasn't prepared for it wasn't bad but it drew alot from the story thatbi thought it was often times it seems that it was more political then about war or horror but not in a way that would describe history like it was bringing up all the modern political views and puting them on the past and everything wrong with the British polical system when I comes to racism on gay rights that seem to have nothing to do with the story .....all that said it was good enough to get for free I still enjoyed it I just wasn't what I was expecting
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2 people found this helpful
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- BrieChez
- 04-12-24
well that was more horrifying than I was expecting it to be.
unfortunately it was marred by a narrator who pronounced 'a' as 'ay' and 'the' as 'thee' like he was in grade school.
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- Leo Cacciatore
- 12-02-19
A little preachy with some reaching.
Very good book. Good enough I'm going to buy the print version as well. At some points the author seems to connect points on the basis of "its possible so, therefore, it IS" and at others he seems to have a very clear political message he wants you to feel. All well and good, just a little heavy handed and sometimes these two things together make the story a bit goofy.
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3 people found this helpful
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- CN
- 07-30-19
An interesting take
This book examines the relationship of WWI in creating the genre of horror and how the effects of WWI continue to be felt today.
Overall it is a good book. Examines aspects and relationships between the war and its effects on people and culture. It does this through the lens of horror (literature, art, movies). It will introduce you to many personalities that have often been forgotten today and how they created the modern genre of horror that we are so familiar with today. At times the book is somewhat repetitive, focusing on a sometimes limited number of movements, giving often shallow treatment to others. For instance, much is said about Surrealism and its relationship to horror, while other art movements that often contain similar elements of the grotesque or shocking receive little treatment. The author makes the important links between WWI and horror to the rise of Fascism and Hitler, but glaringly absent is any discussion of communism. When marxism/communism and revolutionary movements are discussed, they are almost apologetic or completely ignore the brutality and horrors inflicted by them. Meanwhile, in the last hour of the book, the author takes a sideline to discuss US hegemony and involvement in foreign affairs with absolutely no clear discussion of how this relates to horror. Indeed, the Soviets are almost treated as victims of US aggression. Is there really no relationship between WWI, horror, and the murderous regimes of Stalin or other communist states? The inability to connect the books theme of WWI and the horror genre to the sidelines about US foreign affairs and glaring omissions of horror and communism, is why I only give this book three stars.
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17 people found this helpful
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- Kindle Customer
- 04-28-21
A must read for military or art historians
Wow! Mind blown. An awesome blend of history and art, politics and psyche. Great read.
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3 people found this helpful
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- Julian
- 01-18-22
Very enjoyable
Though the author strikes me as a Pol Pot apologist, I enjoyed the book. Would recommend and would listen again.
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- Tim
- 06-29-22
ok interesting
ok doesn't keep my attention but still interesting
well written and preformed but doesn't keep me listening
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- Mike Baglione
- 09-28-20
Very interesting subject
As a fan of both Great War history and the horror genre, this book was a great listen. Mr. Poole does a wonderful job drawing the links between the horrors of the war and the horrors of the screen.
The only negative thing I can say about it is that the author’s political leanings are on quite clear display, whether that was his intention or not. I found this to be somewhat irrelevant and grating.
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- J. Rapoport
- 03-09-19
Why horror is Horror
This audiobook, and therefore it’s book, give keen insight into the experiences that shaped the creators of horror, the horrors they created, and how those creations affected their creators. I really enjoyed it and it really helped to give me understanding regarding the germination of the genre and how it developed into what the genre is today.
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8 people found this helpful