-
The Heart Goes Last
- A Novel
- Narrado por: Cassandra Campbell, Mark Deakins
- Duración: 12 h y 11 m
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Grandes primeros Títulos
Resumen del Editor
Margaret Atwood puts the human heart to the ultimate test in an utterly brilliant new novel that is as visionary as The Handmaid's Tale and as richly imagined as The Blind Assassin.
Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system. Once their month of service in the prison is completed, they can return to their "civilian" homes.
At first, this doesn't seem like too much of a sacrifice to make in order to have a roof over one's head and food to eat. But when Charmaine becomes romantically involved with the man who lives in their house during the months when she and Stan are in the prison, a series of troubling events unfolds, putting Stan's life in danger. With each passing day, Positron looks less like a prayer answered and more like a chilling prophecy fulfilled.
Reseñas de la Crítica
“Thrilling, sometimes comic, often absurd and entirely engaging, spinning sins into the territory of Elvis-themed escorts, stuffed-animal carnality and customizable sexbots … What keeps The Heart Goes Last fresh, as with the rest of Atwood’s recent work, is that while it revisits earlier themes of her oeuvre, it never replicates. Rather, it reads like an exploration continued, with new surprises, both narratively and thematically, to be discovered … Margaret Atwood has become something nearly as fantastical as one of her storytelling subjects: a living legend who continues to remain fresh and innovative on the page.”—Mat Johnson, New York Times Book Review
"[The Heart Goes Last] affords an arresting perspective on the confluence of information, freedom, and security in the modern age."—The New Yorker
"This is quintessential Atwood territory, a bleak dystopian landscape littered with shady types who engage in twisted sexual manipulation and scientific engineering reminiscent of The Handmaid’s Tale and Oryx and Crake ... The writing here is so persuasive, so crisp, that it seeps under your skin ... [This] fast-paced novel is hard to put down when it comes screaming to its clever and terrifying conclusion."—Boston Globe
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Historia
A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.
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Staggeringly Good
- De The Amester en 06-01-15
De: Margaret Atwood
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The Edible Woman
- De: Margaret Atwood
- Narrado por: Lorelei King
- Duración: 9 h y 37 m
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Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach....
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Representation of a Thousand Lives
- De Talia R. en 04-17-22
De: Margaret Atwood
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Alias Grace
- De: Margaret Atwood
- Narrado por: Margaret Atwood, Sarah Gadon
- Duración: 15 h y 57 m
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Historia
It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.
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Beautiful and Intense Story
- De Aparries en 11-27-17
De: Margaret Atwood
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Dancing Girls
- De: Margaret Atwood
- Narrado por: Laurel Lefkow
- Duración: 8 h y 55 m
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Students and journalists, farmers and birdwatchers, ex-wives, adolescent lovers, and dancing girls. All are ordinary people. Or are they? In this splendid collection of short stories, Margaret Atwood maps the human motivation we scarcely know we have in a startlingly original voice, full of a rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters that evoke laughter, compassion, terror, and recognition.
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This is a great listen
- De Russell en 03-31-23
De: Margaret Atwood
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Lady Oracle
- De: Margaret Atwood
- Narrado por: Lorelei King
- Duración: 11 h y 13 m
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From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.
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A Feminist Romp
- De annkpowers en 07-02-22
De: Margaret Atwood
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Bodily Harm
- De: Margaret Atwood
- Narrado por: Angela Nevard
- Duración: 10 h y 5 m
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A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.
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Worst Atwood story. I kept thinking that someone else actually wrote it!!
- De Amazon Customer en 12-11-23
De: Margaret Atwood
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Old Babes in the Wood
- Stories
- De: Margaret Atwood
- Narrado por: Margaret Atwood, Linda Lavin, Dan Stevens, y otros
- Duración: 8 h y 44 m
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Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.
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Too much Atwood reading
- De Jamanosa en 06-30-23
De: Margaret Atwood
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Moral Disorder and Other Stories
- De: Margaret Atwood
- Narrado por: Susan Denaker
- Duración: 7 h y 35 m
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In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present.
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good book, badly read
- De Nancy en 02-27-07
De: Margaret Atwood
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My Evil Mother
- A Short Story
- De: Margaret Atwood
- Narrado por: Hillary Huber
- Duración: 57 m
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Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.
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Great easy read
- De Fundamental I. en 04-02-22
De: Margaret Atwood
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On Writers and Writing
- De: Margaret Atwood
- Narrado por: Margaret Atwood
- Duración: 6 h y 33 m
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What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?
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l just love Margaret Atwood.
- De Brandy Ringleb en 01-11-21
De: Margaret Atwood
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Vox
- De: Christina Dalcher
- Narrado por: Julia Whelan
- Duración: 9 h y 27 m
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On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. This is just the beginning. Soon women are not permitted to hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words a day, but now women only have 100 to make themselves heard. But this is not the end. For herself, her daughter, and every woman silenced, Jean will reclaim her voice.
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Please ignore the negative reviews.
- De Amanda W. en 09-05-18
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The Power
- De: Naomi Alderman
- Narrado por: Adjoa Andoh
- Duración: 12 h y 5 m
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In The Power, the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.
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A necessary read
- De Grace en 11-22-17
De: Naomi Alderman
Lo que los oyentes dicen sobre The Heart Goes Last
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- Patricia
- 04-14-16
Great listen!!
The story was A great listen filled with humor of every kind. I loved the narration and the surprise "gift" to the main character at the end:0)
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- Doc
- 06-13-17
Another great Atwood novel
Wonderful narration and great plot twists. I enjoyed every minute of this audio book!
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- liltxtwister
- 10-13-15
3.5 Stars
Probably a 3.5 star for me. It was entertaining, but not something that will stay with me for long.
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- Christine
- 05-20-20
Great book
Great book except in chapter 5 theres a huge plot mistake. Stan and Charmaine have just been at their house for a month and are supposed to be returning to the prison, but in that same chapter they said Stan was guna be late checking into prison but yet his wife Charmaine is going to be there another month longer and was waiting to check out. plot mistake but otherthan that I like it
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- Bren
- 11-27-15
Disappointed with Story Development
What did you like best about The Heart Goes Last? What did you like least?
The concept for the plot was excellent. However, I expected deeper development from Atwood. At times the story advanced from plot point to plot point with no real explanation of how or why. I felt like the two main characters were almost shallow - victims of circumstance - who never really changed throughout the book. Their circumstances changed multiple times, but they themselves (and their responses) were still the same. Perhaps this was a commentary on our doe-eyed "nothing is my fault and bad things keep happening to me" younger generation. I felt that there was an over-emphasis on meaningless sex (particularly that which was initiated by one particular character). Yes, this may have been another commentary on our society, but it seemed to only be required so it could be referred back to later in the novel. Atwood also employed a form deus ex machina several times in which I thought, "Well, isn't that convenient . . . " Finally, the ending was too neat and tidy. If Atwood was making a social commentary, then I believe having an ending with all the loose ends tied up is unfitting. Having read (and loved) Atwood in the past, perhaps I expected too much. Bottom line? It was an okay listen, but I felt it lacked crafting and adequate development.
Was The Heart Goes Last worth the listening time?
If you have nothing more intriguing in your wish list, then yes.
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- Diane Simons
- 03-23-18
The future
i love Margaret Atwood. Her view of the future is sometime grim, but this was grim and humorous
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- Barbara Segal
- 12-07-22
Dark Humor and Dystopian Musings
Choosing a Margaret Atwood novel, one always knows that human nature will be examined and dissected in all it's darker corners. What was unexpected was the humor, the cultural references, and the preeminence of plot in this story. Told through the experiences of it's two main characters, the clueless Pollyanna like wife, Charmaine, and the dissatisfied catastrophizing husband, Stan, the story follows their journey from destitute car dwellers, to an ostensible utopian community, which becomes more horrific as the novel unfolds. The narrators were fabulous, taking on, not just multiple character voices, but the tone of their attitudes and most private thoughts. The writing, however was not as rich in imagery and language as other Atwood novels, but it's realistic quality suited the characters and fast moving plotline. Overall, I'd give it a C+, not compelling enough for a 4 star recommendation, but, as an examination of free will, extreme capitalism, and the consequences of individual choices and desires, it's worth a listen
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- Mal
- 10-03-15
Enjoyable
I enjoyed this book because while parts of it were about the timeless nature of relationships other pArts were totally futuristic enough to make things interesting. Stan and his wife go from living in their car after losing everything in a national financial collapse. After spending what seems like an eternity struggling just to get by they are excepted in to a new program where they agree to live in absolute comfort in a pristine new home and one month in prison and that's when unsettling things begin to happen. The home is lovely... The prison not bad but then they are drawn in to a weird plot that each of them is only aware of from their own circumstances. Loved the bazzair twists and turns. A very different kind of story but very enjoyable.
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esto le resultó útil a 5 personas
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- Amazon Customer
- 01-26-17
My first Atwood
Really enjoyed this story and performance. has definitely made me an Atwood fan. Great story!
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- Sarah
- 08-17-16
lighter tone than normal Atwood books
Any additional comments?
I think that if I had read this book in paper instead of audio, I wouldn’t have known what to make of it. The Heart Goes Last is more satirical and farcical than Atwood’s other dystopian books. But the narrators nailed it. Cassandra Campbell, who voiced Charmaine, was absolutely perfect, capturing the a character who is like a child, naive and prone to believing in fantasies but that picks up on more than people give her credit for. I don’t think I would really have gotten the character as Atwood intended if I hadn’t heard Campbell’s interpretation. Stan, voiced by Mark Deakins, is more easily relatable and Deakins does a great job of believably exposing his flaws. Plus a couple of times I thought I was listening to a toned down Nathan Fillion and that is always happy times. I couldn’t believe that this Atwood novel came out last year without me hearing a peep about it, I guess because many people didn’t like it. Probably thought it was too far off her normal tone. But I particularly enjoyed it paired with the dive into the industrial prison complex, the nature of sexuality vs lust, the examination of whether safety and security are worth trading in free-will, all written with an obvious smile on Atwood’s face. I get vicariously gleeful when reading a work that the author obviously had such a blast writing.
Definitely worth another couple of rereads and a good discussion about over hot beverages.
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