I Become a Delight to My Enemies
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By:
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Sara Peters
About this listen
Dark, cutting, and coursed through with bright flashes of humor, crystalline imagery, and razor-sharp detail, I Become a Delight to My Enemies is a gut-wrenchingly powerful, breathtakingly beautiful meditation on the violence and shame inflicted on the female body and psyche.
An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging.
Read by a multi-voice ensemble cast, with original vocal accompaniment, I Become a Delight to My Enemies is a hybrid in form and an awe-inspiring example of the exquisite force of words to shock and move.
The 15-person cast includes:
Angela Asher
Amanda Cordner
Tess Degenstein
Pearl Harbour
Maggie Huculak
Pam Hyatt
Jani Lauzon
Justin Miller
Amy Nostbakken
Paloma Nuñez
Martin Roach
Norah Sadava
Amelia Sargisson
Nicole Stamp
Michaela Washburn
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Critic reviews
“The subject matter, while in some senses timeless, is also very much of the present moment. I Become is a book of voices, disembodied, all of its characters from a nameless town where they experienced sexual abuse and terror. Contributing to the sense of secrecy and shame, some of the text appears occasionally as marginalia, like whispered comments from the periphery of a town’s main square. No two pages are alike. The text is often in fragments, abruptly cut, as if the speakers are hesitant about how much they should say.... [A]n aural immersion in a town of people who need to speak out, to reveal truths, to push back against the shame, to hold out hope.” (Globe and Mail)
“If Delight demands a different type of engagement - it is its own many-headed beast, consisting of mini fables, prose vignettes, poems whose lines float unmoored in white space, story shards, marginalia - it also offers a different type of reward for the persevering reader. Making sense of historical and immediate trauma is not easily pondered or plotted. It deserves a form that challenges us to slow and struggle and sit with the stories that break us.” (Toronto Star)
“I Become a Delight to My Enemies takes massive risks that pay off often, especially when Peters refuses to tone things down and turn away. Like her excellent poetry debut, her fiction debut bodes well for her future as an author and is a surprisingly audacious offering from a new Canadian imprint.” (Winnipeg Free Press)
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Story
Helen Brown wasn't a cat person, but her nine-year-old son Sam was. So when Sam heard a woman telling his mum that her cat had just had kittens, Sam pleaded to go and see them. Helen's heart melted as Sam held one of the kittens in his hands with a look of total adoration. In a trice the deal was done - the kitten would be delivered to them when she was big enough to leave her mother. A week later, the family suffered a terrible tragedy. Totally traumatised by it, Helen completely forgot all about the kitten until a little black bundle of fur was delivered to her doorstep.
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Wonderful
- By pgriswold6fe9 on 01-26-23
By: Helen Brown
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The Dream House
- By: Craig Higginson
- Narrated by: Terry Lloyd-Roberts
- Length: 7 hrs
- Unabridged
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Overall
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Performance
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Story
A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life.
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Brilliant Dream House Narration
- By Simon Griffiths on 05-05-21
By: Craig Higginson
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What Storm, What Thunder
- By: Myriam J.A. Chancy
- Narrated by: Ella Turenne
- Length: 11 hrs
- Unabridged
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Overall
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Performance
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Story
The Earth had buckled, and, in that movement, all that was not in its place fell upon the Earth’s children, upon the blameless as well as the guilty, without discrimination. At the end of a long sweltering day, as markets and businesses begin to close for the evening, an earthquake of 7.0 magnitude shakes the capital of Haiti, Port-au-Prince. Award-winning author Myriam J. A. Chancy masterfully charts the inner lives of the characters affected by the disaster
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We need the storm, the whirlwind, and the earthquake.
- By AuthorAnnaBella on 03-15-22
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The Past Is Never
- A Novel
- By: Tiffany Quay Tyson
- Narrated by: Devon Sorvari
- Length: 9 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.
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Intriguing Southern gothic tale
- By Robert Jason on 03-11-20
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The First Man
- By: Albert Camus
- Narrated by: Jefferson Mays
- Length: 8 hrs and 9 mins
- Unabridged
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Story
In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.
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Great Narration by Jefferson Mays
- By Sean Patrick Stevens on 07-31-21
By: Albert Camus
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Speak
- A Novel
- By: Louisa Hall
- Narrated by: Suzan Crowley, Christopher Ashman, Adrienne Rusk, and others
- Length: 8 hrs and 17 mins
- Unabridged
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Overall
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Story
In a narrative that spans geography and time, from the Atlantic Ocean in the 17th century to a correctional institute in Texas in the near future, and told from the perspectives of five very different characters, Speak considers what it means to be human and what it means to be less than fully alive.
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Like nothing else
- By Anonymous User on 06-22-17
By: Louisa Hall
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The Paper Palace
- A Novel
- By: Miranda Cowley Heller
- Narrated by: Nan McNamara
- Length: 12 hrs and 37 mins
- Unabridged
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Performance
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Story
It is a perfect July morning, and Elle, a 50-year-old happily married mother of three, awakens at “The Paper Palace” - the family summer place she has visited every summer of her life. But this morning is different: Last night, Elle and her oldest friend, Jonas, crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, Elle will have to decide between the life she has made with her genuinely beloved husband and the life she always imagined she would have had with her childhood love.
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The story has too much child abuse discription
- By DTurek on 07-14-21
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Creatures of Passage
- By: Morowa Yejidé
- Narrated by: Morowa Yejidé
- Length: 10 hrs and 4 mins
- Unabridged
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Story
Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, 10-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash has charmed conversations with a mysterious figure he calls the "River Man".
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This is the one
- By just_watching on 04-27-21
By: Morowa Yejidé