Showing results by narrator "Amanda Cordner" in All Categories

There are few love stories in the holy books. Love is what ruins. Love is what costs. Love is a flaming sword at our backs, a garden left to ruin and to wild. In Dayspring, Anthony Oliveira brings to vibrant, glorious life the gospel according to the disciple Christ loved—his companion in the days before the crucifixion, the only instrument that remembers with fidelity his sound.

When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black, biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia’s orbit—insistence on reading only the right kind of books (Russian), having the right kind of relationships (casual, with lots of sex)—might look like.

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic.

An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging.

During the golden age of the Roman Empire, five girls enjoy a modest childhood in their small Portuguese village. They race each other through lemon orchards and pick fresh fruit for the commander who overlooks his people from a large house on the hill. Though the girls are all raised by different families, there is one thing they know without a doubt: they are sisters.What they don’t know is that their simple existence is about to be irrevocably changed.

Lucy is a lapsed Catholic whose adolescent pretentions to sainthood are unexpectedly revived. It all starts when her cousin Zoltan, in hospital following a bizarre incident at a party, offers her a disturbing deathbed confession. Lucy's grief takes an unusual turn: Zoltan's death appears to have turned her into a magnet for the unshriven. Lucy is transformed into a self-described "flesh-and-blood Wailing Wall" as strangers unburden themselves to her. She becomes addicted to the dark stories and finds herself jonesing for hit after hit.

In this new community where residents are down on their luck but rich in humour and escape plans, Lara navigates what it means to be the Black daughter of a Russian mother and begins to wonder what a life beyond Yevgenia’s orbit—her insistence on reading only the right kind of books (Nietzsche, Dostoyevsky) and having the right kind of relationships (casual, with lots of sex)—might look like.

Floods and wildfires, toxic culture, billionaires in outer space, or a purse-related disaster while on mushrooms—in today’s hellscape world, there’s no shortage of things to worry about. Last Woman, the new collection of short fiction by award-winning author Carleigh Baker, wants you to know that you’re not alone. In these 13 brilliant new stories, Baker and her perfectly-drawn characters are here for you—in fact, they’re just as worried and weirded-out as everyone else.