Showing results by narrator "Amelia Sargisson" in All Categories

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic.

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic.

Zoey Andrews lives and breathes Christmas. She loves everything about the season, and after years of directing countless holiday movies, she certainly knows her way around a festive tale. So, when she finally gets the chance to bring her own script to life, she isn't about to let anything, or anyone, stand in her way—not even the stupidly sexy, utterly frustrating plaid-clad tree farmer Benoît Deschamps. Moonlighting as mayor of Chelsea—the cozy Quebec hamlet at the center of Zoey's screenplay—Ben maddeningly refuses to grant her a film permit in his enchanting town.

Elliot is a first responder in New York, a man running from past failures and struggling to do the right thing. Emma is a pregnant singer preparing to headline a benefit concert for victims of a growing outbreak - all while questioning what kind of world her child is coming into. Owen is the author of a best-selling novel with eerie similarities to the real-life crisis, and as fact and fiction begin to blur, he must decide whether his lifelong instinct for self-preservation has been worth the cost.

An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging.

For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur - offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life.

Orphaned young, Kate Morrison was her older brother Matt's protégé, her curious fascination for pond-life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the tragedy of her own emotional life. She thinks she's outgrown her family, who were once her entire world - but she can't seem to outgrow her childhood or lighten the weight of their mutual past.

Lauren’s life is a mess. She has a storage unit full of candles she can’t sell, a growing mountain of debt, and a teenage daughter, Dove, who barely speaks to her. Then her husband sends her a text that changes everything. Eager to escape her problems, she drives herself and Dove south to her late mother’s rundown trailer in Florida. While keeping her eccentric new neighbours at Swaying Palms at bay, Lauren begins to untangle the truth about her estranged mother. 

Montréal, 1680s: Minique has a secret she can’t ever tell. She knows there are horrific consequences for girls and women who do not conform. She saw it with her own eyes when Anne, the aubergiste, was viciously marched through town and charged with crimes she didn’t commit. Besides, Minique has never had family members to tell. She remembers little of her mother, a fille du roi, who arrived in Montréal on a ship; she rarely sees her father, a coureur des bois who is often away; and she barely speaks with her Tante Marie, a stern, hard woman.