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The Crucible

By: Arthur Miller
Narrated by: Stacy Keach, Richard Dreyfuss, Ed Begley Jr., Hector Elizondo, full cast
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Publisher's summary

In the rigid theocracy of Salem, Massachusetts, rumors that women are practicing witchcraft galvanize the town. In a searing portrait of a community engulfed by panic—with ruthless prosecutors, and neighbors eager to testify against neighbor—The Crucible famously mirrors the anti-Communist hysteria that held the United States in its grip in the 1950’s. A Tony Award Winner for Best Play. A BBC and KCRW co-production.

Recorded at Culver Studios, Culver City in March 1988.

Directed by Martin Jenkins.

Producing Director: Susan Albert Loewenberg

An L.A. Theatre Works full cast performance starring:

Irene Aranga as Mercy Lewis

René Auberjonois as Deputy Governor Danforth

Ed Begley Jr. as Thomas Putnam

Georgia Brown as Rebecca Nurse

Jack Coleman as Marshal Herrick

Bud Cort as Ezekiel Cheever

Richard Dreyfuss as Reverend John Hale

Héctor Elizondo as Giles Corey

Judyann Elder as Tituba

Fionnula Flanagan as Elizabeth Proctor

Ann Hearne as Susanna Walcott

Carol Kane as Mary Warren

Stacey Keach as John Proctor

Anna Sophie Loewenberg as Betty Parris

Marian Mercer as Mrs. Ann Putnam

Franklyn Seales as Judge Hathorne

Madolyn Smith as Abigail Williams

Joe Spano as Francis Nurse

Michael York as Reverend Parris

(P)1994 L.A. Theatre Works

What listeners say about The Crucible

Average customer ratings
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  • Overall
    5 out of 5 stars

Well balanced pace...

The narrator has a well balanced pace that may benefit those who need to read the book quickly but efficiently. Although it a couple of sentences here and there will be skipped it is admissible.

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3 people found this helpful

  • Overall
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    5 out of 5 stars

A story of McCarthyism hidden in the 17th Century

I remember learning about the Salem Witch Trials and McCarthyism from my American history class. The two events that took place 250 years apart from each other are often compared for their similarities. I had read the playbook for The Crucible in my high school literature class, seen the play performed live as well as watching the movie and television show adaptations of its story. However, what I have not done until very recently is remember when the author actually wrote the story and when it was initially theatrically produced. I was not a literature or theater major in college and I only carried a passing interest in historical matters. So, it was not immediately apparent to me how fresh the McCarthy trials would have been on the minds of the audience members who watched the initial live performances of The Crucible being performed in America. If those audience members had access to something equivalent to online social media, I wouldn't be surprised if they would start issuing statements like #CommunismPartyIsOver in their editorialized statements to anyone within earshot.

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  • Overall
    4 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    5 out of 5 stars

Great Story That's Tough to Follow

The story and performances are amazing, but fair warning. It can be difficult to follow who is saying what because you're listening to a play without visuals.

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  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Gripping story & a warning against repeating history: Salem, McCarthyism, ???

This production is excellent. The actors give compelling performances of this important and story based on the real Salem witch trials. Society ends up shredding itself when people conform too rigidly, care too much what their community thinks of them, are willing to stay quiet in the face of small & great wrongs, and allow hysteria to set. Stay calm & reasonable is an old but relevant message for our times.

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  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Very good

My daughter had to read it for school. so I thought I would too. I really enjoyed it

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  • Overall
    4 out of 5 stars

Dramatic Recording

This is a wonderfully done recording with good actors. However, This recording is not complete and does not follow the script to the T, but that draw back is overshadowed by the actors. They bring the play to life the way it is meant to be. This recording even though incomplete is superbe.

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20 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Wonderful. All aspects of life included n 1 story

My first audible.
It was recommended so I would have never picked a classic on my own. it was amazingly good. I recommend. A must.

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2 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Wonderful Version for Classrooms

My students understood The Crucible so much more once we started to listen to this production. The reading is done fantastically.

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  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Unnerving, riveting, thought-provoking!

Outstanding performances! Listened nearly straight through... Inspired rich discussions with my teenage son. A must listen!

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  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

A Marvelous Cast Production of Incredulity

Another fantastic work of prose that I should've read years ago, but didn't. In fact, I only picked this up due to a reference in the movie, Molly's Game (which I loved just as much).

It's funny how humanity works, it's funnier what we believe about ourselves and others, it's a travesty that we - while presented with incontrovertible evidence - let our pride and ego dictate truth. That's what I believe this book is about; I could be wrong. The introduction cites that Arthur Miller wrote this book as an allegory for the anti-communist movement during the 50s; how funny that it could still apply today from any political perspective against another (i.e., evidenceless accusations of projected sentiments). What I got from this book resonates, much the same as it seems to have resonated with Molly Bloom.

The full-cast production was fantastic and one of my treasured audible pieces. I usually listen at 3x speed, but slowed to 1.7 so that I could appreciate the actors. Since this was such a short work this wasn't an issue.

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