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इस शृंखला में ॐ स्वामी हमसे ध्यान के अनुपम ज्ञान को साँझा कर रहे हैं, जो की हम अपने रोज़-मर्रा के जीवन में उपयोग कर सकते हैं। जैसा की शीर्षक से हमें ज्ञात होता है, यह शृंखला हमें अपने अंतर में स्थित आत्मा से संबंध स्थापित करने में सहायता करती है, इसकी हर कड़ी हमारे समक्ष चेतना के एक नए आयाम खोलती है।

Bhaarteey jeevan-dhaara mein jin granthon ka mahattvapoorn sthaan hai unmein puraan bhakti granthon ke roop mein bahut mahattvapoorn maane jaate hain. Puraan-saahitya bhaarateey jeevan aur saahitya kee akshunn nidhi hain. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain. Karmkaand se gyaan kee or aate hue bhaarateey maanas chintan ke baad bhakti kee aviral dhaara pravaahit huee.

Sunderkand, believed to be the most beautiful (Sunder) part of the Ramayana, describes Lord Hanuman journey to Lanka. This book elucidates his pristine lifestyle, following which brings karmic and spiritual knowledge and bhakti (devotion) in one's life. It is even believed that when one hears the sunderkand, Lord Hanuman himself graces the listener with his presence. Carrying the entire text and explanation of the sunderkand, Shri Hanuman Chalisa and sankatmochan hanumanashtak, this edition also contains a art is of Lord Ganesha, Lord Ram and Lord Hanuman.

Ashtavakra aur raja Janak ke beech is adbhut sanvaad ki garima ko Osho ne apni amrit vaani dwara uski poornata mein prakat kiya hai. Ashtavakra-Janak sanvaad evam prashnottar ke maadhyam se Osho dharm, saadhana, tatha chetna ki atal gahrai mein hamein le chalte hain. Is apoorva sanvaad ko mahageeta kehkar Osho ne usme anoothi praan-pratistha ki hai.

A living picture of the entire life of the Indian farmer - his aspiration and despair, his sincerity and religious piety, his helplessness and innocence.

Bhaarteey jeevandhaara mein jin granthon ka mahattvapoorn sthaan hai, unmein puraan, bhakti-granthon ke roop mein bahut mahattvapoorn maane jaate hain. Puraan-saahitya bhaarteey jeevan aur sanskriti kee akshunn nidhi hai. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain.

In this exposition on three chapters of Bhagavad Geeta, Om Swami takes us through the essential aspects of spiritual upliftment. There are many hidden gems in this 20 episodes series, which give us a unique perspective on life. Whether you are looking for peace, harmony and happiness in life or a way to enlightenment, you will find it in here.

The Bhagwat Gita is the main sourcebook on yoga and is a concise summary of India’s Vedic wisdom. Yet, remarkably, the setting for this classic spiritual text is an ancient Indian battlefield. In this interpretation of the Gita, the author explains that the essence of the Gita is the equanimity of mind, which is attained by transcending it because mind consciousness is myopic and only spiritual consciousness abounds in universal love and absolute knowledge.

Siddhon ka ek mahaan sandesh, 'Jaago', Osho ki vaani dwara in pravachanon mein aur bhi adhik mukharit hua hai. Osho kehte hain: 'Jaago, man jaagran ki bela! Aur jaagran ki bela hamesha hai. Aisa koi khsan nahi jab tum jaag na sako. Aisa koi pal nahi jab tum palak na khol sako. Aankh band kiye ho yah tumhaara nirnay hai. Aankh kholna chaho to isi khsan kraanti ghat sakti hai.

Premchand's literary career started as a freelancer in Urdu. In his initial short stories, he has depicted the patriotic upsurge that was sweeping the country in the first decade of the 19th century and wrote of the life around him and made his readers aware of the problems of the urban middle class and the country's villages. With Premchand's versatile writing skill, the stories took a valuable space in Indian literature. This book is an integration of 41 stories by Premchand.

Dhammapad par Osho ke pravachanon ka yah viraat sahitya 2500 varsh ke antaraal ke baad Buddha ki vaani ko samajhne mein atyant upyogi hai. Dhammapada ke sutra vastutah hamein jagane ke sutra hain. In sutron ko samajh kar Osho ne hamari chetna ko jagrat karne ki aisi jeevant prakriya ka raseela niroopan kiya hai jo vyakti ka aamool roopantaran kar de.

Maine Ram Ratan Dhan Payo: Aao prem ki ek jheel mein nauka-vihaar karein. Aur aisi jheel manushya ke itihaas mein doosri nahi hai, aisi jheel Meera hai. Mansarovar bhi utna swacha nahin. Aur hanson ki hi gati ho sakegi Meera ki is jheel mein. Hans bano, to hi utar sakoge is jheel mein. Hans na bane to na utar paooge. Meera ki is jheel mein tumhein nimantran deta hoon. Meera naav ban sakti hai. Meera ke shabd tumhe doobne se bachaa sakte hain. Unke sahare par us paar ja sakte ho.

जब बुराई एक महाकाय रूप धारण कर लेती है, जब ऐसा प्रतीत होता है कि सबकुछ लुप्त हो चुका है, जब आपके शत्रु विजय प्राप्त कर लेंगे, तब एक महानायक अवतरित होगा।क्या वह रूखा एवं खुरदुरा तिब्बती प्रवासी शिव सचमुच ही महानायक है?

शिव अपनी शक्तियां जुटा रहा है। वह नागाओं की राजधानी पंचवटी पहुंचता है और अंततः बुराई का रहस्य सामने आता है। नीलकंठ अपने वास्तविक शत्रु के विरुद्ध धर्म युद्ध की तैयारी करता है

अंदलुशिया में रहनेवाले एक आम चरवाहे सैंतियागो की ये कहानी स्पेन से होते हुए मिस्र के रेगिस्तान जा पहुँचती है।

Woh Kaun Thi? is an Audible Original thriller starring Rohit Bose Roy directed by Sampat Chari. Inspector Vijay Desai (Rohit Bose Roy) investigates a murder case, witnessed by a captivating and mysterious woman whose existence and back story thrill Vijay's personal life thereby questioning his belief in marriage, desire and the supernatural.

Kabir par Osho samay-samay par bolte rahe hain. Keh sakte hain ki Kabir unke priy rahe hain. Kabir ke saddhukkadi vachanon ko samsamayik Osho hi bana sakte hain.

An essential classic, now available in Hindi.

Chanakya was an Indian teacher, philosopher, and royal advisor. He managed the first Maurya emperor Chandragupta’s rise to power at a young age. He is widely credited for having played an important role in the establishment of the Maurya Empire, which was the first empire in archaeologically recorded history to rule most of the Indian subcontinent.

Vipassana sabse kimti dhyan hai. Iski vidhi hai, sirph baithkar shvas ko dekhte rahna. Yah pranayam nahi hai, shvas ki naisargik gati ko sakshibhav se dekhna hi vipassana hai. Is tarh dekht-dekhte hi chitt ke sare rog tirohit ho jate hai, sharir se sambandh tut jata hai. Ise aharnish kahi bhi kiya ja sakta hai.