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Enter the 1920s Golden Age of Detection with this first novel from Dorothy L. Sayers, featuring the debut of a dashing gentleman detective, one of the great characters of mystery fiction - Lord Peter Wimsey. An unidentified corpse is found in a bathtub, and the police are jumping to conclusions about its identity and that of the murderer. Lord Peter Wimsey steps in and, with the help of his friend, Inspector Parker; and his manservant, Bunter, solves the mystery.

This audiobook includes unabridged recordings of the first four Lord Peter Wimsey detective novels, read by Audie-award winning narrator Jonathan Keeble. A must-listen for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries, Lord Peter Wimsey is the immortal amateur sleuth created by Dorothy L Sayers.

After a corpse wearing pince-nez glasses is found in a bathtub, Lord Peter Wimsey undertakes the case and investigates the deed privately. But determining whether the corpse belongs to a well-known banker or a group of mischief-making medical students is just the beginning of this tangled mystery plot.

Mr. Thipps wakes up to the worst day ever. A dead body in his bathtub wearing nothing but a pair of pince-nez. So many questions. Luckily, Lord Peter Wimsey catches wind of this – for he has a keen mind for solving crimes, although he is the pampered aristocratic amateur. With the connections that privilege offers, he has returned somewhat battered from the war with a penchant for crime solving. This case of near-sighted nudity, taking place during the plague of 1918, takes on twists and turns both unforeseen and unwelcome.

Amateur detective Lord Peter Wimsey sets out to unravel a puzzling case involving the disappearance of a wealthy financier and the discovery of a corpse in a bathtub. He does succeed in solving things to everyone's ultimate satisfaction, but only after a series of bloodcurdling and hair-raising episodes that will hold the listener spellbound with anticipation.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else. Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

Mild-mannered, inoffensive architect Alfred Thipps finds himself in big trouble when, in preparing to take his morning bath, he finds the tub already occupied by a dead body, wearing nothing but a pair of gold pince-nez glasses. Stolid, unimaginative Police Inspector Sugg is convinced the body is that of Sir Reuben Levy, a famous Jewish financier who disappeared the night before - waving aside objections that, as the body in the tub was uncircumcised, it couldn't be Sir Reuben - and promptly arrests Thipps and his maid for murder.

Meet Lord Peter Wimsey, stylish, eccentric, seeming a fool, but in fact one of the great English detectives. The discovery of a body in a bathtub wearing only a pair of spectacles launches a motley set of sleuths and suspects toward a ghastly conclusion.

In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath. The naked body was lying in the tub. Not unusual for a proper bath, but highly irregular for murder - especially with a pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better.

A prominent financier vanishes before bedtime, without his clothes. Hours later, a corpse is found in a bathtub wearing only pince-nez eyeglasses. When it’s determined that the body is not that of the financier, it’s up to amateur detective Lord Peter Wimsey to uncover the naked truth. As the part-time sleuth investigates what these men - one dead, one missing, both starkers - have in common, the pieces of two puzzles converge, and the case becomes more dangerous by the clue.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else.Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

The great financier, Sir Reuben Levy, disappears from his Park Lane home on a November night, apparently without a stitch of clothing, or even his spectacles. On the same night in a suburban bathroom in Battersea, an unknown body bearing a superficial resemblance to Sir Reuben is discovered, reclining in the bath tub, unseasonably dressed in nothing but a pair of pince-nez.

Whose Body? is the first of several books in Dorothy L. Sayers’s popular Lord Peter Wimsey mystery series. In this intriguing story, Lord Wimsey is drawn into a murder mystery when he discovers a corpse in a middle-class architect’s bathroom, and it only gets stranger from there. Although the police are convinced that the unassuming architect is the killer, Wimsey isn’t so sure. He soon discovers that the case of the body in the tub is far stranger than anyone could have imagined.

DDorothy L. Sayers was a clever detective writing woman in the 1920s and she was really popular because her writing is skilled and her puzzles quirky. It’s very interesting seeing where crime novels have gone now.

This is the first story written about a man who became interested in criminal investigation as just a hobby. It came as somewhat of a surprise to him when it became an occupation. This was Peter Wimsey, referred to as Lord Peter because he was the younger son of a duke, justifying the courtesy title. He didn’t have a right to sit in the House of the Lords, but that didn’t seem to matter among his friends and associates. This initial disclosure of his activities began when a man’s dead body was found in a bathtub in a London flat.

Lord Peter Wimsey discovers the body of a man wearing nothing but a gold pince nez in the bathtub of a nearby flat. His ensuing investigation introduces us to a variety of suspicious characters, his witty repartee, and his mind-boggling deductive reasoning.

Society's eligible women are in mourning. Lord Peter Wimsey has married at last, having finally succeeded in his ardent pursuit of the lovely mystery novelist Harriet Vane. The two depart for a tranquil honeymoon in a country farmhouse but find, instead of a well-prepared love nest, the place left in a shambles by the previous owner. His sudden appearance, dead from a broken skull in the cellar, only prompts more questions. The honeymoon is over, as Lord Peter and Harriet Vane start their investigations.

When Harriet Vane attends her Oxford reunion, known as the 'Gaudy', the prim academic setting is haunted by a rash of bizarre pranks: scrawled obscenities, burnt effigies and poison-pen letters - including one that says, 'Ask your boyfriend with the title if he likes arsenic in his soup.' Some of the notes threaten murder, and one of them involves a long Latin quotation, which makes Harriet suspect that the perpetrator is probably a member of the Senior Common Room. But which of the apparently rational, respectable dons could be committing such crazed acts?

The wealthy Agatha Dawson is dead and there are no apparent signs of foul play. Lord Peter Wimsey, however, senses that something is amiss and he refuses to let the case rest - even without any clues or leads. Suddenly, he is faced with another murder - Agatha's maid. Can super-sleuth Wimsey find the murderer and solve the case before he becomes the killer's next victim?

In 1947, British scholar, playwright, and novelist Dorothy Sayers stood in an Oxford hall and delivered a speech that would become a catalyst of the current classical education movement. The Lost Tools of Learning is a flagship address presenting the tools that were given to students in the Middle Ages via the trivium, the study of grammar, logic, and rhetoric. For perhaps the first time, these trivium subjects were applied by Sayers to students' developmental stages. She also advocates the integration of subjects.