Showing titles in Audio Performances & Dramatizations

Tami Sagher is a veteran traveler, but she realizes she didn't know bad tour guides or geographic hell-holes until she took a trip to the magical country of Iceland.

We've all seen that lone shopping cart sitting on the edge of a parking lot. Who goes and gets it and brings it home? The cart wrangler, of course.

Brimming with easy humor, fantasy, and wisdom, David Ossman - of Firesign Theatre fame - gives the performance of a lifetime in this theatrical full-length monologue backed by a crack Kansas City jazz trio and recorded before a live audience at the Brick in downtown Kansas City, Missouri, on June 6, 2018.

Mixing voice, eclectic jazz, and sound effects, this performance breaks sound-art boundaries and may even break your heart.

Prinz Hamlet von Dänemark wird nach einer dramatischen Flucht inklusive Schiffbruch am Strand des mystischen Landes Illyria angeschwemmt. Hier herrscht König Macbeth mit seiner Lady und versucht mit aller Kraft, eine Rebellion in Schach zu halten und den aufrührerischen Emporkömmling Richard III in seine Schranken zu weisen. Ist Hamlet der lang ersehnte Schattenkönig, den die Prophezeiung vorausgesagt hat?

Evie, a phenomenally bright but socially marginalised fifteen year-old, has had it with Western Civilization. Self-educated in the ideas of the Luddites, Mao and T.E. Lawrence, she wants to launch a mission against technology and the damage she believes it has wrought on the human race. She's taken a look at human history and decided it's time things changed. For good. But can she get her mobile-addicted classmates to join with her? Written by Philip de Gouveia.

The listener response to this play when it was first broadcast as part of the God’s Country series was overwhelming, and it has gone on to become an audio best seller. Performed by Becky Simpson, Spoonface Steinberg is about a young autistic Jewish girl who, learning that she is terminally ill, contemplates the meaning of life and death in a dramatic monologue interwoven with operatic extracts from the magical voice of Maria Callas.

A deeply funny story by Kevin Nealon about his pre-nuptial insomnia and worse at a Mexican resort.

Die Autorin Marsha Hawkins wittert bei der Recherche für Ihr neuestes Buch in einem Amish-Dorf im Tod des dortigen Patriarchen einen Kriminalfall. Darum wendet sie sich an Rose Bailey und Charles Morgan, und bittet die beiden, der Sache auf den Grund zu gehen.

One of Shakespeare’s most popular plays is here performed by The Marlowe Society with Anthony Jacobs, Corin Redgrave, Paul Scofield and many other very fine actors. The story itself follows on from that of Shakespeare’s Richard II (also available in this series) and begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403.

Terry Sweeney, the first openly gay performer on network TV, tries to flee Hollywood for the rural life.

Cindy goes on a book tour/manhunt with the help of her matchmaker. CINDY CHUPACK is the Emmy-winning writer and executive producer of Sex and the City and Everybody Loves Raymond; she's also the executive producer of Him and Us, with Sir Elton John, and the author of The Between Boyfriends Book.

A deeply funny story by Scott Carter about trying to find ways to bond with his adopted daughter.

A deeply funny story by Rob Cohen about his darkest days as a deli delivery boy, and one delivery that changed his life.

John Riggi dishes out a heaping portion of truly funny stories about the Weight Watchers meetings he attends.

A deeply funny story by Rob Cohen about the perils of dating and being a "freak magnet".

[Contains explicit content] Carolyn Taylor is one of the stars of the hit CBC sketch comedy series The Baroness Von Sketch Show. Carolyn recalls overhearing a strange conversation concerning being too talkative at brunch. The episode also features a sketch about the perils of that legendary meal between breakfast and lunch.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

"Sparisci!" e Arianna pianta Luca in mezzo alla strada. Un imperativo preso alla lettera perché Luca diventa davvero invisibile. Com'è stato possibile? Come fare adesso? Tra difficoltàquotidiane, amici increduli e telegiornali che annunciano addirittura la presenza di entità aliene, Luca decide di approfittarne per seguire Arianna e rovinare il suo appuntamento con un altro uomo. Finché lei non ascolterà la sua voce. Solo coscienza?

L'opera fa parte del progetto "Radiovisione, scena e retroscena radiofonica" diretto da Sergio Ferrentino. "Un radiodramma, a leggerlo, non sa di niente, bisogna ascoltarlo, o meglio ancora vederlo": così è stato allestito al Teatro Gobetti di Torino e il pubblico, dotato di cuffie, ha potuto spiare in diretta attori e rumoristi in scena.

L'opera fa parte del progetto "AutoreVole: audiodrammi in teatro" in cui autori di fama nazionale si sono confrontati con la drammaturgia radiofonica. Allestiti in teatro, gli audiodrammi permettono agli spettatori - dotati di radiocuffie - di "vedere la radio". Doveva essere una semplice settimana di lavoro, ma dal viaggio Daria non è più tornata. È stata trovata impiccata nella camera di un albergo scalcinato, suicida senza nemmeno un biglietto d'addio. In cerca di una spiegazione al gesto della moglie, Fabio parte per Amsterdam scoprendo che Daria ha trascorso i suoi ultimi giorni sotto l'effetto di sostanze allucinogene, cercando dentro di sé le risposte che i libri non erano più in grado di darle.