Showing results by publisher "Highbridge, a division of Recorded Books" in Women

In the winter of 1969, from big cities to small towns, young women across the country sent in applications to Yale University for the first time. The Ivy League institution dedicated to graduating "1,000 male leaders" each year had finally decided to open its doors to the nation's top female students. The landmark decision was a huge step forward for women's equality in education. Or was it?

The newest book from V (formerly Eve Ensler), Reckoning invites you to travel the journey of a writer's and activist's life and process over forty years, representing both the core of ideas that have become global movements and the methods through which V survived abuse and self-hatred. Seamlessly moving from the internal to the external, Reckoning is a moving and inspiring work of prose, poetry, dreams, letters, and essays drawn from V's lifelong journals that takes listeners from Berlin to Oklahoma to the Congo, from climate disaster, homelessness, and activism to family.

When Belle Boggs' "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine and an interview on NPR's The Diane Rehm Show. In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her - the emergence of 13-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo - for signs that she is not alone.

As long as she can remember, Leah has had the mysterious feeling that she's searching for a twin - that she belongs as one of an intimate pair. It begins with friends, dance partners, and her own reflection in the mirror as she studies ballet growing up; continues with physical and emotional attractions to girlfriends in college; and leads her, finally, to Eric, whom she moves across the country for and marries. But her steadfast, monogamous relationship leaves her with questions she can't answer about her sexuality and her identity, so she and her husband decide to try an open marriage.

The youngest daughter of an eccentric engineer and a musical theater fanatic, Helen Brown grew up in the New Zealand coastal town of New Plymouth in a crumbling castle overrun by nature, and overshadowed by nearby, beautiful Mount Taranaki. It's 1966, the Pacific islands are being used for atomic bomb testing, and her parents and siblings are swept up in their own lives. Twelve years old, struggling in school, and facing eye surgery-for the second time-Helen feels lonely and lost . . .

When Huda meets Hadi, the boy she will ultimately marry, she is six years old. Both are the American-born children of Iraqi immigrants, who grew up on opposite ends of California. Hadi considers Huda his childhood sweetheart, the first and only girl he's ever loved, but Huda needs proof that she is more than just the girl Hadi's mother has chosen for her son. She wants what the American girls have - the entertainment culture's almost singular tale of chance meetings, defying the odds, and falling in love.

Ah, 55. Gateway to the golden years! Professional submitting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement...Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old's life in an 85-year-old's malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat - all those burdens of running a household that still, all-too-often, fall to women.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women. But not so within the social sphere of the seance - a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and, most important, influence, as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead.

Descendants of a prominent slaveholding family, Elizabeth, Grace, and Katharine Lumpkin grew up in a culture of white supremacy. But while Elizabeth remained a lifelong believer, her younger sisters chose vastly different lives. Seeking their fortunes in the North, Grace and Katharine reinvented themselves as radical thinkers whose literary works and organizing efforts brought the nation's attention to issues of region, race, and labor. In Sisters and Rebels, National Humanities Award-winning historian Jacquelyn Dowd Hall follows the divergent paths of the Lumpkin sisters.

The death of a sibling is unlike any other. Gloria Reuben's little brother died just before his 22nd birthday. Two decades later, her oldest brother, Denis, died two weeks short of his 60th birthday. In My Brothers' Keeper, Gloria bares her soul as she reveals the intimate details of her life at home as a young girl. How the death of her father when she was 12 shaped her view of love and life. How David's death was the impetus for her move from Canada to the United States. And how her brother Denis was her heart's twin in a multitude of ways.

Raised up from poverty by a determined single mother, gifted and beautiful twin sisters Christa and Cara Parravani were able to create a private haven of splendor and amusement that they shared between themselves. They earned their way into a prestigious college, established careers as artists (a photographer and a writer, respectively), and entered young marriages. But plagued by their father's early rejection of them and further damaged by being raped as a young woman, Cara veered into depression, drugs, and a shocking early death.

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

For Maureen Stanton's proper Catholic mother, the town's maximum security prison was a way to keep her seven children in line ("If you don't behave, I'll put you in Walpole Prison!"). But as the 1970s brought upheaval to America, and the lines between good and bad blurred, Stanton's once-solid family lost its way. A promising young girl with a smart mouth, Stanton turns watchful as her parents separate and her now-single mother descends into shoplifting, then grand larceny, anything to keep a toehold in the middle class for her children.

As a working mother whose livelihood as a poet-lecturer depended on travel, Camille T. Dungy crisscrossed America with her infant, then a toddler. As they travel, Dungy is intensely aware of how they are seen, not just as mother and child but as Black females. With a poet's eye, she celebrates the particular in the universal, such as a child's acquisition of language and what to pack in a diaper bag.

"It's a meditative act," they said. But it's far from meditative for Alexandra Heminsley when yet another wave slams into her face. It's survival. When she laced up her shoes in Running Like a Girl, all she had to do to become a runner was to get out there and run. But swimming is something else entirely. The water is all-consuming, confusing her every move, sabotaging every breath. Determined, Alexandra will learn to adapt, find new strengths, and learn to work with the water.

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

The Girl Explorers is the inspirational and untold story of the founding of the Society of Women Geographers - an organization of adventurous female world explorers - and how key members served as early advocates for human rights and paved the way for today's women scientists by scaling mountains, exploring the high seas, flying across the Atlantic, and recording the world through film, sculpture, and literature.

With the sweep of an epic novel, Our Revolution follows Jenny Moore, a charismatic and brilliant woman whose life changed as she became engaged in the great 20th century movements for peace and social justice. Born into Boston society in 1923 and the first woman in her family to go to college, she set aside writing ambitions to marry Paul Moore, a decorated war hero who became Bishop Paul Moore. Together they had nine children.

Xiaolu Guo has been lauded as a "voice . . . speaking with full freedom" (Wall Street Journal), which has made her one of the most acclaimed Chinese-born writers of her generation. Her new memoir, Radical, is an exploration of a city, an electrically honest rendering of what it means to be an outsider, and the sojourn that upended her sense of self as a woman, partner, mother, and artist.

The struggles and humiliations of adolescence are told in an unflinching, funny, surprisingly universal tale of one good Jewish girl's battle with Obsessive Compulsive Disorder.