Showing results by publisher "Tantor Audio" in Women

In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments—some her own, others donated by family and friends—she carefully annotated each one, creating a unique record of their lives. Her name was Mrs. Anne Sykes. Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Using her expertise, Strasdin spent the next six years unraveling the secrets contained within the album's pages, and the lives of the people within.

Empress Wu Zetian (624-705 AD) was the only woman to be the sovereign ruler of imperial China. A teenage concubine of the Tang Emperor Taizong, she seduced his son while the emperor lay dying. Recalled from a nunnery as part of an intricate court power-game, she caused the deaths of two lady rivals, before securing her enthronement as the Emperor Gaozong's consort. She ruled in the name of her husband and two eldest sons, presiding over the pinnacle of the Silk Road, before proclaiming herself the founder of a new dynasty.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.'s nonviolence and Malcolm X's "by any means necessary." In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

In 1928, Rosina Harrison arrived at the illustrious household of the Astor family to take up her new position as personal maid to the infamously temperamental Lady Nancy Astor, who sat in Parliament, entertained royalty, and traveled the world. "She's not a lady as you would understand a lady" was the butler's ominous warning. But what no one expected was that the iron-willed Lady Astor was about to meet her match in the no-nonsense, whip-smart girl from the country.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

On March 25, 1942, nearly a thousand young, unmarried Jewish women boarded a train in Poprad, Slovakia. Filled with a sense of adventure and national pride, they left their parents' homes wearing their best clothes and confidently waving good-bye. Believing they were going to work in a factory for a few months, they were eager to report for government service. Instead, the young women - many of them teenagers - were sent to Auschwitz. Their government paid 500 Reich Marks (about $200) apiece for Nazis to take them as slave labor. Of those 999 innocent deportees, only a few survived.

The lives of the sons of Eleanor of Aquitaine are the stuff of legend. Her daughters, however, are less well known, and the fascinating personalities of her daughters-in-law have been almost entirely overlooked, as have those of the daughters she bore Louis VII of France. The Families of Eleanor of Aquitaine redresses this balance and showcases the lives, travels, and careers of these ten very different women, who formed a great international network of political alliances that linked their parents, siblings, husbands, and children all across Europe and the Holy Land.

Author Carol F. Karlsen reveals the social construction of witchcraft in 17th-century New England and illuminates the larger contours of gender relations in that society and attempts to answer the question why some women were vulnerable to accusations of witchcraft and possession.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

On a sunny morning in May 1939, a phalanx of 867 women - housewives, doctors, opera singers, politicians, prostitutes - was marched through the woods 50 miles north of Berlin, driven on past a shining lake, then herded in through giant gates. Whipping and kicking them were scores of German women guards. Their destination was Ravensbrück, a concentration camp designed specifically for women by Heinrich Himmler, prime architect of the Holocaust.

In December 1832 a farmer found the body of a pregnant young woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century."

The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American, and Carol Berkin shows us that women played a vital role throughout the struggle. Berkin takes us into the ordinary moments of extraordinary lives. We see women boycotting British goods in the years before independence, writing propaganda that radicalized their neighbors, raising funds for the army, and helping finance the fledgling government. We see how they managed farms, plantations, and businesses while their men went into battle.

Eastern Europe, 1944: Three women believe they are pregnant, but are torn from their husbands before they can be certain. Rachel is sent to Auschwitz, unaware that her husband has been shot. Priska and her husband travel there together, but are immediately separated. Also at Auschwitz, Anka hopes in vain to be reunited with her husband. With the rest of their families gassed, these young wives are determined to hold on to all they have left-their lives, and those of their unborn babies.

Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows, and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings.

In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white "ladies". Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities.

Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing.

Without politics or polemics, this brilliant and witty book overturns centuries of preconceptions to restore women to their rightful place at the center of culture, revolution, empire, war, and peace. Spiced with tales of individual women who have shaped civilization, celebrating the work and lives of women around the world, and distinguished by a wealth of research, Who Cooked the Last Supper? redefines our concept of historical reality.

Girls to the Front is the epic, definitive history of the Riot Grrrl movement - the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America's gender landscape forever. Author Sara Marcus, a music and politics writer for Time Out New York, Slate.com, Pos, and Heeb magazine, interweaves research, interviews, and her own memories as a Riot Grrrl front-liner.

The Seneca Falls Convention is typically seen as the beginning of the first women's rights movement in the United States. Revolutionary Backlash argues otherwise. Integrating the approaches of women's historians and political historians, this book explores changes in women's status that occurred from the time of the American Revolution until the election of Andrew Jackson.