Showing titles in Essays

In medicine, every patient presents with a story. “Once upon a time I was well, and then . . . ” These patient narratives are the beating heart of medicine; through stories we strive to communicate, to understand, to empathize, and perhaps find healing. These Vital Signs is a poignant series of essays—deeply personal stories—inspired by nephrologist Sayed Tabatabai’s medical experience and based on a series of poems he posted on Twitter that began going viral at the height of the COVID pandemic.

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other?

"Depuis que j'ai quitté le Liban pour m'installer en France, que de fois m'a-t-on demandé, avec les meilleures intentions du monde, si je me sentais plutôt français" ou "plutôt libanais". Je réponds invariablement : "L'un et l'autre !" Non par quelque souci d'équilibre ou d'équité, mais parce qu'en répondant différemment, je mentirais. Ce qui fait que je suis moi-même et pas un autre, c'est que je suis ainsi à la lisière de deux pays, de deux ou trois langues, de plusieurs traditions culturelles. C'est cela mon identité..."

Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.

No hay un tiempo ajeno por completo al conflicto, en que la guerra no forme parte de la cultura: la arrastramos en nuestro pasado y su sombra se proyecta en el futuro como amenaza. Pero ¿qué es la guerra para quienes no la han vivido en carne propia? ¿Y de dónde sale el caudal de imágenes y relatos que nutren y configuran nuestro conocimiento del fenómeno? ¿Acaso son imparciales, no obedecen a ciertos códigos y propósitos?

One of the most talented and creative authors working today, Neal Stephenson is renowned for his exceptional novels - works colossal in vision and mind-boggling in complexity. Exploring and blending a diversity of topics, including technology, economics, history, science, pop culture, and philosophy, his books are the products of a keen and adventurous intellect. Stephenson ponders a wealth of subjects, from movies and politics to David Foster Wallace and the Midwestern American College Town; and more.

From Pulitzer Prize - winning book critic Michael Dirda comes a collection of his most personal and engaging essays on the literary life - the perfect companion for any lover of books. Dirda's latest volume collects fifty of his witty and wide-ranging reflections on literary journalism, book collecting, and the writers he loves. Reaching from the classics to the postmoderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson, and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace.

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

A self-proclaimed "myth buster by trade," Barbara Ehrenreich has covered an extensive range of topics as a journalist and political activist, and is unafraid to dive into intellectual waters that others deem too murky. Now, Had I Known gathers the articles and excerpts from a long-ranging career that most highlight Ehrenreich's brilliance, social consciousness, and wry wit.

Anchored by an introduction by Pulitzer Prize-winning historian Jon Meacham, this concise collection of essays, letters, and poems from one of this country’s most eminent literary voices offers much-needed historical context for our current state of the nation - and hope for the future of our society.  

A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores the broadest sense of ghosts, ghost stories, and haunting. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Travels is a thrilling anthology of the travel writings of Paul Bowles, author of the era-defining post-war novel The Sheltering Sky. The acclaimed essays in Travel—never before collected in a single volume—span more than sixty years and range from Bowles’s early days in Paris to his time spent in Ceylon, Thailand, Kenya, and his expatriate life in Morocco. Insightful, exciting, and evocative, Travels is a stunning collection of rarely seen shorter works—a showcase of the literary artistry of one of the truly great American writers of the twentieth century.

Do we need bookstores in the twenty-first century? If so, what makes a good one? In this beautifully written book, Jeff Deutsch—the director of Chicago’s Seminary Co-op Bookstores, one of the finest bookstores in the world—pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts—perhaps audaciously—a future in which the bookstore not only endures, but realizes its highest aspirations.

La dignidad ha sido el concepto filosófico más transformador y revolucionario del siglo XX. Inspira debates (sobre bioética, tecnología o robótica) y aparece en toda clase de contextos morales y jurídicos. Ha dado origen a importantes causas sociales y, ya en nuestro siglo, ha inspirado el movimiento de los indignados, sin que extrañamente éstos sintieran la necesidad de precisar antes, siquiera en esbozo, qué es aquello cuya ausencia encendía su airada protesta.

Jonny Sun is back with a collection of essays and other writings in his unique, funny, and heartfelt style. The pieces range from long meditations on topics like loneliness and being an outsider, to short humor pieces, conversations, and memorable one-liners. Jonny's honest writings about his struggles with feeling productive, as well as his difficulties with anxiety and depression, will connect deeply with his fans as well as anyone attempting to create in our chaotic world. It also features a recipe for scrambled eggs that might make you cry.

In his "Industrial Society and Its Future" (also called the "Unabomber Manifesto"), he argued that his bombings were extreme but necessary to attract attention to the erosion of human freedom necessitated by modern technologies requiring large-scale organization.

In this tender, funny, and sharp companion to her acclaimed memoir-in-essays Amateur Hour, Kimberly Harrington explores and confronts marriage, divorce, and the ways love, loss, and longing shape a life.

Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the “unobtrusives”, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan’s cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings.