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At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

“This Work Is, By His Royal Highness’s Permission, Most Respectfully Dedicated, By His Royal Highness’s Dutiful And Obedient Humble Servant, The Author.” Underneath the dedication was a line written by the Royal Librarian during the Regency, Mr. Stanier Clarke: ‘A Scribbler: The Honorable Miss Elizabeth Bennet.’ What is the story behind this novel, which was distinguished enough that the Prince Regent, later George IV, requested a dedication to himself? Was the author from the peerage, or did she earn the title? —Prologue, From the Hedgerows to Windsor After Hunsford, ...

Anthony Trollope is most famous for his portrait of the professional and landed classes of Victorian England, especially in his Palliser and Barsetshire novels. But he was also the author of one of the most fascinating autobiographies of the nineteenth century. Trollope was born in 1815, the product of a formidable mother and a tragically unsuccessful father who was socially ambitious for his sons. He was the victim of vicious bullying at Harrow and Winchester. But he had inherited his mother's determination, and managed later to carve out a successful career in the General Post Office while devoting every spare moment to writing. How he paid his groom to wake him every morning at 5:30 a.m. and disciplined himself to write 250 words every fifteen minutes has become part of literary legend. His efforts resulted in over sixty books, a sizable fortune, and fame, and his autobiography. Trollope looks back on his life with satisfaction. Perhaps as interesting as the facts he reveals and the opinions he records about Dickens and George Eliot, politics and the civil service are the judgments he passes on his own character.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

Two archive BBC Radio programmes in which Judi Dench and Michael Williams, accompanied by friends John Moffatt and Alec McCowen, read a cornucopia of poetry and prose. In this enchanting pair of programmes from 1991 and 1996, Dame Judi Dench and husband Michael Williams shared an eclectic selection of pieces that they loved, admired or simply found entertaining.

From Little Nell to Miss Havisham, Dickens’ Women tells the story of Charles Dickens’ life through his beloved characters. Cowritten and performed by Miriam Margolyes, best known for her role as Professor Sprout in the Harry Potter films, this one-women show is a celebration of her infectious passion for Dickens’ work. Taking on 23 different Dickensian characters, many of whom were inspired by real people such as Mary Hogwarth, Dickens' sister-in-law, Margolyes showcases her astonishing versatility as a performer. Dickens’ Women delighted audiences across the world in 2012 as Margolyes took her Olivier nominated show on tour for the bicentenary of Dicken’s birth.

In What Matters in Jane Austen?, John Mullan shows that we can best appreciate Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction. Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness. In 20 short chapters, each of which explores a question prompted by Austen’s novels, Mullan illuminates the themes that matter most in her beloved fiction.

Elvira Carr believes in rules. She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the 27-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home. But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

Lays of Ancient Rome is an 1842 collection of narrative poems by Thomas Babington Macaulay. Four of these: Horatius, The Battle of Lake Regillus, Virginia and The Prophecy of Capys cover heroic episodes from early Roman history. They have brief introductions that treat the legends from a scholarly perspective. Two others deal with more recent historical events: Ivry, a Song of the Huguenots, deals with French history, and The Armada: A Fragment, is about the Spanish fleet sent to subdue England.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

Mrs Gereth, a wealthy widow, is dreading the day that her son, Owen, gets married. She hopes that he will marry a woman who will appreciate their home and all of its treasures as she does. So she enlists the help of Fleda Vetch to try to corrupt the impending marriage of her son and Mona Brigstock - a philistine who is determined to marry Owen in order to inherit Mrs Gereth’s valuable possessions and home by any means. Meanwhile, Fleda hides her real feelings towards Owen. Even when he ends up feeling the same way, Fleda cannot bring herself to marry him as this would force him to break his engagement to Mona, and thus betray all of her own ideals.

Rasselas and his companions escape the pleasures of the "happy valley" in order to make their "choice of life". By witnessing the misfortunes and miseries of others they come to understand the nature of happiness and value it more highly. Their travels and enquiries raise important practical and philosophical questions concerning many aspects of the human condition, including the business of a poet, the stability of reason, the immortality of the soul, and how to find contentment.

You already know Mr. Darcy—at least you think you do! The romantic hero of Pride and Prejudice, Darcy initially insults and ignores the witty heroine but eventually succumbs to her charms. It’s a classic enemies-to-lovers plot and one that has profoundly influenced our cultural ideas about courtship. But what if this classic isn’t just a grand romance but a horror novel about how scary love and marriage can be for women? In The Darcy Myth, literature scholar Rachel Feder unpacks Austen’s Gothic influences and how they have led us to a romantic ideal that is halfway to being a monster story.

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

Every young lady dreams of a life spent exchanging witty asides with a dashing Mr. Darcy, but how should you let him know your intentions? Seek counsel from this charming guide to Jane Austen's world. Its step-by-step instructions reveal the practicalities of life in Regency England. The Jane Austen Handbook is the perfect companion for fans of her novels and their film adaptations, complete with detailed information on love among the social classes, currency, dress, and nuances of graceful living.

C. S. Lewis wrote of George MacDonald: "I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself." Lewis also claimed that everything he wrote was influenced by this Scottish pastor and novelist who lived a century before Lewis. George MacDonald serves as an act of appreciation, with Lewis gathering 365 of the best and most profound lines from his mentor as well as providing a preface detailing the impact MacDonald had on Lewis' own literary and spiritual career.

Devilishly attractive Lord Illingworth is notorious for his skill as a seducer. But he is still invited to all the "best" houses, while his female conquests must hide their shame in seclusion. In this devastating drawing-room comedy, Oscar Wilde uses his celebrated wit to expose English society's narrow view of everything from sexual mores to Americans.

A classic BBC Radio full-cast production of Dylan Thomas' poetic play for voices starring Richard Burton as the narrator. To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black.... When Richard Burton breathed the opening words of 'Under Milk Wood' into a microphone, broadcasting history was made.

Emily’s life changes after a terrible car accident when a magnetic stranger, Jax, steps in to take her hand. Their serendipitous union empowers Emily to finally feel comfortable in her own skin, but when the couple’s relationship veers off course, Emily is drawn into a web of obsession and lies. This audio play features immersive audio techniques; to maximize the listening experience, headphones are recommended (but not required!). Please note this audiobook contains strong language and adult themes. Discretion is advised.