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This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

William Butler Yeats was born in Sandymount in County Dublin, Ireland, on 13th June 1865. Yeats is perhaps best described as Ireland’s national poet in addition to being one of the major twentieth-century literary figures of the English tongue. He represents the ‘Romantic poet of modernism,’ with an extraordinary style created from the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions.

This unique fairy tale filled with whimsy and satire is much more than a story for the nursery. The tale begins with two old philosophers who live in a dark pine wood with their companions the Grey woman of Dun Gortin and the Thin Woman of Inis Magrath. When the wife of farmer MacMurrachu loses her washing board, the farmer comes to ask the philosophers for advice. They direct the old farmer not to a washboard, but to a tree containing a pot of gold.

Matthew Arnold praised the Iliad for its "nobility", as has everyone ever since - but ancient critics praised it for its enargeia, its "bright unbearable reality" (the word used when gods come to earth, not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance.

Margaret of Anjou, queen of England, cannot give up on her husband - even when he slips into insanity. And as mother to the House of Lancaster's last hope, she cannot give up on her son - even when England turns against them. This gripping tale of a queen forced to stand strong in the face of overwhelming odds is, at its heart, a tender tale of love. Award-winning author Susan Higginbotham will once again ask listeners to question everything they know about right and wrong, compassion and hope, duty to one's country, and the desire of one's own heart.

O Auto da Compadecida consegue o equilíbrio perfeito entre a tradição popular e a elaboração literária ao recriar para o teatro episódios registrados na tradição popular do cordel. É uma peça teatral em forma de Auto em 3 atos, escrita em 1955 pelo autor paraibano Ariano Suassuna. Sendo um drama do Nordeste brasileiro, mescla elementos como a tradição da literatura de cordel, a comédia, traços do barroco católico brasileiro e, ainda, cultura popular e tradições religiosas. Apresenta na escrita traços de linguagem oral [demonstrando, na fala do personagem, sua classe social] e apresenta também regionalismos relativos ao Nordeste.

A galaxy of friends, lovers, relatives and theatre acolytes sparkles around stage star Garry Essendine like bubbles in fine champagne. While Garry struggles to plan his upcoming trip to Africa, his elegant London flat is invaded by a love-struck ingenue, an adulterous producer, and a married seductress - not to mention Garry's estranged wife, Liz, and the memorable Roland Maule, an aspiring playwright who is quite, quite mad.

Known as the 'Irish Chekhov', Brian Friel was one of the most renowned dramatists of his generation, producing over 30 plays in a career spanning six decades. Included here are some of his best-known works, as well as mesmerising radio documentaries featuring the author himself, in his own words.

As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched. In response, a number of celebrated commentators produced defences of religion and morality, and among these was Alexander Pope, who was inspired to write "some pieces on Human Life and Manners." The result was a collection of poems in rhyming couplets, designated "Epistles", which were published in instalments.

Leo Vincey is haunted by a goddess. In a nighttime vision, she appears to him, revealing her location deep in the mountains of Central Asia. Determined to discover his lost love, he searches for 16 years, finally discovering a lost civilization, ruled by an ambitious queen of unearthly beauty. Could this be his Ayesha reborn? And if so, will the secret of immortality bind them together for eternity?

In this haunting poem, a guest on his way to a wedding reception is stopped by the Ancient Mariner. With his "glittering eye" he transfixes the guest and then relates a compelling tale of a sea voyage fraught with strange happenings. The Mariner tells of journeying through tyrannous storms to ice mast-high, through mist and snow to the deadly inertia of the doldrums. There are unearthly visitations, ill omens, and supernatural happenings - all leading to the revelation of the Mariner's strange fate.

A must-listen classic! The Rime of the Ancient Mariner is the timeless story of what happens when a daring mariner ventures into Antarctic waters. When the storm approaches, adventure begins. Experience this epic tale like you've never heard it before with crisp, gripping narration!

La historia original del moro de Venecia, de Gianbattista Giraldi Cinthio (1565), sirvió a William Shakespeare para crear Otelo, la única de sus "grandes tragedias" basada en una obra de ficción. Contraviniendo la imagen isabelina del "moro", Shakespeare invierte los papeles de los protagonistas y otorga al moro Otelo el carácter de hombre noble y aristocrático, mientras que reserva para el italiano Yago la perversidad y la hipocresía, desarrollando en él uno de los estudios más profundos del mal.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

The Importance of Being Earnest is a play written by the renowned playwright and author, Oscar Wilde. It premiered in London on Valentines Day, 1895, and was an instant success. With The Importance of Being Earnest, Wilde accomplished what he'd set out to do, which was to make light of the humorous behavior of British high society.

This witty masterpiece combines high comedy with social commentary as it deflates romantic misconceptions of love and warfare. First produced on the London stage in 1894, Arms and the Man is one of the most frequently acted and studied of Shaw's plays.

"The Eve of St. Agnes" was written in January 1819 and first published in 1820. It is a Romantic Narrative poem written in 42 Spenserian stanzas. John Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of the feast of St. Agnes (the patron saint of virgins who died a martyr in 4th century Rome.) The eve falls on January 20th; the feast day on the 21st.

The Taming of the Shrew is a classic comedy by William Shakespeare featuring characters Petruchio and Katherina. The work is deeply laden with sexism and gender issues as Petruchio "tames" Katherina in an increasingly abusive relationship. A classic throughout the ages, you simply must hear this story.

"Tender Buttons" consists of multiple poems covering the everyday mundane, Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. It is renowned for its Modernist approach to portraying the everyday object and has been lauded as a "masterpiece of verbal Cubism". Its first poem, "A Carafe, That Is a Blind Glass", is arguably its most famous, and is often cited as one of the quintessential works of Cubist literature.

Kipling, our narrator, tells this strange story: he was running a newspaper in a big Indian city. In the hot stillness of one night when he was putting the paper to bed, two men came into his office. They were red-bearded giant Daniel Dravot and his friend Peachy Carnehan. These two 'gentlemen at large', as they called themselves, lately of the British army, had put together an insane and dangerous plan: they wanted to be Kings of Kafiristan, a mountainous region of Afghanistan. Three years later, a crippled man in rags comes into Kipling's office. He is Peachy Carnehan, and he relates the chilling story of their adventure.