Showing results by author "Greenberg" in All Categories

You know that old saying “if we are still single when we’re 35, we should get married?” Well, Maggie Vine made that vow with two different people at two very different stages of her life. And they both showed up. Maggie Vine’s life is going extra-medium. At 35, she’s pursuing her dreams of being a singer and being a mother—though neither are successfully panning out. So when Garrett Scholl—stifled hedge-fund manager by day but electrifying aspiring rock singer by night—comes to her 35th birthday party with the intention to kiss Maggie senseless, it feels like one piece might click into place.

The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama-the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra.In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond.

The Italians have a word for the sense of dazzling beauty produced by effortless mastery: sprezzatura. And perhaps no cultural form associated with Italy is as steeped in the love of sprezzatura as opera, a genre the Italians invented. No composer has embodied the ideal of sprezzatura as magnificently as Giuseppe Verdi, the gruff, self-described "farmer" from the Po Valley who gave us 28 operas and remains to this day the most popular composer in the genre's 400-year-old history.

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him, "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.

Before The Road by Cormac McCarthy brought apocalyptic fiction into the mainstream, there was science fiction. No longer relegated to the fringes of literature, this explosive collection of the world’s best apocalyptic writers brings the inventors of alien invasions, devastating meteors, doomsday scenarios, and all-out nuclear war back to with a bang. The best writers of the early 1900s were the first to flood New York with tidal waves, destroy Illinois with alien invaders, paralyze Washington with meteors, and lay waste to the Midwest with nuclear fallout.

More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world of overwhelming alienation and loneliness. You'll learn, through both lectures and musical excerpts, how his symphonies are vast repositories of his intellectual, emotional, and spiritual expression that made him the first exponent of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality - but explored by Mahler using the musical language of the century just ended.

A revolutionary man living in a revolutionary time, Beethoven used the piano as his personal musical laboratory. The piano sonata became, more than any other genre of music, a place where he could experiment with harmony, motivic development, the contextual use of form, and, most important, his developing view of music as a self-expressive art.Beethoven's 32 piano sonatas include some of his most popular works as well as some of his most experimental.

Modern times are stressful - and it's killing us. Unfortunately, we can't avoid the things that stress us out, but we can change how we respond to them. In this breakthrough book, a clinical psychologist and neuroscience expert offers an original approach to help listeners harness the power of positive emotions and overcome stress for good.

In this musically rich 24-lecture series, Professor Greenberg guides you in a deep encounter with these majestic works of art, offering you the rare opportunity to grasp the musical riches and spiritual greatness of the quartets in a clear and accessible way. Each of these lectures is a rare and life-enriching opportunity to know the scope of Beethoven's genius, his most unforgettable music, and the profound humanity and beauty that live through them.

Who would suspect that the same mind that created the most famous literary detective of all time also took on the eternally popular genre of vampires? Sir Arthur Conan Doyle, a contemporary of Bram Stoker, gave us some fascinating works of vampire fiction. From the bloodsucking plant in "The American's Tale" to the bloodsucking wife in "The Adventure of the Sussex Vampire," he reveled in the horror created by creatures who survived on the blood of men and women.

Got anxiety? Join the club. More specifically, join the Anxiety Sisterhood. Abs and Mags, aka the Anxiety Sisters, have spent the past 30 years figuring out how to outsmart their anxiety-ridden brains, and the last five years sharing what they’ve learned with a growing online community of like-minded sufferers who are looking for ways to cope better every day.

For more than two years, author and psychotherapist Gary Greenberg has embedded himself in the war that broke out over the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (the DSM) - the American Psychiatric Association's (APA) compendium of mental illnesses and what Greenberg calls "the book of woe". Since its debut in 1952, the book has been frequently revised, and with each revision, the "official" view on which psychological problems constitute mental illness has changed.

Stravinsky composed what is arguably one of the two most important musical compositions of the twentieth century, The Rite of Spring. He forged a new "musical language" to portray the sense of the ballet's primitive and earthy theme. More than a dozen excerpts of Stravinsky's works are examined.

In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself. This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple and the musical legacy left to us in spite of the difficulties that dogged their marriage.

Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles. Yet you can know this enigmatic genius though this 8-lecture series, which uses biographical information and musical commentary to link the complexities of Brahms the man with the electrifying music of Brahms the composer.

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.

Have you ever wondered how the lives of great composers-especially when set against the social, political, and cultural context of their world-influences their music?After listening to this perceptive series of eight lectures on the life and music of Ludwig van Beethoven, you will likely find that you hear his work in an entirely different way, your insight informed by new knowledge of how Beethoven was able to create masterpieces from the crises of his life.You'll learn about the years of progressive hearing loss-ultimately to produce total deafness-and the understandable agony and rage such a fate would bring upon a composer. About his deep depression over the end of his relationship with the woman he calls his Immortal Beloved. About his pathological hatred of authority, his persecution complex, even delusional behaviors.But you'll also learn how each of these crises, and many others, served to drive Beethoven inward, to reinvent himself and redeem his suffering through art, creating disruptive works of profound passion and beauty that reinvented the nature of musical expression in the Western world.

The machine that kills secrets is a powerful cryptographic code that hides the identities of leakers and hacktivists as they spill the private files of government agencies and corporations bringing us into a new age of whistle blowing. With unrivaled access to figures like Julian Assange, Daniel Domscheit-Berg, and Jacob Applebaum, investigative journalist Andy Greenberg unveils the group that brought the world WikiLeaks, OpenLeaks, and BalkanLeaks.

The piano is the most popular solo concert instrument in Western music. One of the key reasons is the fact that it has inspired many of the greatest masterpieces in the concert repertoire. To study these masterworks and to understand their genius and lasting appeal is to know one of the greatest accomplishments of Western culture, works that give great pleasure even as they deepen your insight into the meaning of music.

Investigating the forces that get fish to our dinner tables, Greenberg reveals our damaged relationship with the ocean and its inhabitants. Just three decades ago, nearly everything we ate from the sea was wild. Today, rampant overfishing and an unprecedented biotech revolution have brought us to a point where wild and farmed fish occupy equal parts of a complex marketplace.