Showing results by author "G.K. Chesterton" in All Categories

The enigmatic and diminutive priest continues to fathom the deepest of mysteries in a set of 11 fascinating stories which are set in such diverse locations as a Mexican Hotel, an English Seaside Pier, and an Oxford University Garden. Chesterton presents his humble and blinking detective as an almost childlike contrast to the bizarre and dark machinations of the fallen world.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

The Flying Stars are missing. Three brilliant diamonds, whose fame has spread throughout England, have been purloined during an innocent Christmas pantomime. Can Father Brown discover the culprit before the curtain falls?

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

During the last part of the nineteenth century, the detective story took off as a popular genre as literary magazines vied with each other to draw in readers with gripping page-turners by the likes of Arthur Conan Doyle, G. K. Chesterton, Guy Boothby and Wilkie Collins. This collection brings together some of the great detectives of the Victorian era, from the master sleuth himself, Sherlock Holmes, to the mild mannered Father Brown, to the feisty J. G. Reeder.

When the body of the eccentric painter Sir Owen Cram is found on a deserted beach next to his easel, a murder enquiry is launched. It is clear that the injury which has killed him could not have been self-inflicted. Nor is the murder weapon anywhere to be found. But most mysterious of all, there is only one set of footprints in the sand leading up to the body, and these are Sir Owen's own. Even the scientists and police investigators are struggling to conceive how the murder has been committed.

Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown.This collection features five of Chesterton's most intriguing cases:The Shadow of the SharkThe Hammer of GodThe Invisible ManThe Queer FeetThe Blue Cross

Does a chair have feelings? How about a jar? An umbrella? How about street? Celebrated author G.K. Chesterton creates a short story that creates possibilities of thought. This is a story of respect and perhaps revenge. Part science fiction and part moral tale this story will give you something to consider.

G.K. Chesterton is most notable for his creation of Father Brown. This unlooked for, and often unwelcome, detective is actually not a detective. But rather, an individual self-trained to think as criminals think, for he has heard so many of their confessions. He knows how their minds work, and can piece together many things that others cannot.

"Orthodoxy," a series of essays by Gilbert Keith Chesterton. First published in 1908. Read by David "Grizzly" Smith. "The only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel." This is how Chesterton explains "Orthodoxy," the sequel to Heretics. "I have attempted in a vague and personal way, in a set of mental pictures rather than in a series of deductions, to state the philosophy in which I have come to believe. I will not call it my philosophy; for I did not make it. God and humanity made it; and it made me." This is a...

This collection of short essays by G.K. Chesterton is as applicable in 2020 as it was when it was written in 1923 during the first "Progressive Era". He saves his most subtle and cutting humor for commentary to skewer his favorite targets: feminists, vegetarians, modernists, journalists, social reformers, psychologists, and "sophisticated" people in general.

A grisly collection of despicable crimes told by some of the world's best writers.

This is a story from the The Innocence of Father Brown - Volume 2 collection.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

This entertaining collection of 4 short stories by G.K. Chesterton will delight fans of the lovable Norfolk priest as he uses his, at times, eccentric insights to solve the seemingly unsolveable.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody.