Showing results by narrator "Matthew Wolf" in All Categories

When Finlay Ashowan joins the staff of the King and Queen of Daxaria, he’s an enigma. No one knows where he comes from or how he came to be where he is, which suits Fin just fine. He’s satisfied simply serving as the royal cook, keeping nosy passersby out of his kitchen, and concocting some truly uncanny meals. But Fin’s secret identity doesn’t stay hidden for long. After all, it’s not every day a house witch and his kitten familiar, Kraken, take to meddling in imperial affairs.

As a wielder of domestic magic, Finlay Ashowan likes to keep his affairs as neat and orderly as his kitchen. But between his work for the King and Queen of Daxaria and a new (secret) relationship with Lady Annika Jenoure, his life is anything but tidy. For one thing, if Annika and Fin are to continue their romance, they’ll need to sort out the pesky issue of Fin’s being a commoner—before Annika is forced into a political marriage that interferes with her own carefully laid plans. For another, pressure is mounting as the war with Troivack draws ever closer.

Having somehow convinced Lady Annika Jenoure to marry him, all Finlay Ashowan wants to do is settle down, cook some good meals, and enjoy a quiet life in Daxaria. But fate has different plans. Fin’s father, Aidan Helmer, fire witch and servant of King Matthias of Troivack, has arrived in the kingdom with devastating news: Annika’s brother Charles has been taken prisoner, and the only way his life will be spared is if Annika or Fin goes to plead his case. Given that an attack from Troivack is imminent, there’s no way some trickery isn’t involved in this plot.

It’s been twenty years since Finlay Ashowan, the fabled house witch of Daxaria, first cooked up supernatural hijinks in the castle at Austice. Since then, much has changed: the royal family now resides elsewhere, a tentative peace has been established with Troivack, and the crown princess, Alina, is ready to pick the perfect nobleman to be her husband. But Alina’s quest for her ideal consort is proving rather difficult.

Katarina Ashowan was not made for courtly life. Sure, her father is the famous house witch of Daxaria so she was raised among majestic castles, proper manners, and royal expectations. But Kat is also a mutated witch whose power aligns predominantly with fire. She’s more comfortable riding horses or learning to fight than she is making polite conversation and wearing fancy dresses. Which is why her upcoming assignment—serving her best friend, Alina, the soon-to-be crowned Troivackian queen—is anything but ideal.

Lady Katarina Ashowan is used to getting into trouble, but her latest muddle takes the cake. A moment's weakness in her attraction to Eric Reyes, crown prince of Daxaria, has landed her in an unexpected marriage with the man . . . just as her father, Lord Finlay Ashowan, arrives in Troivack to check on his headstrong daughter. As if figuring out how to acclimate her father to her scandalous elopement isn't bad enough, there are rumors of dangerous magical plots afoot at court—with Kat seemingly at the center of them all.

Lady Katarina Ashowan has never quite fit the mold of a noblewoman—and it's not only because she's a mutated fire witch. Though she's the closest friend and confidant of Alina, the soon-to-be-coronated queen of Troivack, Kat would much rather play cards with questionable characters or steal out at night to go riding than bandy niceties with suitors and deal with affairs of state. So as soon as Alina is officially crowned, the young witch plans to put away her dresses and get into some real adventure, training with a master swordsman.

Sylas Runewulf has a busy schedule for a dead man. Since taking up residency in the Underworld town of Ember Hollow, the fallen warrior has become a pub owner, a brewer, and a farmer. Now he's opening a long-awaited market for rare goods.

Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius - but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich, full-cast recording.

Sylas Runewulf has been dead for about a month, but he's making the best of it. The former battle-hardened swordsman is now a brewer and pub owner in the town of Ember Hollow. He's also made a few friends here in the Underworld. Plus, he has a pet in Patches the cat, and he recently bought a farm, complete with a peppy pup named Cornbread. Not bad for someone who once lived and died by the blade.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.

Set in New York during the Jazz Age, this new adaptation tells the tragic tale of self-made millionaire Jay Gatsby. Consumed with desire for his former lover, Daisy Buchanan, Gatsby draws new neighbor Nick Carraway into his desperate pursuit to win her back—and into their world of lavish wealth, wild parties, and free-flowing liquor.

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

While attempting to discover the roots of Hamlet’s unhappiness, two courtiers go on a journey to plumb the depths of the universe’s mysteries. Tom Stoppard’s wildly inventive, Tony® Award-winning first play takes us through a tilted version of Shakespeare’s most famous tragedy while casting new light on questions of fate, mortality and the meaning of existence. Recorded at The Invisible Studios, West Hollywood in June 2022.

With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar - but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Lucas Rurik used to be part of the Raven Guild. That is, until someone murdered all of its members—except for him. That was seven years ago. Now, Lucas keeps to himself, avoiding getting too close to anyone lest they become targets themselves. But when one of his oldest friends at the Rift-Crime Unit calls upon him for help with a case that’s already taken down people who mean a lot to him, Lucas can’t resist stepping back into the fray. Something is killing FBI and RCU agents alike—something unlike anything Lucas has ever seen before, on Earth or in the Rift.

For countless millennia, the dwarves of the have defended the stone gateway into Girdlegard. Many and varied foes have hurled themselves against the portal and died attempting to breach it. No man or beast has ever succeeded. Until now...Abandoned as a child, Tungdil the blacksmith labors contentedly in the land of Ionandar, the only dwarf in a kingdom of men. Although he does not want for friends, Tungdil is very much aware that he is alone - indeed, he has not so much as set eyes on another dwarf. But all that is about to change.