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Armadale
- Narrated by: Nicholas Boulton, Rachel Atkins, David Rintoul, John Sackville, Lucy Scott
- Length: 30 hrs and 2 mins
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Publisher's summary
Two young men linked by a familial murder mystery, a beautiful yet wicked governess who spins a web of deceit, and five individuals named Allan Armadale
Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?
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- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 11 hrs and 24 mins
- Unabridged
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Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.
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Yet another amazing story from Collins
- By David Desilva on 01-02-24
By: Wilkie Collins
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Jezebel’s Daughter
- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 10 hrs and 45 mins
- Unabridged
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Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.
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unforgettable
- By Ann Marie Taylor on 10-17-23
By: Wilkie Collins
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The Law and the Lady
- By: Wilkie Collins
- Narrated by: Lucy Scott
- Length: 14 hrs and 51 mins
- Unabridged
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Incorrectly signing her name in the marriage registry leads Valeria Woodville to discover further disturbing information about her husband, Eustace Macallan. Each revelation leads to further questions as Valeria’s journey prompts her to defy him, taking the law into her own hands as she endeavours to navigate her way through a series of false clues and obstructions.
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not the best
- By SB on 05-11-24
By: Wilkie Collins
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Hide and Seek
- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 15 hrs and 50 mins
- Unabridged
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Appearing in 1854, Hide and Seek was Wilkie Collins’s third published novel. At the centre of the plot is the mystery surrounding a deaf and dumb girl known as Madonna, whom the painter Valentine Blyth rescues from her life as a circus performer. But it is only when Blyth’s friend Zack Thorpe rebels against his disciplinarian father and falls into bad company that the secret of Madonna is revealed.
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Wilkie my Idol
- By Ann Marie Taylor on 07-30-24
By: Wilkie Collins
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The Haunted Hotel
- By: Wilkie Collins
- Narrated by: Jonathan Keeble
- Length: 6 hrs and 46 mins
- Unabridged
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When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.
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Really Really Good Story
- By Ms Peach on 11-24-19
By: Wilkie Collins
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The Moonstone [Naxos AudioBooks Edition]
- By: Wilkie Collins
- Narrated by: Ronald Pickup, Sean Barrett, David Timson, and others
- Length: 22 hrs and 26 mins
- Unabridged
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Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.
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The very finest detective story ever written
- By John on 11-10-16
By: Wilkie Collins
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In a Glass Darkly
- By: Joseph Sheridan Le Fanu
- Narrated by: Nicholas Boulton, David Horovitch, Jonathan Keeble, and others
- Length: 12 hrs and 15 mins
- Unabridged
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Demons, vengeful spirits, insanity, premature burials, and lesbian vampires. In a Glass Darkly contains five diabolical tales of horror and mystery that will get the heart racing. Each story, including the famous "Green Tea" and "Carmilla", is presented as a case from the posthumous papers of Dr. Martin Hesselius, a metaphysical physician who has no doubt as to the existence of supernatural phenomena - unlike our anxious protagonists....
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The Empty House and Other Ghost Stories
- By: Algernon Blackwood
- Narrated by: Hugh Ross
- Length: 6 hrs and 38 mins
- Unabridged
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An abandoned house whose horrific past is reenacted for those who dare visit; a terrifying trip down the Danube River; a malevolent half-beast creature who abducts a member of a hunting party; and a tale of paranoia, mental deterioration, and all-consuming feelings of doom: Here are four feverish, spine-tingling tales that will chill the blood and make the flesh creep. The collection includes "The Empty House," "The Willows," "The Listener", and "The Wendigo".
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Worth the Price of Admission
- By Cassandra Morrison on 11-15-17
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The Mystery of Edwin Drood
- The Audible Dickens Collection
- By: Charles Dickens, Lucinda Hawksley
- Narrated by: Billy Howle, Lucinda Hawksley
- Length: 10 hrs and 48 mins
- Unabridged
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Audible presents an original production of the aptly named The Mystery of Edwin Drood, Charles Dickens’ final, unfinished novel. Following his untimely death at the age of 58, Dickens managed to publish only six of the 12 planned instalments of the story. Though it has gone on to be one of his more popular titles and the source of inspiration for various television, stage and theatre adaptations, no one knows exactly how Dickens planned to end the mystery.
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Interesting but Frustrating
- By Naesmile on 06-09-24
By: Charles Dickens, and others
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The Moonstone
- By: Wilkie Collins
- Narrated by: Peter Jeffrey
- Length: 18 hrs and 45 mins
- Unabridged
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Considered the first full-length detective novel in the English language, T.S. Eliot described The Moonstone as 'the first and greatest English detective novel'. The stone of the title is an enormous yellow diamond plundered from an Indian shrine after the Siege of Seringapatam. Given to Miss Verinder on her 18th birthday, it mysteriously disappears that very night. Suspicion falls on three Indian jugglers who have been seen in the neighbourhood. Sergeant Cuff is assigned to the case....
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An engrossing detective novel
- By Lucie on 01-03-09
By: Wilkie Collins
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The Woman in White
- By: Wilkie Collins
- Narrated by: Ian Holm
- Length: 24 hrs and 37 mins
- Unabridged
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Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.
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The outstanding narration is what I enjoyed most
- By Leslie Grey on 12-03-10
By: Wilkie Collins
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The Great God Pan and Other Weird Tales
- By: Arthur Machen
- Narrated by: Peter Wickham
- Length: 12 hrs and 51 mins
- Unabridged
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Dubbed the greatest horror story in English by Stephen King, The Great God Pan is an eerie and otherworldly mystery about a diabolical operation and its terrifying repercussions. After rescuing a young woman from the streets of London, Dr. Raymond uses her as a test subject for brain surgery aimed at "lifting the veil" of reality, to see the supernatural and the "great god Pan". The operation is a disaster and leaves the subject lobotomized. Years later, London becomes afflicted with a strange series of male suicides connected to a beautiful but sinister woman.
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Wonderful Performance of Fantastic Tales
- By Gavin Lees on 06-19-18
By: Arthur Machen
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Poor Miss Finch
- By: Wilkie Collins
- Narrated by: Danielle Cohen, Amanda Friday, Lance Rasmussen, and others
- Length: 17 hrs and 31 mins
- Unabridged
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Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.
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Good story.
- By susan m. dillier on 10-02-23
By: Wilkie Collins
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Poor Miss Finch
- By: Wilkie Collins
- Narrated by: Marry Floyd
- Length: 19 hrs and 58 mins
- Unabridged
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"Poor Miss Finch" by Wilkie Collins is a novel about a wealthy, but blind girl who temporarily regains her sight while being in a romantic triangle with two brothers. Lucilla Finch (21) has been blind since infancy. Shortly after the narrator, Madame Pratolungo, arrives to serve as her paid companion, Lucilla falls in love with Oscar Dubourg, her shy and solitary neighbor, also wealthy, who devotes himself to craftsmanship in precious metals.
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Entertaining story but didn't care for narration
- By shortforu on 04-28-18
By: Wilkie Collins
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Belinda
- By: Maria Edgeworth
- Narrated by: Lucy Scott
- Length: 18 hrs and 52 mins
- Unabridged
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Published in 1801, Maria Edgeworth’s Belinda is an absorbing novel that mirrors social and domestic life among the English gentry. In her pursuit of a suitable marriage, Belinda encounters an array of characters including the dazzling socialite Lady Delacourt, the feminist Harriet Freke, the wealthy and handsome West Indian Mr Vincent and the impulsive Clarence Hervey.
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Editor Was Needed
- By DEJ on 06-18-24
By: Maria Edgeworth
What listeners say about Armadale
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 11-23-20
Wonderfully engaging!
Worth every minute. You’ll be so sorry to reach the end and have to leave these marvelous characters!
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- Jon C
- 08-01-21
Great narration
Narration was spot on. Story was fascinating, but most of the second half is told from the point of view of characters who are the antagonists, and the characters you grew to like in the beginning have less to do. My desire to see where it would all lead got me to the end, and it was an interesting ending, but it did leave me feeling less satisfied than Collins's other book with the same narrators, NO NAME. ARMADALE delves deep into the psychology of crime and criminals, and into most of the characters' heads. This was fine for me when the story was being told through the eyes of characters I liked, but when it veered into unlikable POV's for long stretches, it was decidedly more difficult. This is probably my own personal preference, however. If you're looking to commit to reading one of Collins's lesser known novels, I personally think NO NAME is more entertaining and satisfying, but this was also interesting in its own way.
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- MegaMom
- 11-02-20
Wilkie Collins at his best
The story never gets boring and is fascinating until the end. No one is without flaws which is part of the charm
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- Simon Brodie
- 04-12-20
Classic Collins
This is the third of Wilkie Collins’s four great novels of the 1860s, the others being The Woman in White, No Name, and The Moonstone. The lives of two cousins, both named Allan Armadale, seem inextricably wound together. Is it fate or merely chance? One of the cousins is unaware of their kinship; the other goes by an assumed name and is haunted by a crime committed by his late father. The narrative is increasingly dominated by a third character, the beautiful but deceitful Lydia Gwilt, whose schemes threaten the life of one or both of the cousins. Armadale is a melodrama in the best sense of the word, and the Naxos cast is splendid!
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5 people found this helpful
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- Woolymamath
- 10-10-21
Wilke Collins
This is by far my favorite of his books! Gripping! Even better than Woman in White
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- hannah
- 05-27-21
Excellent
Excellent performance(s) of an intriguing narrative! I feel like I know each character so well.
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- erika
- 10-14-23
Epic bromance
Wilkie Collins never disappoints. All of the mystery, twists and turns. A+ story and the performance is excellent.
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- John
- 09-25-21
Perhaps the Best of Collins’ Four Best Novels
Note: This review contains no spoilers
Chekov once observed that if there’s a gun over the mantle in the first act, it had better go off in the third. Given their dates, it’s doubtful if Wilkie Collins ever heard that sound bit of dramatic advice. But he used it to great effect, perhaps never better than here.
Some have complained that the first act is a bit long. But Collins has more than one gun to place over his mantle, and they all need to be primed and loaded. As the story gets going, the wait for the inevitable fusillade—in conjunction with Collins’ flair for the unexpected twist and turn—creates more than enough exquisite dramatic tension to sustain interest over 30 hours. Of course, like any good Victorian novel, this one repays that investment of time with more than thrills and spills. There’s humor:
“A man who is entering on a course of reformation ought, if virtue is its own reward, to be a man engaged in an essentially inspiriting pursuit. But virtue is not always its own reward; and the way that leads to reformation is remarkably ill-lighted for so respectable a thoroughfare.”- Book the Second, Chapter IV
And memorable observations of our human condition:
“The influence exercised by the voice of public scandal is a force which acts in opposition to the ordinary law of mechanics. It is strongest, not by concentration, but by distribution. To the primary sound we may shut our ears; but the reverberation of it in echoes is irresistible.” – Book the Third, Chapter VII
Mercifully, this story lacks one other hallmark of the Victorian novel, the sentimental soapbox of social justice. These characters are too interesting and complex to be reduced to mere emblems and exemplars.
Some reviewers cavil at the myriad coincidences. Collins himself has his female lead, Lydia Gwilt, exclaim, “How unnatural all this would be if it was written in a book!” But this is not just a Victorian novel; it is a Victorian "novel of sensation", of mysteries, secrets and veiled motives, where, as the lawyer writes in the second to last chapter, “…rogues perpetually profit by the misfortunes and necessities of honest men.” Everything revolves around curses, fate, superstition, and whether we can escape what, for lack of a less melodramatic term, I’ll call destiny. In that context, each coincidence functions not as a cheap plot device, but a deepening of the central conundrum: is it of natural or supernatural origin? In an endnote, Collins leaves that up to us. For myself, history is rather too liberally studded with coincidence for me to think them wholly coincidental.
Third in the series of four remarkable novels Collins produced in the 1860’s, this strikes me as his best. It is certainly his most complex and ambitious from the standpoint of theme, plot, motivation, and character development. Whether he’s reading Lord Byron, Chretien de Troyes, Alessandro Manzoni or Wilkie Collins, Nicholas Boulton hands in a flawless performance. And the same goes for the rest of the cast, especially Rachael Atkins and Lucy Scott.
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5 people found this helpful
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- Alex
- 05-03-22
Best Wilkie Collins Novel!
Wow, this story is a good one. Thanks to audible, I’ve listened to 4 other Wilkie Collins novels and this one is my favorite! He’s such a talented storyteller and the voices reading it definitely do it justice. Highly recommend to anyone who is a fan of 19th century novels.
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- Proud Parents of Furry Kids
- 10-28-20
Listen again & again to unravel layers of mystery
Armadale has always been one of my favorite novels. With this beautiful production, I've been given a chance to listen to it again and again and delve deeply into the complexities of this story. The author tells the tale of two remarkable people who began life with the worst sort of luck. No family to care for them as children, no formal education, nothing to set them up in life. Each was exposed to adults who abused them. Each had nothing but his or her intelligence to educate and polish them. But one strives to be moral, and the other flouts morality. Or so it appears at first. The greatness of this novel is in its complexity. There is a modern feel to it in that the psychology of the characters, even down to their irrational beliefs, determines their actions and their outcomes. There is no good or evil character; only characters that choose to do good or evil and may choose differently at any moment.
The heroine is one of the strongest female characters I have come across in literature. She appears wicked and yet at no time does Wilkie Collins let us condemn her as wicked. She is riveting. She is magnificent.
Like other Wilkie Collins novels, Armadale is peppered with letters. Imagine a scene intent on critisizing the prurience of society, but written in letter form, so that we (the readers) become part of the scene, eavesdropping on someone else's life as divulged in the letter...
There's even a subtle criticism of the unequal treatment of blacks. There are two men starting out in life with the same name, but each with a very different beginning. And the man with a black ancestry is the one mistrusted for his brooding nature, his apparent moodiness, his dark complexion. This man masters his inheritance of murder and heritage of superstition to save his friend, the best of men because his morality is expressed in deeds instead of social mores.
Character names, too, will tease you. Miss Lydia Gwilt...so reminiscent phonetically to Lady Guilt—but whose is the guilt? Her’s or society’s? And Armadale—Arm a dale—two concepts so strangely coupled into a beautiful name. As you listen to the story again and again, take the time to contemplate the phonetic meanings behind the names, as clues to the theme of the novel.
To express his theme, Collins uses characters that are foils to each other. This is not merely true of the main characters as they relate to each other, but of these characters in relation to lesser ones or even to the social backdrop as a whole. Once again, the letters not only make the story more intimate at times, but they force us to engage in this comparison, to unmask the subtle statements Collins is weaving through the events of the novel.
It's easy to read Armadale superficially, but the puzzle untangles so many layers of mystery the more you ponder this story. So I love listening to this production for this reason, because I cannot digest everything Collins did in one read or one listen.
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9 people found this helpful