Showing titles in History & Criticism

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.

Before Picasso became Picasso—the iconic artist now celebrated as one of France's leading figures—he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades.

In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch's work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch's legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history's most significant painters, but the very meaning of choosing the artist's life, as he himself has done.

What separates a masterpiece from a piece of junk? Thanks to the BBC's Antiques Roadshow and its American spin-off, everyone is searching garage sales and hunting online for hidden gems, wondering whether their attics contain trash or treasures. In The Art Detective, Philip Mould, one of the world's foremost authorities on British portraiture and an irreverent and delightful expert for the Roadshow, serves up his secrets and his best stories.

Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death 30 years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him.

London has harbored many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956). A controversial enfant terrible of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said "Spare's medicine is too strong for the average man." But Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river.

We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.

What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.

In this vivid and captivating journey through the colors of an artist’s palette, Victoria Finlay takes us on an enthralling adventure around the world and through the ages, illuminating how the colors we choose to value have determined the history of culture itself. Color is full of extraordinary people, events, and anecdotes—painted all the more dazzling by Finlay’s engaging style. The colors that craft our world have never looked so bright.

Postmodernism has become the buzzword of contemporary society over the last decade. But how can it be defined? In this highly engaging introduction, the mysteries of this most elusive of concepts are unraveled, casting a critical light upon the way we live now, from the politicizing of museum culture to the cult of the politically correct. The key postmodernist ideas are explored and challenged, as they figure in the theory, philosophy, politics, ethics, and artwork of the period, and it is shown how they have interacted within a postmodernist culture.

Here are the two most treasured documents of American freedom together on one audiobook. Drafted by Thomas Jefferson in 1776 as an act of rebellion, the Declaration of Independence powerfully expresses the political principles of an emerging nation. Ratified in 1788, the Constitution for the United States remains a shining example of patriotism and compromise.

Toward the end of his long life, Tiziano Vecelli - known to the world ever since as Titian (circa 1488-1576) - was at work on a number of paintings that he kept in his studio, never quite completing them, as though wanting to endlessly postpone the moment of closure. Produced with his fingers as much as with the brush, Titian’s last paintings are imbued with a unique rawness and immediacy without precedent in the history of Western art.

In 1922, after fifteen years of searching, archaeologists finally discovered the tomb of King Tutankhamun. There, buried alongside the king's mummy, they found more than 5,000 unique objects, from the mundane to the extravagant, from the precious to the everyday. Tutankhamun's spectacular gold mask is justifiably famous, but the rest of the treasures remain largely unknown, their stories untold.

In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper’s two dozen wood engravings, carved into boxwood and transferred to metal plates to stamp on paper. One was a scene that Homer saw in his hometown of Boston, showing Frederick Douglass speaking about freedom and a crowd of abolitionists being thrown from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” He is at the heart of the image, face turned skyward and right arm reaching out like a Roman orator.

Jan van Eyck's Ghent Altarpiece is on any art historian's list of the 10 most important paintings ever made. Often referred to by the subject of its central panel, the Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time.

Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends, were crucial sources for this book. Freud had ferocious energy, worked day and night, but his circle was broad, including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies, and gangsters like the Kray twins.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.