Showing titles in History & Criticism

Frances Fyfield and Clemency Burton Hill explore the tales and tribulations revealed in the hand-written music of artists including Bach, Vivaldi, Mendelssohn, Beethoven, Mozart, Handel, Stravinsky, Schubert, Rachmaninov and Chopin. Joined by world-leading musicians and musical experts, they investigate the stories behind the manuscripts for famous songs like 'On Hearing the First Cuckoo in Spring', and some of the best known operas and shows of all time including The Barber of Seville, The Pirates of Penzance and Madame Butterfly.

Dangerous Melodies vividly evokes a time when classical music stood at the center of American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers - and the activities of orchestras and opera companies - were intertwined with momentous international events: two world wars, the rise of fascism, and the Cold War.

April of 1958 - the Iron Curtain was at its heaviest, and the outcome of the Tchaikovsky International Piano Competition seemed preordained. Nonetheless, as star musicians from across the globe descended on Moscow, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the Russian spirit. This is the story of what unfolded that spring - for Cliburn and the other competitors, jurors, party officials, and citizens of the world who were touched by the outcome.

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.

Inside the chapters of Behind the Boards: Nashville by award-winning music biographer Jake Brown, country music fans for the first time ever are given a front-row seat inside Music Row's most famous recording studios on tours narrated by the town's biggest record producers.

This book provides a comprehensive overview of techno music from its inception in the 1980s to the present day. It discussed the various styles and genres that have emerged within techno, and the key artists and tracks that have helped shape the genre. The book also includes details about some of techno's most prominent producers and DJs, offering listeners insight into their creative process and the inspiration behind their music.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

Mysteries in the Music: Case Closed examines some of the secrets, myths, legends, hoaxes, conspiracies, and wildly inexplicable events that are such an intriguing part of rock and roll history. Travel back to the 1950s to uncover "Who Really Discovered Elvis Presley?" Revisit the 1960s when a folk troubadour tried forming a supergroup with The Beatles and The Rolling Stones. Transport back to Jamaica 1976 to discover whether the CIA tried to assassinate reggae superstar Bob Marley. Discover whether The Beach Boys actually stole a song from cult leader Charles Manson.

With a wide-ranging mix of rants on pop culture, politics, and coping with the present, Parker’s personal stories show you how to conquer problems with poise. Using Parker’s toolbox of humor, irony, and common sense, you too can take on any challenge.

House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music. Developed in Chicago's underground dance club culture in the early 1980s, today house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning.

Bach, Vivaldi, and Handel are the three great composers of the Baroque era, though there are many other well-known figures, including Albinoni, Pachelbel, and Scarlatti. This engaging introduction, interspersed liberally with music, shows how the works of these composers graced the courts and churches of Europe from 1600 to 1750. It is a fascinating story.

In A New America, Tommy Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades - from his initial fascination with Latin music which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. >But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America.

Dieser Pop-Split stellt den Titel Bitter Sweet Symphony vor und erklärt, weshalb man von seiner eigenen kreativen Leistung am Ende oft nichts hat...

Der Titel ist Teil des Pop-Splits "Rock Bizz - 21 Geschichten zu Geld und Ruhm".

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favorite bands. Anyone who's anyone in the metal scene has featured Kerrang's hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

In Michael Rabin: America's Virtuoso Violinist, Anthony Feinstein tells the poignant story of the life and career of one of history's greatest violinists. As a child prodigy, Rabin had the classical music world at his feet. Notable successes included a coveted EMI contract, recording the soundtrack for an Elizabeth Taylor movie, and guest appearances on The Milton Berle Show and The Bell Telephone Hour.

Look to the shadowy corridor between chart-topping hits and the cryptic tales that lurk behind them in “Rock & Roll Nightmares: Blood On The Tracks.” This electrifying true crime tome peels back the curtain on the eerie nexus of melody and morbidity, guiding you through a chilling journey where the anthems of the airwaves meet their macabre muses.

In Nazi Germany, the cult of celebrity was the embodiment of Hitler's style of cultural governance. Hitler's rise to power owed much to the creation of his own celebrity, and the country's greatest stars, whether they were actors, writers, or musicians, could be one of only two things. If they were compliant, they were lauded and awarded status symbols for the regime; but if they resisted - or were simply Jewish - they were traitors to be interned and murdered.

Dieser Pop-Split erzählt, wie eine Gedichtzeile zu einem musikalischen Liebesbekenntnis und damit zu einem der berühmtesten Country-Songs wurde.

Der Titel ist Teil des Pop-Splits "Always on my mind -- 21 Geschichten aus Liebe".

Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters - and limitations - of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance.